Sloane Crosley, author of the hit memoir I Was Told There'd be Cake, has been promoted to deputy director of publicity at Vintage. Crosley is taking two weeks off from her new gig this summer to embark on a tour for her forthcoming essay collection How Did You Get This Number?, observing first-hand the rigors of on-the-ground book promotion, and picking up tips for her clients as well as plenty of fodder for future volumes. 

Little Orphan Annie has survived many hardships, but has become the latest victim of newspapers' decline.

Novelist Rebecca Goldstein writes as Jorge Luis Borges, penning

A long-awaited galley is a signifier of literary cool that outranks all others (at least on the F train); this week in New York, publishing biz insiders will nod knowingly at this hot lit accoutrement, disdaining the lowly iPad—at least for now. Style points aside, we're hoping to find a read so gripping that we miss our subway stop.

Next month, the New Yorker will publish its double fiction issue, in which it will ordain twenty writers under age 40 as the next great American authors—the first such list the magazine has compiled since 1999. The writers on the shortlist will learn if they made

A room of one's own: Andrew Berman creates the ideal private library and writing studio, but with all that foliage in view, who could get any work done?

Would Jane Austen wear Prada? "Most readers and writers would admit clothing is pretty important in literature as well as in film and drama. There’s a lot of dressing-up going on in the arts," writes Helen Barnes-Bulley. In the 1930s, Nancy Drew had some sexy secrets, including "dainty lingerie," but implored a partner-in-crime to tone down her feminine wiles: "We are going to use strategy, but not charm, so put that frilly frock away." 

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The 48 Hour Magazine team is still a bit groggy from this weekend's editorial drag race, but the project has been deemed a success, though the WSJ blog wrinkles its brow in consternation at the thought: "Creating a magazine from start to finish in two days sounds like an insane, nearly impossible task." The end product, a sixty-page first issue called (what else?) Hustle, will soon be available for purchase on magcloud. The editors have posted a blog of inspiring YouTube clips that helped them along the way—certain to come in handy when you're up against a tight deadline—as well as a list of

Allen Ginsberg saw the best minds of his generation pose rakishly, and snapped many of the era's defining pictures. An exhibition of his photographs, which opened last week at the National Gallery, features the usual suspects; a shot of Neal Cassady under a movie marquee heralding The Wild One and Tarzan the Ape Man looks staged as the Beat apotheosis—or perhaps a scene from this year's film Howl, starring James Franco as the bearded bard. Franco, recently caught napping during a lecture at Ginsberg's alma matter, must have been channeling the poet's truant spirit—Ginsberg spent his Columbia

On the heels of last year's redesign—the equivalent of a cry for help—Newsweek is up for sale, leading to earnest proclamations that the end of the newsweekly era is upon us. Editor Jon Meacham is scrambling to round up bidders to buy the magazine. In an interview with Jon Stewart, a long-faced Meacham talked about the future of reporting, "in a time when people don't want to pay for news," (here's part 2). An inevitable Meacham backlash is beginning, with media commentators like David Carr, Jack Shafer, and James Fallows piling on the beleaguered editor, while Fishbowl NY rounds up the 5 ways

The Atlantic's fiction issue provokes a couple of reactions: First, we're glad to see the monthly that all but foreswore short stories five years ago (after regularly publishing them since 1857) is back in the game; and second, we wonder how Washington, DC (the magazine is headquartered there) fosters such provincial taste? They don't have any trouble finding international authors in Rochester or Champaign, but apparently the vantage from the capital of the free world allows editors to spy out mostly homegrown luminaries like Joyce Carol Oates, Paul Theroux, and T. C. Boyle. As the VQR review

Google is elbowing its way into the e-book business this summer.

The Literary Platform profiles book-based experiments from across the web; recent posts include a look at a nineteenth century text revolution, an interview with intriguing book app inventor Peter Collingridge, and an essay about making Alice in Wonderland for the iPad.

Hari Kunzru’s story, "Memories of the Decadence,” has won a 2010 Pushcart Prize. 

Maud Newton's notes on eight years of book blogging.

Daniel Clowes reads from Wilson at the Strand tonight.

An early Thomas Bernhard story, "Two Tutors," gets its first English translation.

Pico Iyer has always had a problem with William T. Vollmann. So what's he doing reviewing Vollmann's Kissing the Mask in the Times?

In the new issue of The Believer, Percival Everett’s seventeenth novel, I Am Not Sidney Poitier, wins the Book Award, and Rick Moody raves about Charlie Smith's forthcoming fiction Three Delays: "Want to read about how harrowing and essential love can really be? Dip in here. Be made alive."

Emily Gould offers a free audiobook excerpt from her memoir, And the Heart Says Whatever,

An excerpt from Hampton Sides's new book, Hellhound on His Trail, detailing MLK's last hours.

In the battle of fatwa versus fiction, Salman Rushdie has the last word: "One of us is dead, do not mess with novels." Rushdie, in conversation with Christopher Hitchens, gave the keynote of the PEN World Voices Festival last night. Catch up on a world of authors with blogs from the fest, excerpts from participating writers' work, photos, video and audio clips. Highlights include Patti Smith's chat with Jonathan Lethem, a Utopia and Dystopia panel, and A. M. Homes's talk with Philippe Djian.

Toronto’s Comic Arts Festival is in full swing.

Tonight at McNally Jackson books, Marisa Silver, author

A curtain call for Ted Willams at the Library of America, as John Updike's classic essay on Williams, "Hub Fans Bid Kid Adieu," is republished as a new volume, fifty years after the Splendid Splinter's last at bat, in which he blasted a homer and then didn't tip his cap to the crowd.

Surfing the Voice Literary Supplement's online archives with artforum.com editor-at-large Brian Sholis.

Take a long lunch break—or the day off—and wander over to the PEN American Center's World Voices Festival this afternoon. Among the many edifying events is "Utopia and Dystopia: Geographies of the Possible,"