MARJORIE PERLOFF ON GREGOR VON REZZORI AND THE FINAL DAYS OF THE AUSTRO-HUNGARIAN EMPIRE
BARRY SCHWABSKY ON LEWIS BALTZ'S WORKS
MICHAEL GREENBERG on the fantasies of suburban life
MELANIE REHAK on cooking with apps
BEN SCHWARTZ on Ernie Bushmiller's Nancy
JESSICA WINTER: Heidi Julavits's The Vanishers
CHRISTOPHER R. BEHA: Peter Cameron's Coral Glynn
GARY INDIANA: The Letters of Samuel Beckett: Volume II: 1941–1956
J. HOBERMAN: László Krasznahorkai's Satantango
CHRISTOPHER BYRD: Steve Erickson's These Dreams of You
J. W. MCCORMACK: Tom McCarthy's Men in Space
TIM SHORROCK: B.R. Myers's The Cleanest Race: How North Koreans See Themselves—and Why It Matters
RICHARD GREENWALD: Frank Bardacke's Trampling Out the Vintage: Cesar Chavez and the Two Souls of the United Farm Workers
MARGUERITE FEITLOWITZ: David Scheffer's All the Missing Souls: A Personal History of the War Crimes Tribunals
JIM SLEEPER: Simon Critchley's The Faith of the Faithless: Experiments in Political Theology
JAMES GIBBONS: Christopher Benfey's Red Brick, Black Mountain, White Clay: Reflections on Art, Family, and Survival
MICHAEL DIRDA: William Gibson's Distrust That Particular Flavor
SHELLEY RICE: Elizabeth Easton's Snapshot: Painters and Photography, Bonnard to Vuillard
WILL BUNCH: Thomas Frank's Pity the Billionaire: The Hard-Times Swindle and the Unlikely Comeback of the Right
SAMUEL MOYN: Eyal Weizman's The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza
SHEILA HETI: Frederick Turner's Renegade: Henry Miller and the Making of Tropic of Cancer
MIRIAM KATZ: Moshe Kasher's Kasher in the Rye
ALBERT MOBILIO: Kevin Erskine's Supercell