• print • Apr/May 2007

    Need More Love: A Graphic Memoir

    Aline Kominsky Crumb was born Aline Ricky Goldsmith in Long Beach, New York, in 1948 and grew up in a chaotic household behind a tidy suburban facade. Her mother came from a well-to-do family and found success as an ad agent; her father was a small-time businessman and possible small-time crook, who died of cancer when his daughter was nineteen. Her escape into the counterculture of the 1960s led her to New York City, Tucson (with her first husband, Carl Kominsky), and, finally, San Francisco, where she became prominent in the underground comix scene of the late part of the decade and met and

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  • print • Apr/May 2007

    Alias the Cat

    "You know, all my life, my favorite kind of story is one that starts early in the 20th century, and then works its way on down toward modern times." Kim Deitch, both the author of and a protagonist in Alias the Cat, explains exactly where he intends to take us in his latest book—and more than delivers. A revered underground cartoonist whose work is steeped in the lore and traditions of early animation, Deitch draws loopy, crowded, psychedelic stories that start where the Fleischer brothers' Betty Boop and Otto Messmer's Felix the Cat left off and add in sex, money, greed, paranoia, and other

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  • print • Apr/May 2007

    Bombs Away

    When Der Brand, Jörg Friedrich's best-selling history of the Allied bombings of German cities during World War II, was published in Germany, in 2002, it unleashed a firestorm. For some, the notion that the British and American air campaigns against cities like Dresden, Hamburg and Essen constituted a new and atrocious war, utilizing weapons of mass destruction and targeting civilians rather than industrial centers, is problematic in itself. But Friedrich's harrowing descriptions of the incineration of men, women, and children—a story that aligned his book with other taboo-confronting efforts

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  • print • Apr/May 2007

    If He Did It

    Clifford Irving was once a household name. On December 7, 1971, McGraw-Hill Book Company announced the imminent publication of The Autobiography of Howard Hughes, a book Irving had assembled from more than a hundred hours of interviews he’d conducted with the billionaire everyone had heard of but hardly anyone knew. An American expatriate living on the Spanish island of Ibiza, Irving had several thrillers to his name and had recently published a biography of the prolific art forger Elmyr de Hory. Irving, it seemed, sent a copy of that book to Hughes and received in reply a letter scrawled on

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  • print • Apr/May 2007

    Party of None

    Here’s how I read Mallarmé’s prose, in Barbara Johnson’s lustrous new English translation: painfully, dutifully, passionately, a sentence at a time, while holding the French original in my other hand, so I can compare her sentence with his sentence, and so I can measure as accurately as possible each crevice where an adjective meets a noun, a comma meets a dependent clause.

    Mallarmé published Divagations (a collection of essays and other highly compact prose implosions) in 1897 and died the following year. English-speaking aficio­nados of Symbolist rarities have relied on Mary Ann Caws’s

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  • print • Apr/May 2007

    Goth: Undead Subculture and Contemporary Gothic

    In the small Pennsylvania town where I grew up, the windows of the Gap, the national purveyor of affordable and non-threatening attire, are papered over and a to lease sign has been posted. But across from this empty storefront, Hot Topic is booming. Discordant music pours from an arched entrance meant to resemble a dungeon, and the red-and-purple-striped tights and silver-studded jewelry here sell for double the price of khakis and blue button-downs. That goth attire flourishes while more mainstream options languish is a cultural phenomenon on which academics have finally set their sights—with

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  • print • June/July/Aug/Sept 2006

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