• print • June/July/Aug 2007

    Dresden, 1741: A count lies suffering from chronic insomnia. To soothe his misery, he orders a musician to play to him every night, a ritual that necessitates the composition of pieces for the young clavier player. The task is assigned, a set of thirty variations on a theme is written, and one of the masterpieces of Western music is born. The insomniac is Hermann Karl von Keyserling; the harpsichordist, Johann Gottlieb Goldberg; and the composer, Johann Sebastian Bach. So goes the creation myth of the Goldberg Variations, a tightly assembled rotation of elements including canons, genres, and arabesques. Its structure

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  • print • June/July/Aug 2007

    There’s a cold moment when you open a book that an entire nation officially loves. It can’t be quite that good, you think. It might say all too much about the country that loves it—in this case, Holland. Besides, when a book is approved as safe in so many schoolrooms, how can it possibly still be alive? And why doesn’t the rest of the world know about it already?

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  • print • Feb/Mar 2006

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