The question of whether they did it—the abominable act—doesn’t apply only to victims of torture. When drone operators Westmoreland and Bryant tell us they killed hundreds of civilians, while the president and his officials staunchly deny it, the logical question is: Did they actually do the killing? Yes or no? But what if, as in Hollywood’s structure of inherent transgression, the answer is a simultaneous yes and no? Recall Casablanca’s scene in which Ingrid Bergman pulls a gun in the hotel room and threatens Humphrey Bogart in order to obtain letters of transit for her husband; the two characters