Unlike her character Sibylla, Helen DeWitt did successfully complete her degree. She won the prestigious Ireland Prize for young classicists and might have been able to make a career in the academy. Oxford University Press wanted to publish her dissertation. But DeWitt decided to leave. She didn’t leave, or didn’t only leave, because Oxford failed to live up to her fantastic stan­dards. She also left because she discovered an alternative to the aca­demic pursuit. In graduate school, she recalls, “a British Jew introduced me to Kurosawa and Sergio Leone and Dennis Potter, to the power of imaginary