• review • February 28, 2012

    Bones of the Book

    I recently bought a book about the future of books. It’s called The Late American Novel: Writers on the Future of Books, and features twenty-six authors describing what they think might become of literature. Given the collection’s prophetic subtitle, and that I was reading it on my new, still-extraterrestrial-seeming iPad, I was surprised to find that very few of the authors mention e-books. Those who do tend to regard them with dread and disgust, like a farmhand studying a handful of fallen locusts. One author compared e-books to astronaut food; another to Mortal Kombat. Another suggested that

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  • review • February 27, 2012

    Source Material: Breaking Down the Oscar for Adapted Screenplay

    If the publishing industry really does collapse, as some predict it will, it won’t be the big houses or the independent bookstores that will be most affected, it will be Hollywood. This year’s crop of Oscar contenders raises the question “Can there be a cinema without books?” I’m skeptical. Try to imagine this year’s Academy Awards without Extremely Loud and Incredibly Close or Moneyball or The Descendants or The Help or Hugo. Even Midnight in Paris couldn’t exist without Hemingway and Fitzgerald and Gertrude Stein. Without books, Scott Rudin would have to have to find work as a dentist or

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  • review • February 23, 2012

    The Binder and the Server

    At first a convenience, then quickly a conundrum: Of course we would publish on the internet. We came of age with the medium, it was our generation’s default. Plus, financially speaking, it remained—and remains, for now—a wheat-paste endeavor: nine dollars a month to hold down a domain name. A magazine devoid of commercial ambitions but prone to literary pretensions no longer needed a George Plimpton to cut a check covering each month’s shortfall. No time spent amassing capital, only submissions. No printers, distributors, or post-office officials to wrangle with, only collaborators. Online,

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  • review • February 22, 2012

    Blood and Ink

    Colm Tóibín is fascinated by writers’ relationships with their families. In New Ways to Kill Your Mother, a series of review-essays, he works away at and through his obsessions: family, homosexuality, homeland, the anxiety of influence. Along the way, he tells us plenty about himself, such as what he thinks a novel is, or should be – a “set of strategies, closer to something in mathematics or quantum physics than something in ethics or sociology” – as well as much else besides about the psychology of serious literary ambition.

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  • review • February 21, 2012

    The Letter Killers Club by Sigizmund Krzhizhanovsky

    Certain writers are too weird to fully belong to their own time. Sigizmund Krzhizhanovsky—a Soviet writer obsessed with Kant and Shakespeare, whose own life barely rippled beyond a small coterie of Muscovite writers before his death in 1950—is among them. Krzhizhanovsky wrote philosophical works of fiction that veer between chattiness and, in the fine translations of Joanne Turnbull and Nikolai Formozov, unexpected elegance. They are tales of bodies suspended between life and death, of an animated Eiffel Tower that rampages across Europe, and of towns where dreams are made literal. To read

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  • review • February 20, 2012

    Will the Tea Get Cold?

    The Republican presidential nomination contest, which has entered a lull before it presses toward a probable showdown in March and April, when thirty primaries and caucuses will be held, has found its script. It will be a struggle between the “establishment” candidate and one or another “insurgent.” What might seem confusing is how, and on whom, these labels have been affixed. According to the accepted calculus, the establishment candidate is Mitt Romney, although as many have pointed out, he is less a creature of Washington than any of his three remaining rivals.

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  • review • February 17, 2012

    Female Trouble

    Where Art Belongs, the title of Chris Kraus’s latest collection of essays, sounds corrective. As if, instead of in its proper place, art is elsewhere. It has been mislaid, like a cell phone. Or perhaps, like a vase, not so much lost as thoughtlessly positioned. Where is art, and who put it there?

    Anyone who has read Kraus’s earlier work can guess who she’ll bring in for questioning. “Until recently,” Kraus wrote in her previous essay collection, 2004’s Video Green: Los Angeles Art and the Triumph of Nothingness, “there was absolutely no chance of developing an art career in Los Angeles without

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  • review • February 16, 2012

    Sure, Mr. President, if You Really Want Me To

    The author of “Once Upon a Secret,” Mimi Alford, had an affair with President John F. Kennedy before she was old enough to vote. Having kept this story under wraps for almost 50 years, Ms. Alford now sets off a firestorm of gossip about its sordid details. If there is one question that Ms. Alford’s story poses, it is this: How did she end up in bed with the president on her fourth day at work? This may be the hardest part of her adventure to imagine, but it’s what she explains best in the half of this book that reconstructs a 19-year-old’s thinking. She was invited to swim at lunchtime in the

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  • review • February 15, 2012

    Anti-Matter: Michel Houellebecq and Depressive Realism by Ben Jeffery

    Ben Jeffery's Anti-Matter is the kind of intelligent, sophisticated response to provocative work that affirms criticism’s value as art in itself. The book is ostensibly a long essay about the work of Michel Houellebecq, the controversial French novelist who recently took his country’s highest literary award for his latest novel The Map and the Territory, but really, Anti-Matter uses Houellebecq’s fiction as a platform for a series of reflections on the hazards of seeking meaning in art. A more rigorous, less stylized version of the kind of long critical essay usually associated with writers

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  • review • February 14, 2012

    This Valentine's Day, Occupy the Romantic-Industrial Complex

    This Valentine’s Day, enthusiasts are expected to spend approximately $17.6 billion on romance-related goods—jewelry, cards, flowers and chocolates—a ten-year high, according to the National Retail Federation. That’s not even the whole picture, when you include all the other things that go along with the “perfect” romantic experience: heart shaped doohickeys, sexy lingerie, bikini waxes, fancy dinners, candle lit romantic massages for two, romantic getaways, puppies and couples counseling. Clearly, the economics of love is serious business.

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  • review • February 10, 2012

    No Hetero

    From Hanne Blank comes a chewy piece of scholarship—Straight: The Surprisingly Short History of Heterosexuality (Beacon)—that puts a spin on the hip-hop catchphrase "no homo," explaining that there was no hetero until social science and pseudo-science invented a need in the middle of the 19th century. Anyone who's done time at a British public school or a progressive women's college can tell you that matters of sexual orientation are not strictly either/or. But this book twirls that “/” with panache, spinning a generous handful of yarns about the stories we tell ourselves about sex, love, and

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  • review • February 09, 2012

    Something Urgent I Have to Say to You by Herbert Leibowitz

    Early in his biography of the defiantly unorthodox poet William Carlos Williams, Herbert Leibowitz makes it clear that he intends to be just as unconventional as his subject. In the book’s first chapter, Leibowitz, the longtime editor of the literary magazine Parnassus, mounts a sustained assault on “Asphodel, That Greeny Flower,” a love poem widely considered one of Williams’s great achievements, and the source of Leibowitz’s title. Leibowitz calls the poem “a false lyric that strays far from the vigorous speech melodies [Williams] pioneered” and sneers that its “hackneyed verse matches the

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