Mima Simic, photo © Jelena Topcic

Croatian author Mima Simić was thrilled when she heard that her story “My Girlfriend” (translated into English by the author) was selected for Dalkey Archive Press’s Best European Fiction 2011 anthology. However, she was “shocked, appalled and flabbergasted” when she received the book and found egregious errors introduced by an editor of the story (one character, whose gender is intentionally ambiguous in the original, becomes a man in the edited version). So Simić did what any angry author looking to start a tempest in the literature-in-translation world would do: She wrote an open letter to Dalkey rival publisher Open Letter’s Three Percent blog (run by ex-Dalkey Archiver Chad Post). The Literary Saloon has a roundup of the fallout, including a response from Dalkey, Post’s explanation of why he published Simić’s letter, and Maitresse blogger (and Bookforum contributor) Lauren Elkin’s smart take on the “Politics of Translation.”

Author Jeffrey Eugenides publishes a novel only about once a decade, and they’re always worth the wait. The nineties brought us the mesmerizing The Virgin Suicides (later made into a film by Sophia Coppola), the aughts saw the Pulitzer-prize winning (and Oprah book club pick) Middlesex, and (mark your calendars) his new novel, The Marriage Plot, will be released by FSG in October. No word yet on what the book is about, but the title suggests a Phillip Roth-Curtis Sittenfeld mash-up.

Non-fiction authors afflicted with writer’s block need look no further than The Malcolm Gladwell Book Generator, which, as The Observer wryly notes, has already reached the tipping point.

More on the VIDA survey, from Poetry magazine, one of the publications counted. They confirm what many have been saying: Men pitch to editors more often than women (last year, Poetry’s submission rate was 65% men and 35% women). Still, Poetry isn’t making excuses, writing “it’s not equal, and it ought to be. The VIDA results seem to us a useful and necessary warning. For our part, we’re going to begin trying even harder.”

Tonight at the New School, Jennifer Egan—author of the novel of music and bad memories, A Visit from the Goon Squadwill appear as the guest of University’s Fiction Forum.

Elizabeth Bishop

At the New Republic, Ruth Franklin answers some of the questions raised by VIDA’s recent survey, which shows an alarming disparity in the number of women reviewed or published in literary magazines. Franklin finds that the problem begins with the fact that book publishers release many more titles by men than women, and so actually, “magazines are reviewing female authors in something close to the proportion of books by women published each year.” And at Bookslut, Alizah Salario offers an engaging first-person commentary on the issue: “Twenty-Three Short Thoughts About Women and Criticism.”

In a nearly unprecedented technological breakthrough, Kindle e-books now have “Real Page Numbers.”

Do bad reviews matter? Emily St. John Mandel, a novelist who has had the traumatic experience of having her work publicly panned (and lived to tell the tale), considers the question at The Millions, recounting Norman Mailer's instructive example: "Norman Mailer received countless laudatory reviews; but we’ll remember these less vividly, I think, than we’ll remember his decades-long feud with Michiko Kakutani."

Poet Elizabeth Bishop would have been 100 years old today. In honor Bishop's birth, Bookforum surveys three recently published collections of her work, and tonight, Cooper Union will host a free event where twenty contemporary poets, including John Ashbery, Jonathan Galassi, and Katha Pollit (among others), will read their favorite Bishop poem.

Trinie Dalton

We were excited to learn that the venerable independent press 2 Dollar Radio—which has brought out deeply original contemporary classics such as Rudolph Wurlitzer’s Drop Edge of Yonderhas announced its latest acquisition: Baby Geisha, by the consistently fascinating author, journalist, and editor Trinie Dalton, whose books include the excellent collection of So-Cal fantasia and horror Wide-Eyed. The new story collection will come out in January 2012.

Magazine editor, radio host, and novelist Kurt Andersen might be able to add another skill to his resume: urban planning. He wants to turn part of his Brooklyn neighborhood’s Carroll Park into a piazza. We think it’s a good idea.

A few highlights from this year’s AWP: We saw the chaotic and charismatic Blake Butler thrown out of a bar on Thursday night (awesome!). We bought a coffee mug from the people who bring you the Rumpus, which bears the caption: “Write like a motherfucker!” We picked up a galley of Us by the underrated novelist Michael Kimball. And we got a sneak preview of “Save the World,” an mp3 of a poem by Ariana Reines (The Cow), read by actor Lili Taylor, which will soon be available at the Fence Books website.

Gordon Lish—the infamous former Knopf editor who made Raymond Carver Raymond Carver and taught writers including Amy Hempel, Gary Lutz, and Sam Lipsyte—pays homage to novelist Eugene Marten’s Firework on Youtube.

Elizabeth Spiers has taken over The New York Observer.

Editor Hugo Lindgren continues to remake the Sunday Times Magazine, with Q and A maestro Deborah Solomon out (she’s planning to devote her time to writing a Norman Rockwell biography), and columnist Ariel Kaminer reportedly replacing Randy Cohen as the house Ethicist.

Meghan O'Rourke

From the New York Times Arts Beat blog (the new home of their book blog Paper Cuts), here’s a reading list for the crisis in Egypt. Meanwhile, Atlantic contributing editor and Bookforum regular Graeme Wood continues to file blog posts from Cairo; in his most recent dispatch, he describes being dragged down the street by an Egyptian mob.

The New York Times previews its e-books bestsellers list, slated to appear in print next weekend.

The literary arts website VIDA has released a 2010 count of how often women are published and reviewed in a variety of large and small literary magazines, and the charts show that women are vastly underrepresented in nearly every category at every publication (an informal count shows that Bookforum is not an exception to the trend). As Meghan O’Rourke writes in Slate, “Even if you might have expected the gender ratios to be skewed, the results are a little surprising. After all, writing isn't a field historically dominated by men, like theoretical physics; women in the United States have long had pens in hand.” On blogs such as the Rumpus, people are disputing the way the stats are tallied; they're asking if women publish less books, or submit less material to magazines, which might skew the results. Yes, by all means, get more data and clarify these queries, but as Jim Behrle writes at the Hairpin blog: “The pressure to defend counting pales in comparison to the pressure that ought to be put on these publications going forward.” Perhaps magazines can learn from Wikipedia: Though a recent survey shows that women write less than fifteen percent of articles in the online encyclopedia, Wikipedia is now actively recruiting women writers.

Tonight Brooklyn’s BookCourt is hosting “Great Philosophers who Failed at Love,” a discussion with Andrew Shaffer, Simon Van Booy, and Todd Colby.

Reif Larsen

Tonight, Bookforum and Villa Gillet present “Starting from Here: Every Place Tells a Story,” at the French Institute Alliance Française in Manhattan. Panelists include American writers Reif Larsen and Peter Turchi, French author Philippe Vasset, and French geographer Michel Lussault. Moderated by Bookforum co-editor Albert Mobilio, the participants will discuss the ways in which maps and stories narrate a sense of place.

Yesterday morning at the Guggenheim, Rupert Murdoch successfully launched his iPad newspaper, The Daily (the only hitch was when a reporter from a rival news organization asked Murdoch an uncomfortable question).

There’s a heated debate at the Columbia Journalism Review, where author Philip Gourevitch takes exception to a recent CJR article that claims Gourevitch “softens some hard truths” about Rwanda. Gourevitch writes: “CJR—on the defensive and after the fact—has invited me to respond. But what can you say about a piece that is such a porridge of innuendo and insinuation, misrepresentations and deliberate distortions? Its claim that controversy boils around me is conspicuously unsubstantiated.”

Jacket Copy’s Carolyn Kellogg gives newbies the lowdown on this week’s Association of Writing Programs (AWP) conference.

Atlantic contributing editor and Bookforum regular Graeme Wood is reporting from Cairo’s Tahir square, offering a riveting first-person account of the peaceful protest's violent turn earlier today. In our current issue, Wood reviews Mario Vargas Llosa’s latest historical novel, El Sueno del celta, about the conflicted life of liberator Roger Casement.

Apple announced that it has decided to change the rules for publishers. No surprise that this comes without an apology. Previously, the company allowed application developers to sell content over a web browser, not through the app itself. Now, Apple decides it wants a cut after all, and beginning later this year, it will traffic these sales itself—and charge a 30% toll. The Times quotes an electronics analyst who says, “Apple started making money with devices. Maybe the new thing that everyone recognizes is the unit of economic value is the platform, not the device.” But there are deeper implications for magazines and newspapers that go to the heart of the business model—retaining control over subscriptions and, crucially, subscriber data.

Colson Whitehead

Colson Whitehead has announced that his new book, Zone One, will be published in October. It’s a disaster novel! Whitehead tweeted yesterday that it “concerns the rehabilitation of NYC after the apocalypse,” adding later, "if the book were a mash-up, it'd be Leonard Cohen's 'The Future' + Wire's 'Reuters' + Joy Division's 'Decades'." Whitehead is the author of, among other things, a nonfiction book about the city (Colossus of New York), a satire about branding (Apex Hides the Hurt), and the most hilarious Twitter feed we know of. Is it too much to hope that this postapocalyptic novel is a comedy?

Rupert Murdoch’s iPad newspaper, The Daily, launches at an event at the Guggenheim today at 11 am. Among the new e-paper's staff are journalists from the New Yorker, the New York Times, The Atlantic and other old-media stalwarts. As the Times reported last fall, The Daily will have about one hundred editors and writers, and a first-year budget of thirty million dollars.

Wayne Barrett—the dogged reporter and author of Rudy!: An Investigative Biography of Rudy Giuliani—was let go by the Village Voice in early January. Less than a month later, Tina Brown has asked him to join her Daily Beast/Newsweek venture.

Tonight at the New School, the French cultural institute Villa Gillet and n+1 magazine are hosting “Catastrophe Practice,” a panel discussion featuring philosopher Jean-Pierre Dupuy, University of Lyons president Michel Lussault, and artist Josh Neufeld. The discussion “begins with the premise that catastrophe is the norm or rule of modern life—the nightmare inversion to the Enlightenment account of human progress.”

Granta magazine has announced a Kindle edition: “If you want to read the magazine on a Kindle, your copy can arrive in under a minute. An improvement in speed of 40,000 per cent. Perhaps this is the way of the future. Trees in Sweden will live a little longer.”