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Omnivore

Space in Russia

A new issue of Liberal Arts in Russia is out. Kira Ilina (HSE): The Academic Study in the 1990s and 2000s of the History and Practice of Awarding Academic Degrees and Titles in Russia. Bruce Etling, Hal Roberts, and Robert Faris (Harvard): Blogs as an Alternative Public Sphere: The Role of Blogs, Mainstream Media, and TV in Russia's Media Ecology. From Stasis, Artemy Magun (EUSP): The Russian Protest Movement of 2011–2012: A New Middle-Class Populism; and Anna Zhelnina (EUSP): “Hanging Out,


Paper Trail

Robert Stein, an editor at magazines such as McCall’s and Redbook, died last week at age 90. In its obituary, the Times points out that McCall’s (known as a “women’s magazine”) evolved rapidly under Stein’s innovative leadership: “He led in-depth coverage of the civil rights movement in its early days, interviewed President John F. Kennedy

Syllabi

Weird Sex

Vanessa RovetoThere's good sex and there's bad sex. And then there's weird sex—a Freudian purgatory that somehow neither stimulates the libido nor inhibits it. In art and life, we're inclined to seek out pleasure

Daily Review

Last Words from Montmartre

Nineteen years ago, at the age of twenty-six, the much-lauded Taiwanese novelist Qiu Miaojin killed herself. At the time of her death she was living in Paris, leading a lively and queer intellectual life very much like the narrator of her 161-page epistolary novel, Last Words from Montmartre. The sensational quality of the book's content in relation to its seeming parallels with Qiu Miaojin's life is an inextricable part of reading it.
  • Fear
    by Gabriel Chevallier

Interviews

William T. Vollmann

William T. Vollmann's latest story collection considers death from a variety of perspectives, veering from realistic to supernatural, from reportage-like writing to the ghost story. Bookforum talks with the author about his new book, his FBI files, his ongoing research of coal mines and the environment, and his female persona, Delores.

Excerpt

F for Fake

Brian Dillon

What exactly do we mean when we call an artist or writer a charlatan? What manner of truth is in question? Assuredly, an artistic or literary charlatan is not merely a fraud, a forger, or an impostor. Such quasi-criminal categories have their own clear-cut logic: The perpetrator either is or isn't what he purports to be. But an accusation of charlatanry points to something far more fundamental than a simple waywardness with the facts.

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