• print • June/July/Aug 2007

    Come Alive! The Spirited Art of Sister Corita

    In the wake of the Second Vatican Council, the 1962-65 Roman Catholic Church conclave that proposed liberalizing church doctrine, many priests and nuns found affirmation of their growing roles as social activists. Frances Elizabeth Kent, a Sister of the Immaculate Heart better known as Sister Mary Corita, had already embarked on that path as an artist, producing bold, colorful prints that proclaimed the good news for modern man with the eclectic verve that came to define '60s graphic style. While teaching art at Immaculate Heart College in Los Angeles at the beginning of that decade, Corita

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  • print • June/July/Aug 2007

    Drawing Circles

    Neither the seventy-million dollars that Zack Snyder’s adaptation of 300 made on its opening weekend nor the more than two hundred million dollars it has grossed in the United States alone as of this writing can be attributed primarily to the readers of Frank Miller’s original graphic novel. (Miller’s book, while a cult item among comic aficionados, was never much of a crossover success, but even for best sellers, the number of viewers for a hit adaptation is far greater than the number of readers.) And yet within weeks of the film’s release, Hollywood studios green-lit other graphic-novel

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  • print • June/July/Aug 2007

    Sound of Silence

    There’s an exquisite serendipity to reading Carolyn Brown’s soulful new memoir recounting twenty years as a dancer with the Merce Cunningham Dance Company––from its inception in 1953––on Cunningham’s birthday (April 16, to be exact). At eighty-eight, Cunningham continues to make remarkable dances and to collaborate with composers and artists in a variety of media, all the while wondrously experimenting with new technologies and processes. It feels especially meaningful, even poignant, to look back fifty-four years to the beginning.

    Chance and Circumstance: Twenty Years with Cage and Cunningham

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  • print • June/July/Aug 2007

    The Untouchable

    America has had its famous lawmen and its hero detectives, real and somewhat less so: Wyatt Earp, Dick Tracy, Allan Pinkerton, Hawkshaw, and, above all, J. Edgar Hoover. From 1924 to his death in 1972, Hoover ran the FBI and its predecessor, the Justice Department's Bureau of Investigation. When he died, his name was as well known as that of any movie star, sports hero, or president.

    As a rule, the people who head law-enforcement organizations are not in the limelight. They are anonymous, deskbound administrators. Hoover was deskbound but anything except anonymous. At the apogee of his career,

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  • print • June/July/Aug 2007

    No Vacancy

    Adding to his mind-altering oeuvre, which already includes poems, a novel, and works of criticism on subjects like Andy Warhol, Jackie O, and gay men’s penchant for opera, Wayne Koestenbaum delivers a coup d’état with Hotel Theory, a palimpsest of postmodern detritus presented in two parallel texts. On the left side of the page, “Hotel Theory,” Koestenbaum’s phenomenological study of hotels, provides the mental framework for the reader to act as a Bachelardian cosmonaut in the Lana Turner and Liberace dime novel “Hotel Women” on the right. Hotel Theory showcases Koestenbaum’s inflections via

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  • print • June/July/Aug 2007

    Samuel Beckett CDs

    No one has done the voice inside the head, ever present as we dice and chop life’s minutiae into apposite syllables— that “murmur, now precise as the headwaiter’s”—so accurately as Samuel Beckett. He remains the master of depicting mental paralysis, registering with circular syntax (there is always another but, yet, perhaps, or) the provisional, self-consuming logic that mires the soul at the starting line. Beckett achieved a kind of apotheosis of this style in three novels—Molloy, Malone Dies, and The Unnamable—all composed in the late ’40s while he was living in France. In these works, as in

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  • print • June/July/Aug 2007

    Dirt: The Erosion of Civilizations

    “Predictably—and understandably— more pressing problems than saving dirt usually carry the day,” writes David R. Montgomery. But as his new book, Dirt: The Erosion of Civilizations, details, we are losing the brown stuff far, far too quickly. Unlike maritime dead zones and radical climate change, cases in which we have little historical knowledge on which to draw, we do have some sense of what happens to civilizations that abuse and lose their dirt. The book’s conclusion takes little comfort in history: “Unless more immediate disasters do us in, how we address the twin problems of soil degradation

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  • print • June/July/Aug 2007

    Books 360

    As a young man growing up in Omaha, Kurt Andersen dreamed of moving east. His parents were big readers; his mother was an amateur Willa Cather scholar who gave talks on the Nebraska novelist at women’s groups and book clubs. Andersen wrote for his junior high school paper, and at fifteen he discovered Emerson and Thoreau. His eldest sister went to graduate school in Chicago, which suggested to him the possibility of an academic career. When Andersen got to Harvard and started writing for the Lampoon, he began thinking about the life of a writer instead. “George Plimpton was hanging around, and

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  • print • June/July/Aug 2007

    Auf Readersehen

    It may be an odd thing to do, but whenever I’m in another country, I always go to as many bookstores as I can, even when the language is Greek to me. I love seeing the differences in how books are made and promoted, the variations in cover designs and trim sizes and colors. Although I realize I’m looking through rose-colored glasses, there seems inevitably to be a cheeriness in window displays and a pleasant languor in browsing that, at least on the surface, are lacking at home. In the process of visiting sundry foreign bookstores, some places have become like old friends to drop in on when

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  • print • June/July/Aug 2007

    Ain't That a Shame

    The true pleasure of reading any book on rock ’n’ roll comes less in the descriptions of the music—I’ve long felt that rock bios need to be packaged with a CD, to reinforce or introduce the aural ideas presented—than in the personal excesses, the wantonness, the luxury and degradation, for lack of a better phrase. The gold standard of the genre, Peter Guralnick’s magisterial two-volume biography of Elvis Presley, Last Train to Memphis (1994) and Careless Love (1999), fairly wallows in Presley’s enthusiasms for things that aren’t healthy or kind, like a steady stream of amphetamines, and his

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  • print • June/July/Aug 2007

    Dynamic Splendor: The Wall Mosaics in the Cathedral of Eufrasius at Porec

    “Any mosaic that has survived from the sixth century is treasured,” the authors of Dynamic Splendor aver, in great understatement. What the marvelous two-volume monograph plunders is more than treasure, of course—for it tells in remarkable detail the story of the mosaics in the basilica of Eufrasius at Porecˇ, in the former Yugoslavia. Only Ravenna rivals Porecˇ as an extant example of early–Middle Ages church architecture, and the first volume of Dynamic Splendor wastes no space in describing everything about this two-thousand-year-old Croatian site, from its geographic setting and ecclesiastical

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  • print • June/July/Aug 2007

    Day is Done

    Like a guidance counselor who got his teaching certificate in Bayreuth, Mike Kelley has for years labored at his own Ring cycle of sorts—Educational Complex—but with vampiric thespians and peppy spirit leaders as ersatz Wotans and Frickas. In 2005, New York’s Gagosian Gallery mounted the fun-house installation of Day Is Done. The creepy anthropological tour of the perversejust- under-the-surface cultures of donkey-basketball competitions and Youth for Christ nativity plays was ecstatically brought to life in a Gesamtkunstwerk of photography, sculpture, costume, sound, and video based on the

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