All the Pretty Lies

ELENA FERRANTE DOES NOT require privacy. She lays out her psychosexual-emotional range for all the world in multiple languages. She does not lock down her time, although she controls its use: one written interview in each language with each book. What she avoids is the parade, the opportunity for outsiders to evaluate aspects of her she is not ferociously driven to present. That is why she wrote a letter to her publishers in 1991, before they released her first novel, Troubling Love, before she knew whether she would find one reader or one million. In the letter, she gently refused to appear

fiction Apr/May 2010

Human Capital

Jennifer Gilmore’s Something Red opens in the summer of 1979. The hostage crisis in Iran will soon play out; the Soviet invasion of Afghanistan is imminent. The political stakes are high, but passions are dulled. The Summer of Love and Freedom Summer are dusty memories. Kent State has become a legal settlement. Jimmy Carter, overwhelmed by the nation’s “crisis of confidence,” sits down in the Oval Office to describe the country’s malaise.

At this torpid juncture, Gilmore swoops in on the Goldstein family, gathered at a backyard picnic table in DC to celebrate young Benjamin’s departure for