• print • Dec/Jan 2017

    Visible Republic

    Gentlemen, he said, I don't need your organization. And surely Bob Dylan, one of the wealthiest and most successful artists in the history of the world, did not require the imprimatur of the Nobel Committee for Literature at the Swedish Academy. Nevertheless, here we were, on the morning of October 13, 2016, arguing about whether it made a lick of sense for a popular songwriter—even the popular songwriter—to be awarded this most prestigious of literary prizes. Was there precedent? There was not: Every single previous winner of the Nobel Prize in Literature—even Winston Churchill (1953)—won for

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  • print • Dec/Jan 2017

    Less Than Hero

    Every day we should be improving. Our productivity and happiness should be on the rise. We should be making more friends. Our spouses should love us more and our children should be happier and increasingly confident about their positions in the world. And if we are not improving, inching closer and closer to our best lives, then we are failing ourselves and everyone around us.

    The burden of this pervasive cultural lie, that life should be a relentless victory march, asserts itself on every page of Maria Semple's new novel, Today Will Be Different (Little, Brown, $27). Like Bernadette Fox, the

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  • print • Dec/Jan 2017

    Top of Barack

    In one of the few waggish moments of Audacity: How Barack Obama Defied His Critics and Transformed America (Custom House, $28), Jonathan Chait gently mocks presidential speechwriter Ben Rhodes for having an unrealistic idea of how much text can fit on a bumper sticker. Even so, look who's talking. Audacity itself is pretty darn windy, at least as rock-star souvenir merch goes.

    Timed to hit bookstores three days before Obama leaves office, Chait's book is the polemical equivalent of a T-shirt marketed to capitalize on some iconic performer's farewell tour—bragging, in this case, "I was right

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  • print • Dec/Jan 2017

    Surreal Meals

    Agnostics and atheists rejoice! If the holiday season brings out in you, as it occasionally does in me, a nagging undercurrent of regret that there is no higher order giving weight to your festivities, Taschen books understands. Its reissue of Salvador Dalí's 1973 cookbook, Les Dîners de Gala ($60), filled with lavish recipes and images that frequently verge on the disturbing, is not, as the introduction teases rhetorically, "just another cook book presented to an already saturated market." Oh, no. It presents nothing less than a new way to live now: Dalínian Gastro Esthetics. Or should I say,

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  • print • Dec/Jan 2017

    Artful Volumes

    Even among the crew of language-besotted artists—Ed Ruscha, Barbara Kruger, John Baldessari, Marcel Broodthaers, Bruce Nauman—the work of Jean-Michel Basquiat stands out as especially devoted to words as subject matter. Indeed, enigmatic poems rather than images constituted his earliest forays as a graffiti artist (in a duo with the nom de plume SAMO©). But the move to canvas hardly diminished his affection for painted words, numbers, sentences, and names. In WORDS ARE ALL WE HAVE: PAINTINGS BY JEAN-MICHEL BASQUIAT (Hatje Cantz, $60), several critics survey the artist's language-based art, and

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  • print • Dec/Jan 2017

    The Knockout

    When I was seventeen, I had my long hair cut off in an attempt to emulate Barbra Streisand in Funny Girl. Alas, it turned out that the Cleopatran effect—a look the young Streisand seemingly cultivated through a combination of thick makeup and pure willpower—wasn't so easy to re-create. I took the precaution of not telling anyone why I'd done it, but even if somebody had wanted to make a joke, Streisand had already beaten them to it. A woman goes to her hairdresser and asks for the "Barbra" look, she used to say. So he takes the hairbrush and breaks her nose.

    One great Streisandian mystery is

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  • print • Dec/Jan 2017

    Stardust Memories

    Glam rock, the trend that put the roll back in rock 'n' roll after the psychedelic burnout and beardy

    earnestness of the twilight of the 1960s. Glam, the gender-bent dress-up cabaret that helped smuggle queer liberation into mainstream pop culture. Glam, precursor of punk, but perhaps also early warning of today's hall-of-mirrors celebrity culture . . .

    . . . Or, as many Americans might say, Glam rock, what is that? You mean, like, hair metal?

    The easiest reply would be: No, more like early David Bowie. But who else was ever like David Bowie? In Shock and Awe, Simon Reynolds has more than

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  • print • Dec/Jan 2017

    The Acid Test

    I know three people microdosing LSD or mushrooms: a very young, pearly-cheeked web editor from California; a wealthy, jarringly enthusiastic computer programmer I met at a warehouse party; and a catalogue model with a demure husband. Like everyone, they appear happier and more productive than me. They work in midtown. They live in better neighborhoods in Brooklyn. Their existence does not, however, propel me to alter my consciousness, much as a low-level aversion to scientific nonfiction from independent publishers will forever keep me from reading the book that "popularized" microdosing: The

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  • review • November 28, 2016

    Syria's War on Doctors

    On a recent Tuesday evening in London, the surgeon David Nott attended a dinner at Bluebird, an upscale Chelsea restaurant. The room was packed with doctors, renowned specialists who had come for the annual consultants' dinner of the Chelsea and Westminster Hospital, one of Britain's leading medical establishments. As waiters set down plates of lamb and risotto, Nott checked his phone and found a series of text messages. "Hi David," it began. "This is an urgent consultation from inside Syria." Attached was a photograph of a man who had been shot in the throat and the stomach.

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  • review • November 23, 2016

    Capitalism in One Family

    The vote for Donald Trump may well have been what Michael Moore called the "biggest fuck-you ever recorded in human history," delivered by the white working class to spite "the establishment." But it isn't just the size of the fuck-you that matters; it's also who delivers it.

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  • review • November 16, 2016

    Counternarratives by John Keene

    The American author John Keene writes sentences that begin in states of tight restraint, steadily loosen, unravel, sprawl or expand, and then—in their last few beats—contract suddenly into piercingly acute points. One such sentence comes two-thirds of the way into an epically named story, "Gloss on A History of Roman Catholics in the Early American Republic, 1790-1825; Or the Strange History of Our Lady of the Sorrows," included in Keene's remarkable new short fiction collection Counternarratives. The sentence conveys—among other things—one of the story's grimmest plot twists. A dead, unidentified

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  • review • November 11, 2016

    Autocracy: Rules for Survival

    I have lived in autocracies most of my life, and have spent much of my career writing about Vladimir Putin’s Russia. I have learned a few rules for surviving in an autocracy and salvaging your sanity and self-respect. It might be worth considering them now.

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