• review • May 24, 2012

    The Loves of Lena Dunham

    There are many reasons to love Lena Dunham’s HBO television show Girls, and some of them have nothing to do with sex, but I’m going to begin with the sex scene in the second episode that most critics have mentioned and described with some amount of repugnance or lament. It’s one of the most complicated and intelligent sex scenes I’ve seen. The fact that it’s part of a funny, winsome, half-hour television show makes it all the more astonishing and exhilarating a thing to see. In reviews and profiles of Dunham, journalists, most of them admirers of the show, have broadly characterized what’s

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  • review • May 23, 2012

    The Yankee Comandante

    For a moment, he was obscured by the Havana night. It was as if he were invisible, as he had been before coming to Cuba, in the midst of revolution. Then a burst of floodlights illuminated him: William Alexander Morgan, the great Yankee comandante. He was standing, with his back against a bullet-pocked wall, in an empty moat surrounding La Cabaña—an eighteenth-century stone fortress, on a cliff overlooking Havana Harbor, that had been converted into a prison. Flecks of blood were drying on the patch of ground where Morgan’s friend had been shot, moments earlier. Morgan, who was thirty-two,

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  • review • May 21, 2012

    Boarded Windows by Dylan Hicks

    Boarded Windows must be appreciated as one of those debut novels that strike their own dizzy balance. It’s a rock’n’roll story couched in Proustian delicacy, a Beat reconfiguring of the family that moves towards pomo deconstruction of any reliable relationship—and withal, a hybrid of highly pleasing shape. Indeed, this fiction derives in part from another medium, that of the folk song. Doesn’t Bob Dylan (slyly alluded to here) insist that folk is about mystery, its details like glimpses between boarded windows? And isn’t this Dylan (Hicks, the novel’s author) also a singer-songwriter, with

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  • review • May 18, 2012

    What’s behind the boom in dystopian fiction for young readers?

    Rebecca Stead chose to set her children’s novel “When You Reach Me”—winner of the 2010 Newbery Medal—in nineteen-seventies New York partly because that’s where she grew up, but also, as she told one interviewer, because she wanted “to show a world of kids with a great deal of autonomy.” Her characters, middle-class middle-school students, routinely walk around the Upper West Side by themselves, a rare freedom in today’s city, despite a significant drop in New York’s crime rate since Stead’s footloose youth.

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  • review • May 17, 2012

    In One Person by John Irving

    Late in John Irving's 13th novel, "In One Person," the narrator, an aging writer named William Abbott, recalls visiting a high school friend dying of AIDS. It's the early 1980s, the beginning of the AIDS crisis, and Irving evokes the deathly terrors of that period, a time when people seemed, literally, to evaporate, to become, in the words of the late David Wojnarowicz, "a dark smudge in the air that dissipates without notice … glass human[s] disappearing in rain."

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  • review • May 16, 2012

    Mrs. Robinson’s Disgrace by Kate Summerscale

    Someone really should write a compelling history of the diary. Those books we often associate with childhood have been, after all, vehicles for some of the most illuminating accounts of history: Samuel Pepys had his famed journals of seventeenth-century life, John de Crèvecoeur his observations of the American settlements, and Lewis and Clark used them to chronicle their travails through the American West. And that’s to say nothing of figures like Franz Kafka or Virginia Woolf whose private entries have enhanced our understanding of their public work. A diary can be, in the right hands, a

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  • review • May 15, 2012

    Semblances in synthetic light

    Looking back to what he called the “First Machine Age” of the early twentieth century, the architectural critic Reyner Banham, writing in 1960, noted how his own age had been given numerous epithets: the Atomic Age, the Jet Age, the Detergent Decade – to which might be added the Age of Conformity, of Affluence, of Television, and of Advertising. The 1950s also saw, Banham wrote, a Second Industrial Revolution, one of “domestic electronics and synthetic chemistry”, characterized by the way in which technology revolutionized the “small things” of everyday life. Television was the “symbolic machine”

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  • review • May 14, 2012

    The Love That Dared to Write Its Name

    When I was a teenager, I believed, as many have, that I had personally invented homosexuality. This was prior to the gay movement, when there was scant public evidence that being gay existed and, if it did, it was sick. In high school life, the mere suspicion that you were a queer or a fruit or a fag was social death (which is still true in some North American schools today). Once you reached legal drinking age, you could explore a furtive world of gay bars, but they were subject to random reputation-wrecking police raids. If you happened to be in the military (I did a hitch in the American

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  • review • May 11, 2012

    Lions in Winter

    In March 2008, the New York Public Library announced a $100 million gift from private equity billionaire Stephen Schwarzman and a sweeping plan to radically remake its landmark main building on 42nd Street. Six months later, Lehman Brothers collapsed; the plan, to no one’s surprise, was put on hold. Now, the administration has announced that the renovation, its budget increased from $250 to $350 million, is back on track. The proposed designs developed by British architect Norman Foster have not yet been made public, but the basic scheme remains the same: to tear out the steel stacks that occupy

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  • review • May 10, 2012

    Who Is the Author of Toni Morrison?

    Toni Morrison never liked that old seventies slogan “Black is beautiful.” It was superficial, simplistic, palliative—everything her blinkered detractors called Morrison’s complex novels when the 1993 Nobel Prize transformed her into a spokeswoman and a target. No better were those blinkered admirers who invited themselves to touch her signature gray dreadlocks at signings, as though they harbored some kind of mystical power.

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  • review • May 08, 2012

    Hairy Fairies

    Angela Carter didn’t enjoy much of what she called ‘the pleasantest but most evanescent kind of fame, which is that during your own lifetime’. She was known and admired, but on nothing like the scale that has caused her to be described since her death in 1992 at the age of 51 as ‘one of the 20th century’s best writers’ and inspired Lambeth Council to name a street in Brixton after her. This posthumous enthusiasm is not the first major reassessment of a reputation that always had something of a switchback ride.

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  • review • May 07, 2012

    The Defense Never, Ever Rests

    Sergio De La Pava, author of the big, motley debut novel A Naked Singularity, has a great ear. You can almost see it, this giant ear about five times too big sticking out of his head, plucking voices out of the air. The book’s 44-page first chapter is a terrific yarn about the court system in Manhattan. Our hero, Casi, a 24-year-old public defender in New York City, describes one defendant after another, each a specific and sorrowful creature.

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