The Philip Johnson Tapes, edited transcripts of ten conversations conducted in 1985, provides portraits of both interviewer (Robert A. M. Stern) and interviewee (Johnson) as no less than besotted with architecture, the history thereof, and, not inappropriately, their respective roles in shaping its discourse. As someone who, beginning in the 1980s, spent many hours in conversation with both Stern and Johnson, I found that the voices captured in these transcripts sounded amazingly familiar. While the presence of a tape recorder can often result in a deadening sense of historical self-awareness,