"I am just blown away by the fact that we — all of us, no matter how smart we are, how skeptical we are — how, you know, intelligent — scientist, physicist, it doesn't matter — journalist — how incredibly vulnerable we are in the right circumstance to being fooled, even though we think we aren't. And I wanted to explore that. You know, why do incredibly smart people become victims of confidence artists? How do they do it? What is it about them?" Maria Konnikova, author of "The Confidence Game." The full interview airs on PBS on February 24, 2016. The Lost Time Accidents is the triumphant, outsize return of Whiting Award-winning novelist John Wray. Coming on the heels of the best-selling Lowboy, it’s a wild ride through time, space, history, and science, with a burning core of heartbreak. Telling the story of a man unstuck in time, it’s a blisteringly inventive work that cements Wray’s reputation as a vanguard talent in American fiction.
John is joined in conversation by another wide-ranging 21st-century talent, New York Times columnist and novelist Colson Whitehead, He's the author most recently of The Noble Hustle, as well as Zone One, The Colossus of New York, and sundry other modern classics, the recipient of Guggenheim and MacArthur fellowships, and a fellow Whiting Award winner.
On October 24, 2015, The Nation feted its 150th anniversary with an unprecedented celebration at St. Ann’s Warehouse in Brooklyn in a renovated Civil War–era Tobacco Warehouse. Featuring acclaimed writers and activists channeling iconic Nation voices from the past, plus music and comedy, the evening was hosted by Nation writers and MSNBC hosts Chris Hayes and Melissa Harris-Perry and featured readings and reflections by Tony Kushner, Katrina vanden Heuvel, Bill McKibben, Eve Ensler, Calvin Trillin, Victor Navasky, Laura Flanders, Kai Wright, Zephyr Teachout, Mychal Denzel Smith, along with a moving live performance from the Brooklyn Youth Chorus.
In this inimitable reading, Eve Ensler, the pathbreaking feminist playwright, reads from an essay on political exiles by the great anarchist Emma Goldman, whom Ensler calls “my revolutionary mother and inspiration,” someone who understood that “there is no revolution with sex and dancing.” Published in The Nation in 1932, Goldman’s essay spoke of “the cruel plight of the political refugees” after World War I, who continued to believe that someday “the workers will wake up from their leaden sleep, that they will once more take up the battle for liberty and well-being.”