• print • June/July/Aug 2017

    Rauschenberg / Dante: Drawing a Modern Inferno

    THE VIVID DESCRIPTIONS of human suffering in Dante’s Inferno have long attracted visual artists. It’s no surprise that Sandro Botticelli, Gustave Doré, William Blake, Auguste Rodin, and Salvador Dalí all tried their hand at depicting the Italian poet’s demonic landscape. That dark world is rich in dramatic occasion (“an old man, his hair white with age, cried out: / ‘Woe unto you, you wicked souls’”) and irresistibly pictorial (“These wretches . . . / naked and beset / by stinging flies and wasps / that made their faces stream with blood, / which, mingled with their tears, / was gathered at

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  • print • June/July/Aug 2017

    See Change

    Looking at someone you find attractive—better yet, someone you hope also finds you attractive—your gaze might brush the floor before your eyes meet; while you shift from foot to foot, your hand may sweep a lock of hair behind your ear. This feels artless, an outer expression of an inner flush. On closer inspection, it’s clear your movement is pantomime, not instinct. You have been choreographed—by a beautiful actress on the screen, or by, say, a friend’s older sister, whose beauty is all the more amazing for its proximity: How could such glamour be in your kitchen, leaning on your linoleum

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  • review • May 25, 2017

    Walks with Walser by Carl Seelig

    It’s perilous when the words spoken by a writer end up more well known than those he actually wrote. The line “I’m not here to write, I’m here to be mad” has appeared in most articles about Robert Walser written since his death in 1956. The “here” is, supposedly, the Sanatorium of Appenzell in Herisau, Switzerland, and the hearer was, allegedly, Carl Seelig, whose recollected visits to the no-longer-writing writer, Walks with Walser, was just published by New Directions.

    In 1936 Seelig, a literary admirer, began traveling to Herisau to see Walser, then fifty-eight years old. Together they

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  • review • May 19, 2017

    How to Write Iranian-America, or The Last Essay

    Begin by writing about anything else. Go to the public library in your Los Angeles suburb and ask for all the great books people in New York City read, please. Wonder if the reference librarian knows a living writer and ask her what would a living writer read—and an American one, please. When she realizes you are still single digits and asks, Where are your parents, young lady? don’t answer and demand Shakespeare and take that big book home and cry because you can’t understand it. Tomorrow, go back to reading the dictionary a letter at a time and cry because you can’t learn the words. (Ask your

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  • review • May 17, 2017

    Pew Research

    Every four years, American political journalists, who rarely interest themselves in spiritual matters outside of election cycles, act out their own sort of religious ritual: foretelling “the evangelical vote.” Think back to February 2016, after Donald Trump had won his large victory in the Republican primary in New Hampshire, but before South Carolina had voted. He was not supposed to win that state, because there are a lot of evangelicals there, and evangelicals, our soothsayers told us, did not like Donald Trump. They did not like him because he was Donald Trump, and we all know that story,

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  • review • May 11, 2017

    Calculating Women

    Although advances in science and technology are often portrayed as the work of solitary men—for example, Isaac Newton, Thomas Edison, and Albert Einstein—science has always been a collective enterprise, dependent on many individuals who work behind the scenes.

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  • review • May 05, 2017

    Is Political Hubris an Illness?

    In February, 2009, the British medical journal Brain published an article on the intersection of health and politics titled “Hubris Syndrome: An Acquired Personality Disorder?” The authors were David Owen, the former British Foreign Secretary, who is also a physician and neuroscientist, and Jonathan Davidson, a professor of psychiatry and behavioral sciences at Duke University, who has studied the mental health of politicians. They proposed the creation of a psychiatric disorder for leaders who exhibited, among other qualities, “impetuosity, a refusal to listen to or take advice and a particular

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  • review • May 03, 2017

    The Alternative Facts of Samuel Beckett's “Watt”

    Like much of Beckett’s work, “Watt” is funny and bleak and also uncompromising in its indifference to such readerly comforts as plot and accessibility. The novel follows its title character as he goes to work as a domestic servant in the home of Mr. Knott. Combine “Watt” and “Knott” and you get “whatnot,” and for some readers, assuredly, “Watt” will never be more than that: two hundred and fifty pages of mannered prose, showy vocabulary (“ataraxy,” “conglutination,” “exiguity”), syllogisms, lists, and Gertrude Stein-like repetitions and variations.

    But Beckett’s stylistic extravagance has a

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  • review • April 28, 2017

    A Separation by Katie Kitamura

    The cagey narrator of Katie Kitamura’s new novel, A Separation, is an unnamed woman who has recently separated from her unfaithful husband, Christopher. He has asked her to keep the split a secret. When Christopher stops returning his mother’s phone calls while traveling in Greece, the narrator is enlisted to go find him, feeling she has no choice but to make the trip. She travels to the small village where he was staying and pretends to perform her wifely duties as she searches for her husband, all the while planning to ask for a long-overdue divorce. Even though Christopher exists only as a

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  • excerpt • April 20, 2017

    The Life and Death of Louis Kahn

    It was not just the suddenness of his death that made it hard to realize Louis Kahn was gone. Something about the way he disappeared from the world—irregularly, mysteriously, with that strange two-day gap when nobody he knew could find him—left many people unable to take in the facts of his death.

    For the California relatives, who learned about Lou’s death through a series of relayed phone calls, there was a persistent confusion about where and how he had died. Decades later, Kahn’s niece, nephew, grandnephew, and two grandnieces all thought he had suffered a heart attack on the way back from

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  • review • April 18, 2017

    Borne by Jeff VanderMeer

    Just when you’re about to do a proper job as critic, assessing Jeff VanderMeer’s latest and looking at his previous, considering, too, his worldwide success and the good it’s done for science fiction generally—just when you’re about to get serious, his new novel, Borne, hits you with the likes of this:

    We didn’t see the intruders at first because they were seething up from the underground. . . . But soon enough from our vantage on the roof, looking down to the factory floor through a couple of loose slats, I saw who it was: more poisoned half-changed children.

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  • review • April 10, 2017

    Family Lexicon by Natalia Ginzburg; translated by Jenny McPhee

    Dribbledrams! Doodledums! Nitwitteries! Fools! Thugs! Jackass! Moron! Buffoons! Cowards! Delinquent! Old biddies, the mulligrubs, to motturize. These are among the words and phrases—a litany of family sayings coined, inherited, and appropriated—that are repeated throughout Natalia Ginzburg’s Family Lexicon. They accrue as the book goes on, evoking a vivid and particular linguistic world: A Barbison, most eminent Signor Lipmann, white lady cutlet, don’t say it’s the teeth, that girl’s going to marry the gasman, I cannot go on painting, sulfuric acid stinks of fart, you too have your little

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