Lizzy Harding

  • interviews November 04, 2019

    “I want a full refund.”

    The first page of Exquisite Mariposa, the debut novel of Canadian-American artist, writer, and organizer Fiona Alison Duncan, finds the narrator, also named Fiona, pitching a reality TV show about her new housemates (“It’s like The Real World meets Instagram.”). But it’s a nonstarter: Fiona respects and admires her fellow subletters, and soon realizes that packaging their image for profit is no way to treat people one respects and admires. At this point, she’s known them all for about a week, but they have a Connection. Reality is, the show never gets made, and Fiona’s impulse to sell out fuels

  • interviews October 24, 2019

    “We’re all pure and we’re all evil.”

    Cyrus Grace Dunham’s memoir, A Year Without a Name, was written in real time over the course of two years, a name change, and what popularly constitutes a gender transition. The book emerged from a compulsive writing practice, an experiment in self-actualization that saw Dunham writing toward the version of himself he’d always fantasised about embodying. In spare language, Dunham writes through changing relationships, everyday setbacks, and resolutions.

    Dunham is acutely aware of what it’s like to be made a character of; one of the primary concerns of his book is how to write from life without