• review • March 28, 2016

    Immaterial Girl

    SURVEYS BY NATASHA STAGG. SOUTH PASADENA, CA: SEMIOTEXT(E). 176 PAGES. $16.

    Natasha Stagg laid it out in her DIS Magazine advice column back in 2011. “The internet is a void, nothing like life,” she wrote to a tween seeking advice on how to boost his Twitter following. “And it is your whole life, sometimes, isn’t it?” Stagg went on to give the kid a crash course in how Twitter functions not as a grid of RL (real life) but as a system of constructed fallacies. These fallacies, in turn, can be used, like language itself, as a persuasive tool—one that allows you to hide and reveal desires, to be

    Read more
  • review • March 21, 2016

    Something Will Happen, You’ll See by Christos Ikonomou

    In “Go Out and Burn Them,” one of the standout stories in Greek writer Christos Ikonomou’s Something Will Happen, You’ll See, a bereaved widower is found climbing into a public trash bin. “Any man who lets his wife die like that,” he tells the passerby who stops him, “deserves to go out with the trash. They can pick me up and recycle me, maybe I’ll come out a more useful man.” It’s a striking expression of guilt, but also a rather absurd one—there was nothing that the widower, Sofronis babra-Tasos, could have done to save his wife. She had a form of cancer that no doctor in Greece could treat.

    Read more
  • review • March 16, 2016

    All The Houses by Karen Olsson

    I

    IRAN PAYMENT FOUND DIVERTED TO CONTRAS; REAGAN SECURITY ADVISOR AND AIDE ARE OUT. This was the six-column, all-caps headline on the front page of the New York Times on November 25, 1986. It marked a turning point in what would come to be called the Iran-Contra affair, but the political scandal was so tangled that it never seemed to reach resolution. The security advisor, John Poindexter, and the aide, Oliver North, referenced in the Times headline would later be tried and convicted on various counts—conspiracy, obstruction of justice, perjury, destroying documents, and bribery among them.

    Read more
  • review • March 07, 2016

    A Collapse of Horses by Brian Evenson

    In “The Blood Drip,” the story that ends A Collapse of Horses, the new collection from Brian Evenson, two men on a postapocalyptic frontier have gathered beside a fire. Well, one of them might not be a man, exactly—a ghost, perhaps, or a hallucination? But still, it’s an archetypal scene: two men, a roaring fire that’s the only light and heat in sight, and the aftermath of violence. One offers to tell a story; the other wavers. The first makes his case: “It’s just a story. A story can’t hurt.”

    Evenson’s body of work stands as a long and ominous proof that stories can, in fact, hurt. His

    Read more
  • excerpt • March 04, 2016

    On Mezz Mezzrow

    On New Year’s Day of 1947, not long after Random House published Mezz Mezzrow’s memoir, Really the Blues, there took place at Town Hall a kind of musical-revue version of his life. “Mr. Mezzrow himself served as the narrator,” reported The New York Times the following day. “He told how he had encountered different jazz players in different places. Then the curtains opened and instrumentalists or singers acted the parts of the performers mentioned, performing in the styles of the originals.”

    Mezzrow was an early traditionalist: His love for jazz centered on New Orleans–derived music and swing,

    Read more
  • review • March 01, 2016

    Good on Paper by Rachel Cantor

    “Translation requires, and generates, a rare kind of intimacy,” says the narrator of Rachel Cantor’s novel Good on Paper. “Like sex done right, I’ve always thought.… You had to want to get close.” Shira Greene was once a graduate student translating Dante, but she has, at the beginning of the novel, mostly abandoned her literary calling. Convinced that all texts are ultimately untranslatable, and waylaid by divorce and pregnancy, she has veered off track. Now forty-four, she works as a temp and raises her seven-year-old daughter Andi with her gay friend Ahmad, a professor, in his Upper West

    Read more
  • excerpt • February 22, 2016

    Singer Iris DeMent's Homage to Soviet Poet Anna Akhmatova

    Few poets stood higher on Joseph Stalin’s hit list than Anna Akhmatova, the Soviet doyen of reverie and suffering who was born near the Black Sea in 1899 to an upper-class family. Like many in her literary milieu before the Russian Revolution, she revolted against drowsy symbolism and became a poet of spiritual clarity and of simplicity—but she always resisted the characterization of her poems as the work of a seductive poetess or a counter-revolutionary. She preferred to consider herself a poet of the soul. Certainly, the architects of Soviet ideology, first under Lenin and later under Stalin,

    Read more
  • excerpt • February 04, 2016

    After Gay Marriage

    When the Supreme Court delivered its ruling in June 2015 confirming marriage equality, it was greeted as an historic civil rights achievement. Over the past several years, mounting marriage victories combined with a cresting wave of trans activism had already pushed legal advocates to think beyond gay marriage, the issue that has absorbed the bulk of the movement’s advocacy, resources, and powers of mass mobilization. From the legalization of homosexual assembly to the repeal of anti-sodomy laws and now national gay marriage, legal gains for LGBT people since World War II have brought important

    Read more
  • print • Feb/Mar 2016

    The Interpretation of Screams

    In 1967, when he was a student at the Pennsylvania Academy of Fine Arts in Philadelphia, David Lynch, the future director of Blue Velvet and Twin Peaks, made a mixed-media sculpture, a Rube Goldberg device that, as Dennis Lim describes it in his thorough, compact, and illuminating new book on Lynch, “required dropping a ball bearing down a ramp that would, through a daisy chain of switches and triggers, strike a match, light a firecracker, and cause a sculpted female figure’s mouth to open, at which point a red bulb inside would light up, the firecracker would go off, and the sound of a scream

    Read more
  • print • Feb/Mar 2016

    Cloud Atlas

    The reason we love a song usually has to do with longing: for a person, a time, a way of life. That is why my teenage songs have stuck by me. Back then, I did hardly anything but long. This yearning led me to doggedly pursue music and unreasonably identify with what I liked. Jonathan Lethem memorably described this phenomenon in his 2012 essay about the Talking Heads: “I might have wished to wear the album Fear of Music in place of my head so as to be more clearly seen by those around me.” This way of thinking might now seem as quaint as a gramophone, but it points to a significant cultural

    Read more
  • print • Feb/Mar 2016

    Wynne Greenwood: Stacy . . . Kelly

    BETWEEN 1999 AND 2006, artist and musician Wynne Greenwood toured as the queer-feminist band Tracy + the Plastics. She performed live as front woman “Tracy” alongside other prerecorded, bewigged, and made-up selves: brunette “Nikki” (the “artistic” keyboard player) and blond “Cola” (the “political” drummer). Appearing on small TVs or in video projections behind her, the two virtual band members would harmonize, interrupt, and converse with her (and each other), creating a complex, layered set of performances. The group has now been both revived and archived in two exhibitions, for which

    Read more
  • print • Feb/Mar 2016

    Girl Afraid

    The Los Angeles–based poet Melissa Broder writes about the hot-pink toxins inhaled every day by girls and women in a late-capitalist society (a few evocative phrases from her latest book: “diet ice cream,” “pancake ass,” “Botox flu”) and the seemingly impossible struggle to exhale something pure, maybe even eternal. “I tried to stuff a TV / in the hole where prayer grows,” she wrote in her pummeling 2012 collection, Meat Heart, which was followed by the searing Scarecrone in 2014. Here, from her website, is her version of an author’s bio: “when i was 19 i went thru a breakup, smoked weed all

    Read more