In a Democracy Now! special, we spend the hour with StoryCorps founder Dave Isay, discussing his new book, "Callings: The Purpose and Passion of Work." Over the last 12 years, StoryCorps has gathered the largest single collection of human voices. In 2003, the first StoryCorps recording booth opened in New York City’s Grand Central Station. Since then, a quarter of a million of people have recorded interviews with their loved ones through StoryCorps. The new book is a remarkable collection of stories from the heart of the American workforce: teachers, social workers, public defenders, deli workers, plant supervisors and beyond. They include stories by dreamers, healers, philosophers and groundbreakers. "This is kind of a radical book," Isay says. "There’s no billionaires, there’s no millionaires, there’s no celebrities, there’s no professional athletes, but to me these are really the stories of work that matter." The Strand hosted the Writers Studio in their celebration of the Kenyon Review. As part of the celebration, renowned authors and poets gathered in the Rare Book Room to read from their works.
Laura van den Berg was raised in Florida and earned an MFA from Emerson College. Her first collection of stories, "What the World Will Look Like When All the Water Leaves Us", was a Barnes & Noble Discover Great New Writers selection. Her novel "Find Me" was longlisted for the 2016 International Dylan Thomas prize. Her stories have been anthologized in The Best American Short Stories, Best American Mystery Stories, O'Henry Prize Stories, The Best American Nonrequired Reading, and volume 24 of the Pushcart Prize. She is a recipient of scholarships and fellowships from the Bread Loaf Writers’ Conference, Sewanee Writers’ Conference, Ragdale, and the Virginia Center for the Creative Arts.
Van den Berg joined the Writers Studio in celebrating the Kenyon Review by reading from her short story "The Other Daughter", published in the July/Aug 2015 volume of the Kenyon Review.
Author and Editor in Chief of io9, Charlie Jane Anders, comes to Google to talk about her latest novel, "All the Birds in the Sky."
Synopsis: Childhood friends Patricia Delfine and Laurence Armstead didn't expect to see each other again, after parting ways under mysterious circumstances during high school. After all, the development of magical powers and the invention of a two-second time machine could hardly fail to alarm one's peers and families.
But now they're both adults, living in the hipster mecca San Francisco, and the planet is falling apart around them. Laurence is an engineering genius who's working with a group that aims to avert catastrophic breakdown through technological intervention into the changing global climate. Patricia is a graduate of Eltisley Maze, the hidden academy for the world's magically gifted, and works with a small band of other magicians to secretly repair the world's every-growing ailments. Little do they realize that something bigger than either of them, something begun years ago in their youth, is determined to bring them together—to either save the world, or plunge it into a new dark ages.
A deeply magical, darkly funny examination of life, love, and the apocalypse.
About the Author: Charlie Jane Anders is the editor-in-chief of io9.com, the extraordinarily popular Gawker Media site devoted to science fiction and fantasy. Her Tor.com story "Six Months, Three Days" won the 2013 Hugo Award and was subsequently picked up for development into a NBC television series. She has also had fiction published by Tin House, Asimov's Science Fiction, The Magazine of Fantasy & Science Fiction, McSweeney's Internet Tendency, Lightspeed, and ZYZZYVA. Her debut novel, the mainstream Choir Boy, won the 2006 Lambda Literary Award and was shortlisted for the Edmund White Award. She hosts the long-running literary event Writers With Drinks.
Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics—himself included—can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence.
Using his own film criticism as a starting point—everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille—Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."