The Burden of the Ordinary
THE DILIGENT Prussian bureaucrat E. T. A. Hoffmann had a mischievous double. By day, he worked as a jurist in the courts of present-day Poland and Germany; by night, he wrote impassioned music criticism in the voice of his alter ego Johannes Kreisler, a tempestuous composer who also appears in several of Hoffmann’s stories and novellas. The wild cry that rings out in his first novel, The Devil’s Elixirs (1815), could just as well describe his own adventure in bifurcation: “I am what I seem to be, yet do not seem to be what I am; even to myself I am an insoluble riddle, for my personality has