I’VE BEEN WAITING TWENTY YEARS for this book. First published in 1982 by The Figures, a small press dedicated to experimental writing, Stephen Rodefer’s Four Lectures soon went out of print and entered legend. “Everyone’s favorite six-hundred-dollar book of poetry,” a wag at the Poetry Foundation dubbed it in 2014. Xeroxed copies were passed around […]
ISN’T MODERN SOCIETY A FUCKING DRAG? Don’t you want to smash it? Don’t you want to create your own life instead of slogging to a job you hate, watching the rich live more vibrantly on tiny screens? There are people in history who did precisely that. They usually ended up shot in the streets, but […]
“IN THE BEGINNING God created the heaven and the earth.” You have to admit it’s a hell of an opening line. “When I think there was a day when a human first wrote those words,” Marilynne Robinson says, “I am filled with awe.” And that, for better and worse, is the kind of book Reading Genesis is—Robinson muses through Genesis, telling you what she thinks, getting filled with awe. It’s a book-length reading response. But it’s a reading response by Marilynne Robinson, who has written a few of the finest novels in English, so I’ll take it.
IN THE FALL of 2019, I wrote in these pages: “It remains unlikely that Ebola will spark a global pandemic. But it is almost certain that something else will, and there is every danger that it will exacerbate prevailing social tensions.” The occasion was two books about the 2013–2014 Ebola outbreak in West Africa. Each author, Richard Preston and David Quammen, warned of the “Next Big One,” as Quammen put it, which could well be “an inevitability.” People tend to forget Cassandra was right.
ONCE UPON A TIME, humans lived in small, nomadic, egalitarian bands of hunter-gatherers. Then, several thousand years ago, they domesticated plants and animals, discovered agriculture, and grew sedentary, eventually erecting cities, which gave rise to civilization—emperors, taxes, public works, the DMV. This was either a good thing (Hobbes) or a bad thing (Rousseau).
THE LAST FILM I SAW IN A THEATER was Greta Gerwig’s Little Women, at BAM Rose Cinemas in February 2020. Of course it didn’t occur to me that this would be the last movie I’d see on the big screen for well over a year—why would it? I hadn’t gone more than a month or so without visiting a movie theater since I was sixteen. Thirty years of movie after movie, Jurassic Park to Jeanne Dielman. Art houses and multiplexes; malls and drive-ins. All abruptly shuttered, some forever.
I REGRET TO INFORM THE READER that Andreas Malm’s new book, How to Blow Up a Pipeline, does not in fact contain instructions on how to blow up a pipeline. The title is aspirational: how to get enough people to realize that (a) drastic measures are now required to prevent or ameliorate the worst effects of global warming, (b) the usual protests and appeals to institutional authority are getting nowhere, and therefore (c) direct action against the instruments and agents of climate disaster is justified.
YOU KNOW HOW, when you roll into a small town for the first time, in search of a slice of pie and a decent cup of coffee, you inevitably uncover a byzantine and nefarious criminal conspiracy, perhaps concerning Russian spies and Nazis? And your sense of justice and your MMA-style fighting skills demand that you stick around long enough to expose the evildoers, protect the innocent, and kick a whole lot of ass?
I REALIZED WHEN I WAS AROUND EIGHT THAT THE VERY CONCEPT OF HELL IS INSANE AND EVIL, and never looked back. I don’t regard this as an especially precocious perception—many other Christians I have known report a similar experience.
THE HARD PROBLEM, DAVID CHALMERS CALLS IT: Why are the physical processes of the brain “accompanied by an experienced inner life?” How and why is there something it is like to be you and me, in Thomas Nagel’s formulation? I’ve been reading around in the field of consciousness studies for over two decades—Chalmers, Nagel, Daniel Dennett, John Searle, Jerry Fodor, Ned Block, Frank Jackson, Paul and Patricia Churchland, Alva Noë, Susan Blackmore—and the main thing I’ve learned is that no one has the slightest idea. Not that the field lacks for confident pronouncements to the contrary.
![*Rembrandt, _The Angel preventing Abraham from sacrificing his son, Isaac_, ca.1634-35,* chalk and wash on paper, 7 3/4" × 5 3/4". Image: Wikicommons/The British Museum [[PD-US]].](https://images.bookforum.com/uploads/upload.000/id25349/featured00_large.jpg)
