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Nonfiction Noted
Dale Peck on New Studies of E. M. Forster
Tyler Cowen on the Letters of Vincent Van Gogh
Michael Lind on the Journalism of Pulitzer, Hearst, and Luce
Benjamin Anastas on IAN McEWAN's Solar
Ana Marie Cox on And the Heart Says Whatever by Emily Gould
Vivian Gornick on Mark Cohen's Missing a Beat: The Rants and Regrets of Seymour Krim
Clay Risen on DANIEL S. PIERCE's Real NASCAR: White Lightning, Red Clay, and Big Bill France and MARK BECHTEL's He Crashed Me so I Crashed Him Back
Wendy Lesser on Collected Stories by Deborah Eisenberg
PUB DATES by David O'Neill
Joan Richardson talks with Stanley Cavell
Melanie Rehak on Tom Fitzmorris's New Orleans
Jenna Sauers on Prada
Adam Kirsch on Yann Martel's Beatrice and Virgil
Sarah Courteau on Peter Carey's Parrot and Olivier in America
Geoffrey O'Brien on Heinrich von Kleist's Selected Prose
Craig Seligman on The Escape by Adam Thirlwell
Karan Mahajan on American Taliban, by Pearl Abraham
Matthew Shaer on Kira Henehan's Orion You Came and You Took All My Marbles
Kate Wolf on Sam Munson's The November Criminals
Elizabeth Mitchell on Something Red by Jennifer Gilmore
Jacob Silverman on The Line by Olga Grushin
Ross Simonini on Scott Bradfield's The People Who Watched Her Pass By
Gerald Howard on Lonelyhearts: The Screwball World of Nathanael West and Eileen McKenney by Marion Meade
Heather Havrilesky on A Ticket to the Circus by Norris Church Mailer
J. Gabriel Boylan on KYLE GANN's No Such Thing as Silence: John Cage's 4'33" and GEORGE PROCHNIK's In Pursuit of Silence: Listening for Meaning in a World of Noise
Nathan Lee on Perpetual Inventory by Rosalind E. Krauss
Gal Beckerman on IAN JOHNSON's A Mosque in Munich: Nazis, the CIA, and the Rise of the Muslim Brotherhood in the West
Noah Isenberg on Germania: In Wayward Pursuit of the Germans and Their History by Simon Winder
Tom Vanderbilt on Sigfried Giedion's Mechanization Takes Command: A Contribution to Anonymous History
Chris Lehmann on Daniel Okrent's Last Call: The Rise and Fall of Prohibition
Brendan Boyle on Raymond Geuss's Politics and the Imagination
Dahlia Lithwick on Paul D. Halliday's Habeas Corpus: From England to Empire
Peter Manseau on Stephen Batchelor's Confession of a Buddhist Atheist
Jonah Lehrer on IAIN McGILCHRIST's The Master and His Emissary: The Divided Brain and the Making of the Western World
Michael Woodsworth on Sean Mills's The Empire Within: Postcolonial Thought and Political Activism in Sixties Montreal
Sheila Heti on Mary Jane Jacob and Michelle Grabner's The Studio Reader: On the Space of Artists
Erin Aubry Kaplan on Midnight at the Barrelhouse: The Johnny Otis Story by George Lipsitz
Timothy Farrington on ROBERT McCRUM's Globish: How the English Language Became the World's Language
Albert Mobilio on François-Marie Banier's Samuel Beckett
