Claire Jarvis

  • Pictures from an Institution

    HOW DO YOU WRITE A POLITICAL NOVEL IN 2020? How do you not write a political novel in 2020? It is impossible to imagine a contemporary writer presenting a version of the world that is not marked in some way by Trumpism, the threat of ecological catastrophe, the deepening gulf between the haves and the have-nots, the spectacle of racist police brutality. Yet the process of digesting the various horrors of the present into prose isn’t always noble. There is a way to use the novel as a balm to soothe the tempers of people who see themselves as opposed to cruelty, to violence, to climate disaster.

  • Love in a Cold Climate

    In the title essay of her new collection, Rachel Cusk describes something she calls being sent to “Coventry.” This, as it is for many English families, is her family’s term for putting someone beyond the pale, for thrusting an offender out into silence. Her parents “send her to Coventry” when she does something they dislike, when she has slighted them or failed them in some way. “Sometimes,” Cusk writes,

    It takes me a while to notice that my parents have sent me to Coventry. It’s not unlike when a central-heating boiler breaks down: there’s no explosion, no dramatic sight or sound,