You go through life thinking there’s so much you need…. Until you leave with only your phone, your wallet, and a picture of your mother. Marin hasn’t spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend…
You go through life thinking there’s so much you need…. Until you leave with only your phone, your wallet, and a picture of your mother. Marin hasn’t spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend Mabel. But even thousands of miles away from the California coast, at college in New York, Marin still feels the pull of the life and tragedy she’s tried to outrun. Now, months later, alone in an emptied dorm for winter break, Marin waits. Mabel is coming to visit and Marin will be forced to face everything that’s been left unsaid and finally confront the loneliness that has made a home in her heart.
An intimate whisper that packs an indelible punch, We Are Okay is Nina LaCour at her finest. This gorgeously crafted and achingly honest portrayal of grief will leave you urgent to reach across any distance to reconnect with the people you love.
Nina LaCour is the Michael L. Printz Award winning and bestselling author of We Are Okay, Hold Still, Everything Leads to You and The Disenchantments. She is also the co-author, with David Levithan, of You Know Me Well. A life-long lover of books and storytelling, she is on the faculty of Hamline University's MFAC program, runs The Slow Novel Lab, an online novel writing course, and hosts "Keeping a Notebook: a podcast on writing." She lives in the San Francisco Bay Area with her wife and daughter. You can find her on Instagram and Twitter @nina_lacour or at ninalacour.com
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When Aatish Taseer first came to Benares, the spiritual capital of Hinduism, he was eighteen, the Westernized child of an Indian journalist and a Pakistani politician, raised among the intellectual and cultural elite of New Delhi. Nearly two decades later, Taseer leaves his life in Manhattan to go …
When Aatish Taseer first came to Benares, the spiritual capital of Hinduism, he was eighteen, the Westernized child of an Indian journalist and a Pakistani politician, raised among the intellectual and cultural elite of New Delhi. Nearly two decades later, Taseer leaves his life in Manhattan to go in search of the Brahmins, wanting to understand his own estrangement from India through their ties to tradition.
Known as the twice-born—first into the flesh, and again when initiated into their vocation—the Brahmins are a caste devoted to sacred learning. But what Taseer finds in Benares is a window on an India as internally fractured as his own continent-bridging identity. At every turn, the seductive, homogenizing force of modernity collides with the insistent presence of the past. In a globalized world, to be modern is to renounce India—and yet the tide of nationalism is rising, heralded by cries of “Victory to Mother India!” and an outbreak of anti-Muslim violence.
From the narrow streets of the temple town to a Modi rally in Delhi, among the blossoming cotton trees and the bathers and burning corpses of the Ganges, Taseer struggles to reconcile magic with reason, faith in tradition with hope for the future and the brutalities of the caste system, all the while challenging his own myths about himself, his past, and his countries old and new.
Aatish Taseer was born in 1980. He is the author of the memoir Stranger to History: A Son’s Journey Through Islamic Lands and the acclaimed novels: The Way Things Were, a finalist for the 2016 Jan Michalski Prize; The Temple-Goers, which was short-listed for the Costa First Novel Award; and Noon. His work has been translated into more than a dozen languages. He is a contributing writer for The International New York Times and lives in New Delhi and New York.
Karan Mahajan grew up in New Delhi, India and moved to the US for college. His first novel, Family Planning (2008), was a finalist for the International Dylan Thomas Prize. It was published in nine countries. His second novel, The Association of Small Bombs (2016), was a finalist for the 2016 National Book Awards and was named one of the "10 Best Books of 2016" by The New York Times. Karan's writing has appeared in The New York Times, The Wall Street Journal, The New Yorker online, The New Republic and other venues. From 2018-2019 he will be a fellow at the Cullman Center for Scholars and Writers at the New York Public Library.
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It’s the perfect idea for a romantic week together: traveling across America by train. But then Hugo’s girlfriend dumps him. Her parting gift: the tickets for their long-planned last-hurrah-before-uni trip. Only, it’s been booked under her name. Nontransferable, no exceptions. Mae is still reeling…
It’s the perfect idea for a romantic week together: traveling across America by train. But then Hugo’s girlfriend dumps him. Her parting gift: the tickets for their long-planned last-hurrah-before-uni trip. Only, it’s been booked under her name. Nontransferable, no exceptions.
Mae is still reeling from being rejected from USC’s film school. When she stumbles across Hugo’s ad for a replacement Margaret Campbell (her full name!), she’s certain it’s exactly the adventure she needs to shake off her disappointment and jump-start her next film.
A cross-country train trip with a complete stranger might not seem like the best idea. But to Mae and Hugo, both eager to escape their regular lives, it makes perfect sense. What starts as a convenient arrangement soon turns into something more. But when life outside the train catches up to them, can they find a way to keep their feelings for each other from getting derailed?
Jennifer E. Smith is the author of eight novels for young adults, including The Statistical Probability of Love at First Sight. She earned a master’s degree in creative writing from the University of St. Andrews in Scotland, and her work has been translated into thirty-three languages. She lives in New York City. Follow her on Twitter at @JenESmith or visit her at jenniferesmith.com.
Jenny Han is the New York Times bestselling author of Shug, The Summer I Turned Pretty series, co-author of the Burn for Burn series, and most recently, the To All the Boys I've Loved Before trilogy. A former children’s bookseller, she earned her MFA in creative writing at the New School. She lives in Brooklyn, New York. Visit her at DearJennyHan.com.
Acclaimed literary essayist T Kira Madden’s raw and redemptive debut memoir is about coming of age and reckoning with desire as a queer, biracial teenager amidst the fierce contradictions of Boca Raton, Florida, a place where cult-like privilege, shocking racial disparities, rampant white-collar …
Acclaimed literary essayist T Kira Madden’s raw and redemptive debut memoir is about coming of age and reckoning with desire as a queer, biracial teenager amidst the fierce contradictions of Boca Raton, Florida, a place where cult-like privilege, shocking racial disparities, rampant white-collar crime, and powerfully destructive standards of beauty hide in plain sight.
As a child, Madden lived a life of extravagance, from her exclusive private school to her equestrian trophies and designer shoe-brand name. But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.
With unflinching honesty and lyrical prose, spanning from 1960s Hawai’i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It’s a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.
T Kira Madden is an APIA writer, photographer, and amateur magician. She is the founding editor-in-chief of No Tokens, and facilitates writing workshops for homeless and formerly incarcerated individuals. A 2017 NYSCA/NYFA Artist Fellow in nonfiction literature, she has received fellowships from The MacDowell Colony, Hedgebrook, Tin House, DISQUIET, Summer Literary Seminars, and Yaddo, where she was selected for the 2017 Linda Collins Endowed Residency Award. She lives in New York City and teaches at Sarah Lawrence College.
Rick Moody is the author of six novels, three collections of stories, and three non-fiction works, the most recent of which is the forthcoming memoir (from Henry Holt, in August 2019), The Long Accomplishment. He teaches at Brown University.
Tuesday March 12 | 7:30PM - 8:30PM Thirty-year-old Millie just can’t pull it together. Misanthropic and morose, she spends her days killing time at a thankless temp job until she can return home to her empty apartment, where she oscillates wildly between self-recrimination and mild delusion, fixating…
Tuesday March 12 | 7:30PM - 8:30PM
Thirty-year-old Millie just can’t pull it together. Misanthropic and morose, she spends her days killing time at a thankless temp job until she can return home to her empty apartment, where she oscillates wildly between self-recrimination and mild delusion, fixating on all the little ways she might change her life. Then she watches TV until she drops off to sleep, and the cycle begins again.
When the possibility of a full-time job offer arises, it seems to bring the better life she’s envisioning - one that involves nicer clothes, fresh produce, maybe even financial independence - within reach. But with it also comes the paralyzing realization, lurking just beneath the surface, of just how hollow that vision has become.
Darkly hilarious and devastating, The New Me is a dizzying descent into the mind of a young woman trapped in the funhouse of American consumer culture.
Halle Butler is the author of Jillian. She has been named a National Book Award Foundation “5 Under 35” honoree and a Granta Best Young American Novelist.
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The Lady from the Black Lagoon uncovers the life and work of Milicent Patrick – one of Disney’s first female animators and the only woman to create one of Hollywood’s classic movie monsters. As a young woman working in the horror film industry, Mallory O’Meara was thrilled to discover that one of …
The Lady from the Black Lagoon uncovers the life and work of Milicent Patrick – one of Disney’s first female animators and the only woman to create one of Hollywood’s classic movie monsters.
As a young woman working in the horror film industry, Mallory O’Meara was thrilled to discover that one of her favorite movies, The Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick. But for someone who should have been hailed as a pioneer in the genre there was little information available. For, as O’Meara soon discovered, Patrick’s contribution had been claimed by a jealous male colleague, her career had been cut short and she soon after had disappeared from film history. No one even knew if she was still alive.
O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went.
Mallory O’Meara is an author, screenwriter and genre film producer. Every week, she co-hosts the literary podcast Reading Glasses. Whether it's for the screen or the page, Mallory seeks creative projects imbued with the weird; horror and monsters are her passion. She lives in Los Angeles with her partner and their collection of books and cats. The Lady from the Black Lagoon is her first book. For more about Mallory, please visit, www.malloryomeara.com, follow her on Twitter and connect on Instagram, @malloryomeara.
Maria Dahvana Headley is a #1 New York Times-bestselling author and editor. Her novels include The Mere Wife, Magonia, Aerie, and Queen of Kings, and she has also written a memoir, The Year of Yes. With Kat Howard, she is the author of The End of the Sentence, and with Neil Gaiman, she is co-editor of Unnatural Creatures. Her short stories have been shortlisted for the Shirley Jackson, Nebula, and World Fantasy Awards, and her work has been supported by the MacDowell Colony and by Arte Studio Ginestrelle, where the first draft of The Mere Wife was written. She was raised with a wolf and a pack of sled dogs in the high desert of rural Idaho, and now lives in Brooklyn.
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This is a debut short comics collection, featuring pastel-hued, emoji-like characters dealing with twenty-first century (and beyond!) problems. In a digitally drawn, three-dimensional universe, characters grapple with interior decorating woes, amorous microbiology, and where to find the absolute …
This is a debut short comics collection, featuring pastel-hued, emoji-like characters dealing with twenty-first century (and beyond!) problems.
In a digitally drawn, three-dimensional universe, characters grapple with interior decorating woes, amorous microbiology, and where to find the absolute most aspirational succulents. Readers will fall in love with “America’s favorite mug,” Cuppy; hear the familial bickering of sentient purple slime molds; and encounter Sarah Something and her musings about gaming culture and conceptual art.
Julian Glander is a 3D animator, designer, and illustrator. Mostly self-taught, his work has been featured on Disney, MTV, Adult Swim, and The New York Times. He received the Art Directors Club (ADC) "Young Guns" Award in 2015. In 2016, his animated short film debuted at South by Southwest and GLAS Animation Festival. He lives in Brooklyn, NY.
Brian Heater is the Hardware Editor at TechCrunch. His writing has appeared in Spin, Wired, Playboy, Entertainment Weekly, The Onion, Boing Boing, Publishers Weekly, The Engadget and various other publications. He hosts the weekly Boing Boing interview podcast RiYL, has appeared as a regular NPR contributor and shares his Queens apartment with a rabbit named Lucy.
Join us at Book Culture on 112th on Monday, March 18th at 7pm as we welcome Patricia Gherovici and Christopher Christian to discuss their latest book, Psychoanalysis in the Barrios: Race, Class, and the Unconciousness. Alfredo Carrasquillo, a Lacanian psychoanalyst from San Juan, Puerto Rico, will be joining Patricia and Christopher in converstaion.
Psychoanalysis in the Barrios: Race, Class, and the Unconscious demonstrates that psychoanalytic principles can be applied successfully in disenfranchised Latino populations, refuting the misguided idea that psychoanalysis is an expensive luxury only for the wealthy.
As opposed to most Latin American countries, where psychoanalysis is seen as a practice tied to the promotion of social justice, in the United States psychoanalysis has been viewed as reserved for the well-to-do, assuming that poor people lack the "sophistication" that psychoanalysis requires, thus heeding invisible but no less rigid class boundaries. Challenging such discrimination, the authors testify to the efficacy of psychoanalysis in the barrios, upending the unfounded widespread belief that poor people are so consumed with the pressures of everyday survival that they only benefit from symptom-focused interventions. Sharing vivid vignettes of psychoanalytic treatments, this collection sheds light on the psychological complexities of life in the barrio that is often marked by poverty, migration, marginalization, and barriers of language, class, and race.
This interdisciplinary collection features essays by distinguished international scholars and clinicians. It represents a unique crossover that will appeal to readers in clinical practice, social work, counselling, anthropology, psychology, cultural and Latino studies, queer studies, urban studies, and sociology.
Patricia Gherovici is a psychoanalyst and analytic supervisor. She is Co-founder and Director of the Philadelphia Lacan Group; Associate Faculty, Psychoanalytic Studies Minor, University of Pennsylvania; Honorary Member at IPTAR; and Founding Member of Das Unbehagen. Her books include The Puerto Rican Syndrome (Other Press, 2003), winner of the Gradiva Award and the Boyer Prize; Please Select Your Gender: From the Invention of Hysteria to the Democratizing of Transgenderism (Routledge, 2010); and Transgender Psychoanalysis: A Lacanian Perspective on Sexual Difference (Routledge, 2017). She has edited (with Manya Steinkoler) Lacan on Madness: Madness Yes You Can’t (Routledge, 2015), Lacan, Psychoanalysis and Comedy (Cambridge University Press, 2016), and Psychoanalysis, Gender and Sexualities: From Feminism to Trans*(Cambridge University Press, forthcoming). https://www.patriciagherovici.com/
Christopher Christian is Editor-in-Chief of Psychoanalytic Psychology, a training and supervising analyst, and Dean of the Institute for Psychoanalytic Training and Research (IPTAR), a component member of the IPA.He is co-editor of the books Psychoanalytic Perspectives on Conflict with Morris Eagle and David Wolitzky (Routledge, 2017) and The Second Century of Psychoanalysis: Evolving Perspectives on Therapeutic Actionwith Michael J. Diamond (Karnac, 2011). He is a member of the Editorial Board of the Journal of the American Psychoanalytic Association and faculty and a member of the Institute for Psychoanalytic Education, affiliated with NYU, School of Medicine. He is the executive producer of the documentary Psychoanalysis in El Barrio, winner of the Psychoanalytic Electronic Publishing (PEP) Video Grant award in 2015. He has a psychoanalytic private practice in Manhattan. https://www.chrischristianphd.com/
Join us at Book Culture on 112th on Monday, March 18th at 7pm as we welcome Patricia Gherovici and Christopher Christian to discuss their latest book, Psychoanalysis in the Barrios: Race, Class, and the Unconciousness. Alfredo Carrasquillo, a Lacanian psychoanalyst from San Juan, Puerto Rico, will be joining Patricia and Christopher in converstaion.
Psychoanalysis in the Barrios: Race, Class, and the Unconscious demonstrates that psychoanalytic principles can be applied successfully in disenfranchised Latino populations, refuting the misguided idea that psychoanalysis is an expensive luxury only for the wealthy.
As opposed to most Latin American countries, where psychoanalysis is seen as a practice tied to the promotion of social justice, in the United States psychoanalysis has been viewed as reserved for the well-to-do, assuming that poor people lack the "sophistication" that psychoanalysis requires, thus heeding invisible but no less rigid class boundaries. Challenging such discrimination, the authors testify to the efficacy of psychoanalysis in the barrios, upending the unfounded widespread belief that poor people are so consumed with the pressures of everyday survival that they only benefit from symptom-focused interventions. Sharing vivid vignettes of psychoanalytic treatments, this collection sheds light on the psychological complexities of life in the barrio that is often marked by poverty, migration, marginalization, and barriers of language, class, and race.
This interdisciplinary collection features essays by distinguished international scholars and clinicians. It represents a unique crossover that will appeal to readers in clinical practice, social work, counselling, anthropology, psychology, cultural and Latino studies, queer studies, urban studies, and sociology.
Patricia Gherovici is a psychoanalyst and analytic supervisor. She is Co-founder and Director of the Philadelphia Lacan Group; Associate Faculty, Psychoanalytic Studies Minor, University of Pennsylvania; Honorary Member at IPTAR; and Founding Member of Das Unbehagen. Her books include The Puerto Rican Syndrome (Other Press, 2003), winner of the Gradiva Award and the Boyer Prize; Please Select Your Gender: From the Invention of Hysteria to the Democratizing of Transgenderism (Routledge, 2010); and Transgender Psychoanalysis: A Lacanian Perspective on Sexual Difference (Routledge, 2017). She has edited (with Manya Steinkoler) Lacan on Madness: Madness Yes You Can’t (Routledge, 2015), Lacan, Psychoanalysis and Comedy (Cambridge University Press, 2016), and Psychoanalysis, Gender and Sexualities: From Feminism to Trans*(Cambridge University Press, forthcoming). https://www.patriciagherovici.com/
Christopher Christian is Editor-in-Chief of Psychoanalytic Psychology, a training and supervising analyst, and Dean of the Institute for Psychoanalytic Training and Research (IPTAR), a component member of the IPA.He is co-editor of the books Psychoanalytic Perspectives on Conflict with Morris Eagle and David Wolitzky (Routledge, 2017) and The Second Century of Psychoanalysis: Evolving Perspectives on Therapeutic Actionwith Michael J. Diamond (Karnac, 2011). He is a member of the Editorial Board of the Journal of the American Psychoanalytic Association and faculty and a member of the Institute for Psychoanalytic Education, affiliated with NYU, School of Medicine. He is the executive producer of the documentary Psychoanalysis in El Barrio, winner of the Psychoanalytic Electronic Publishing (PEP) Video Grant award in 2015. He has a psychoanalytic private practice in Manhattan. https://www.chrischristianphd.com/
Monday March 18 | 7:00PM - 8:00PM Books Are Magic is proud to host the (NYRB) Books Are Magic Book Club, a book club that discusses a different book by a female author in the New York Review Books catalog every other month. This month we are discussing The Pure and the Impure by Collette. Colette…
Monday March 18 | 7:00PM - 8:00PM
Books Are Magic is proud to host the (NYRB) Books Are Magic Book Club, a book club that discusses a different book by a female author in the New York Review Books catalog every other month.
This month we are discussing The Pure and the Impure by Collette.
Colette herself considered The Pure and the Impure her best book, “the nearest I shall ever come to writing an autobiography.” This guided tour of the erotic netherworld with which Colette was so intimately acquainted begins in the darkness and languor of a fashionable opium den. It continues as a series of unforgettable encounters with men and, especially, women whose lives have been improbably and yet permanently transfigured by the strange power of desire. Lucid and lyrical, The Pure and the Impure stands out as one of modern literature’s subtlest reckonings not only with the varieties of sexual experience, but with the always unlikely nature of love.
Sidonie-Gabrielle Colette [1873-1954], was born in the village of Saint-Sauveur-en-Puisaye, where she led an idyllic childhood. At the age of twenty, she married Henri Gauthier-Villars, known as Willy, a Parisian man of letters under whose name she published the Claudine novels. Separated from Willy in 1905, Colette supported herself as an actress before establishing her own reputation as a writer. She was celebrated in later years as one of the great figures of twentieth-century French life and letters, and was the first woman to be accorded a state funeral by the French Republic.
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Hala Alyan’s new collection of poetry is The Twenty-Ninth Year. “Her poems startle us with their beautiful, enigmatic images and capture us with their passionate engagement with the world,” wrote Chitra Divakaruni. Ilya Kaminsky’s new book of poems is Deaf Republic. “He is more than a promising young…
Hala Alyan’s new collection of poetry is The Twenty-Ninth Year. “Her poems startle us with their beautiful, enigmatic images and capture us with their passionate engagement with the world,” wrote Chitra Divakaruni. Ilya Kaminsky’s new book of poems is Deaf Republic. “He is more than a promising young poet; he is a poet of promise fulfilled,” wrote Carolyn Forché. “I am in awe of his gifts.”