• review • June 02, 2009

    How to Sell by Clancy Martin

    The Bush administration sold us a war based on phony intelligence; Bernie Madoff sold investors invisible stocks. The art of peddling snake oil may be age-old, but something about the deceit of recent years makes Clancy Martin’s debut novel, How to Sell, feel very timely. Set amid the Fort Worth jewelry trade, this drug-fueled coming-of-age tale knowingly explores our culture of greed and excess.

    The narrator, Bobby Clark, is a troubled Canadian teen who gets booted from high school for stealing a case of class rings. “This place is for good people,” the principal says. “You are not a good

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  • review • June 01, 2009

    A Recipe for Water by Gillian Clarke

    Welsh poets may still sense a bardic responsibility to speak for their communities. The relatively new post of national poet, currently held by Gillian Clarke, arises naturally from that tradition. Happily for the incumbent, it brings none of the royalist freight attached to the English "laureate" brand, but there are other pressing expectations. Academi, which sponsors the post, lists on its website the required skills, including "an ability to communicate, to write well and often, and to have a regular route into the magic that makes verse work". This is an un-nerving job description - not

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  • review • May 29, 2009

    The Last Supper: A Summer in Italy by Rachel Cusk

    At its worst, the travel memoir can be formulaic to the extreme. A typical narrative begins with the author’s nagging sense of mediocrity and boredom, which then feeds into a desire for adventure and change, and often culminates in some form of the New Agey idiom “wherever you go, there you are.” Rachel Cusk’s latest book follows this formula to a point before turning it roundly on its head. The Last Supper is not only an account of the author’s journey to Italy, it is also a meditation on art and autonomy. Fearful of falling into a dull, dreary routine, Cusk and her husband sell their house

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  • review • May 26, 2009

    Underground: My Life with SDS and the Weathermen by Mark Rudd

    Although recent novels have presented sophisticated tales of the 1960s and ’70s political underground—including Dana Spiotta’s Eat the Document, Christopher Sorrentino’s Trance, and Hari Kunzru’s My Revolutions—latter-day radicalism continues to be fetishized, from the recurrent use in fashion and art of a beret-clad, gun-wielding Patty Hearst to Shepard Fairey’s ubiquitous Che Guevara–inspired poster of Barack Obama. But any romantic notion of this revolutionary period is dismantled in Mark Rudd’s memoir, Underground, a sober account of his time as a member of Students for a Democratic Society

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  • review • May 24, 2009

    Wetlands by Charlotte Roche, Translated by Tim Mohr

    Charlotte Roche’s controversial novel, Wetlands, is an uneven yet adventurous catalogue of filth, a feminist critique of what cultural theorist Lauren Berlant calls “hygienic governmentality.” In the case of Wetlands, this means a politics housed in the anarchic, messy body of German teenager Helen Memel. Narrating from her hospital bed after hemorrhoid surgery, eighteen-year-old Helen sees herself as a sanitary terrorist, rallying against the deceitfully liberational promises of tampon ads and shaving commercials and of a fascist regime of douching and wiping from front to back.

    One can’t

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  • print • June/July/Aug 2009

    Face Value

    On one level, Wounded Cities reads as a personal lament for a world supposedly at peace before September 11. On another, it is a personal inquiry into the consciousness of increased terrorism across the globe since that day. Retrospection and apprehension share an uncomfortable space in this beautiful book. Its author, Leo Rubinfien, is a middle-class New Yorker now in his mid-fifties. His family moved into an apartment only a few blocks from the World Trade Center shortly before it was attacked. At his window, he witnessed the crime while his wife was on her brief walk to her job. Throughout

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  • print • June/July/Aug 2009

    Growing Pains

    Harry Potter and the Half-Blood Prince will seem curiously lonely when it arrives in theaters this July. For the first time since the film series premiered in 2001 with Harry Potter and the Sorcerer’s Stone, no one is anticipating a new Potter novel by J. K. Rowling, the books having run their course two years ago. The films still have a ways to go; after Half-Blood Prince, Warner Bros. plans to split the final installment, Harry Potter and the Deathly Hallows, into two films and release them in 2010 and 2011. The stated reason is that the company wants to do the book justice, but one might be

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  • print • June/July/Aug 2009

    Down in the Valley

    Most Californians know the inland agricultural heartland of their state as a smoggy blur. Travelers race through it north and south at eighty miles per hour on Interstate 5, windows rolled up to block the stench of thousands of cattle on megaranches. The rest of the country takes fleeting note of the long, flat San Joaquin Valley only during a periodic food-contamination scare—E. coli–laced spinach, say, or raw milk linked to sick children. In his new collection of essays and reporting, Mark Arax tells us what we are missing.

    Arax has a native son’s knowledge of the Central Valley, that part

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  • print • June/July/Aug 2009

    Continental Rift

    Christopher Caldwell claims Reflections on the Revolution in Europe is not a lecture to Europeans about how to handle their Islam problem. But his analysis leaves room for only one conclusion. White Europeans need to start fighting fire with fire, shed their exalted notions of multiculturalism and human rights, find religion and civilizational purpose, and, for good measure, dig back a few centuries to rediscover arranged marriage so they can start matching immigrants baby for baby. They might also consider sending all those Muslims—referred to occasionally as “invaders” and colonizers—back

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  • print • June/July/Aug 2009

    Bad Seeds

    The first time I thought of a plant as wicked, I realized I had crossed over into some fanatic realm of botanical empathy, joining ranks with plant enthusiasts so allied to particular species that it had become their personal responsibility—destiny, perhaps—to protect good plants, those susceptible sentient beings, against leafy villainy. By contract, of course, a gardener is a guardian assigned to protect a chosen plot from its hostile environment. But I discovered just how fervently humans impose a moral construct on the Plantae kingdom when a docent, in whose education program I was enrolled,

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  • print • June/July/Aug 2009

    Garden Party

    In the prologue of Brideshead Revisited, as Captain Charles Ryder looks over the requisitioned property of his great lost loves, he sees Brideshead’s pitted and scarred landscape as the tragic endpoint of hundreds of years of cultivation: “The woods were all of oak and beech, the oak grey and bare, the beech faintly dusted with green by the breaking buds; they made a simple, carefully designed pattern with the green glades and the wide green spaces. . . . All this had been planned and planted a century and a half ago so that, at about this date, it might be seen in its maturity.” For Ryder,

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  • print • June/July/Aug 2009

    Tom Waits For No Man

    Tom Waits once wrote a two-line poem that summed up his attitude toward life as a public figure: “I want a sink and a drain / And a faucet for my fame.” This couplet might seem disingenuous for a performer whose cult-hero career has made little showing on the pop charts, yet Waits has inspired cover hits by the likes of the Eagles, Rod Stewart, and Bruce Springsteen and garnered two Grammy wins and an Oscar nomination (for scoring Francis Ford Coppola’s 1982 film, One from the Heart, a sink and a drain of sorts). He has also made it to the silver screen himself, usually playing, without much

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