In the contemporary digital world, where it seems everything has been said, done, and made instantly available, one word might prove to be a useful corrective: Dada. Born in 1916, the anti-art movement continues to influence critics, poets, artists, and tastemakers. Sustained by its many paradoxes, Dada challenges staid institutions with questions that provoke debate and spur artistic production. In the poetic realm, Dada is no less contradictory or revelatory, offering ways of opening up language that have not yet been exhausted. The volumes here are recently published (or translated) doses