
Hannah Höch
ARTIST HANNAH H�–CH began clipping and assembling pictures when she was a child, and the practice of placing different, even clashing, images next to one another persisted into her adult work—giving Dada one of its most enduring techniques. There’s a fascinating glimpse into her process in 1934’s Album, a scrapbook of media images that Höch used as source material for her photomontages, much of which is reproduced in this new monograph published to coincide with an exhibition at the Whitechapel Gallery. On one black-and-white spread, we see a jarring variety of found photographs: an aerial view