To-Do Nihilist
THE CRITIC Ian Penman’s Fassbinder Thousands of Mirrors is a work of biographical criticism with strong views on the genre’s pitfalls and limitations. Right at the outset, he pronounces “the absolute impossibility of summing up” his subject, Rainer Werner Fassbinder, and promises that this auteur monograph will not stoop to “plot outline and capsule description.” He questions the very point of “biography or overview or memorial or accounting in this era of Wikipedia and Twitter and all the other just-a-click-away info blocs and image banks.” And he bemoans the “dulling effect of canonization,”