MICHAEL LIND ON HOW THE OBAMA WHITE HOUSE HAS STRATEGICALLY DOWNSIZED US FOREIGN POLICY
JESS ROW: Mohammed Hanif's Our Lady of Alice Bhatti
JESSICA JOFFE: Nell Freudenberger's The Newlyweds
BRIAN T. EDWARDS: Abdellah Taïa's An Arab Melancholia
KATE CHRISTENSEN: Tyler Cowen's An Economist Gets Lunch: New Rules for Everyday Foodies
SUZY HANSEN: Christopher de Bellaigue's Patriot of Persia: Muhammad Mossadegh and a Tragic Anglo-American Coup
GEORGE PROCHNIK: Marina Warner's Stranger Magic: Charmed States and the Arabian Nights
LUC SANTE: Richard Lloyd Parry's People Who Eat Darkness
MICHAEL FRIED: Robert Adams's The Place We Live: A Retrospective Selection of Photographs, 1964–2009
NOAH ISENBERG: Miriam Bratu Hansen's Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno
CORAL DAVENPORT: Edward Humes's Garbology: Our Dirty Love Affair with Trash
J. HOBERMAN: Katerina Clark's Moscow, the Fourth Rome: Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931–1941
PETER ARKLE: David Rees's How to Sharpen Pencils: A Practical and Theoretical Treatise on the Artisanal Craft of Pencil Sharpening for Writers, Artists, Contractors, Flange Turners, Anglesmiths, and Civil Servants
BRENT HAYES EDWARDS: Gil Scott-Heron's The Last Holiday
SARA MARCUS: Alison Bechdel's Are You My Mother? A Comic Drama
ATOSSA ARAXIA ABRAHAMIAN: Daniel Levin Becker's Many Subtle Channels: In Praise of Potential Literature
JESSICA LOUDIS: Richard Mosse's Infra
ELIZABETH GUMPORT: Wilhelm Sasnal
ALBERT MOBILIO: Backyard Oasis: The Swimming Pool in Southern California Photography, 1945–1982