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Omnivore

Far more intriguing

Anne-Maree Tiernan (Griffith) and James P. Pfiffner (George Mason): Chiefs of Staff to Presidents and Prime Ministers: A Comparative Perspective. Tiziana Andina (Torino) and Andrea Borghini (Holy Cross): Metaphysics and Ontology. Hannibal Travis (FIU): Patent Alienability and its Discontents. From the International Peace Institute, a symposium on Lessons from the Past, Visions for the Future: 1814, 1914, 2014. After Karzai: Afghanistan’s outgoing president helped heal a shattered country; he also


Paper Trail

The National Book Foundation has announced the winners of its annual 5 Under 35 program. This year’s honorees are Yelena Akhtiorskaya, nominated for her debut novel, Panic in a Suitcase; Alex Gilvarry, the author of From the Memoirs of a Non-Enemy Combatant, also his first novel; Phil Klay, for his book of short stories, Redeployment; Valeria

Syllabi

Sextet

Michael Barron"Writing about music," the saying goes, "is like dancing about architecture." If it's meant to dissuade, the warning has gone unheeded: Over the years, a number of novels about music have ingeniously

Daily Review

Lila

An essentially religious writer, Marilynne Robinson stands quite alone in this "unreligious age," as Iris Murdoch called it, in which we turn to art for an experience akin to prayer. With these novels, all of them wrought from theological concerns, Robinson has created a secular church of readers.

Interviews

Eula Biss

As Eula Biss began investigating immunity and public health, her interest moved from the question of fear to the question of how to move past it, and into a discussion of social ethics and care: What does an individual body—scared or not—owe the collective body?

Cinema

Film as Film: The Collected Writings of Gregory J. Markopoulos

Rebekah Rutkoff

A key figure in the New American Cinema of the 1960s, Gregory J.Markopoulos made ambitious films starting in the late ’40s, complex psychodramas and romantic meditations that used symbolic color and rapid montage. For Markopoulos, the delicate and, in his words, “divine” potential of film was too easily damaged when the artist ceded screening responsibility to curators and institutions with their own priorities, both financial and

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