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Omnivore

You'll never see Australia the same way again

Alica Kizekova (Bond): Australian National Identity and the Asian Century. Gabriel Solis (Illinois): The Black Pacific: Music and Racialization in Australia and Papua New Guinea. To win the White Australia Game, players had a specific goal: To "Get the Coloured Men Out and the White Men In”. From Arena, Lorenzo Veracini on why Settler Australia needs refugees. Ancient and modern matter: Bronwyn Lay on what law ignores. Shake-up on Opium Island: Tasmania, big supplier to drug companies, faces


Paper Trail

New York magazine rounds up the books to look forward to this fall, including Ben Lerner’s much-anticipated novel, 10:04, which publishes next week, Lena Dunham’s memoir, Not That Kind of Girl, as well as new fiction from Martin Amis, Marilynne Robinson, and Denis Johnson. Rene Steinke runs down six great books about Texas that go

Syllabi

Weird Sex

Vanessa RovetoThere's good sex and there's bad sex. And then there's weird sex—a Freudian purgatory that somehow neither stimulates the libido nor inhibits it. In art and life, we're inclined to seek out pleasure

Daily Review

Your Face in Mine: A Novel

Row's brilliant new novel pursues a bold and roomy premise: What if you could change your race? Not superficially, with makeup and a wig, but by cosmetic surgery? This book feels new not only because it inverts and biologizes racial passing, but also because it takes seriously the last few decades of identity politics.

Interviews

Yelena Akhtiorskaya

Most extraordinary about Yelena Akhtiorskaya's first novel, Panic in a Suitcase, is the language, which can dive in and out of the consciousness of multiple characters in the space of a sentence. Akhtiorskaya writes about Russian immigrants who fail to fully embrace their new country. Often, they dream about returning, or at least about taking a vacation.

Miscellaneous

Whatever Happened to St. Petersburg?

Greg Afinogenov

Catriona Kelly’s Petersburg: Shadows of the Past takes the city’s marginal and offbeat local culture not as a fall from grace but as an opportunity. Despite its foreboding subtitle, the book ventures into this least heroic period of the city’s life—from 1945 to the present—with the briskness of a government inspector.

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