• print • Sept/Oct/Nov 2008

    Senselessness by Horacio Castellanos Moya

    On April 26, 1998, Monseñor Juan José Gerardi Conedera was beaten to death in his garage with a chunk of concrete, a few days after he announced the publication of a fourteen-hundred-page, four-volume report on the atrocities committed by the military during Guatemala’s endless civil war. The report detailed in painfully unambiguous terms the torture, rape, and genocide perpetrated against Guatemala’s indigenous Mayans, thought by the military to be sheltering guerilla warriors.

    Senselessness, El Salvadoran writer Horacio Castellanos Moya’s first novel to be translated into English, barely

    Read more
  • print • Sept/Oct/Nov 2008

    A Manuscript of Ashes by Antonio Muñoz Molina

    A Manuscript of Ashes, Antonio Muñoz Molina’s debut novel (though not his first translated into English), reads as a primer on his work. Published in the author’s native Spain in 1986, it demonstrates his early postmodernist tendencies—particularly a predilection for narratives that shift in time and for shadowy narrators who destabilize the story. It also reveals the moral and philosophical issues that appear in his later novels, including the way in which the present embodies the past.

    Minaya, a university student with literary ambitions, has been detained by the police during the terrors

    Read more
  • print • Sept/Oct/Nov 2008

    GLASS SPOUSES

    Best known for his jaunty, ruminative nonfiction books on such redoubtable topics as bachelorhood, melancholy, and the male body, Phillip Lopate last produced a full-length work of fiction in 1987—The Rug Merchant. Whence, then, this tart, mischievous set of novellas—Two Marriages—paired some twenty-one years later into one deceptively trim, provocatively entertaining volume? Such is the mystery out of which fiction, like married life, is made—and into which Lopate lustily delves.

    In the first and longer work, The Stoic’s Marriage, a well-off forty-eight-year-old Spanish Catholic first-generation

    Read more
  • print • Sept/Oct/Nov 2008

    INFERNAL CITY

    One could thumbnail The Pisstown Chaos, David Ohle’s third novel in thirty-odd years, as a dark-comic fantasia, and the author himself as a long-term toiler in the fields of postwar American experimentalism. And yet he remains elusive, far more obscure than he deserves to be, and the book, like the rest of Ohle’s small oeuvre, is a bit hard to account for. His first book, Motorman, from 1972, could be situated within the vein of Barthelme et al.; but what came after—well, what came after was silence. Decades passed, the debut accruing cult status all the while, until the appearance of the

    Read more
  • print • June/July/Aug 2008

    The Roles of Black Folk

    In his first year as coach of the Los Angeles Lakers, Phil Jackson made headlines by passing important books out to his star players: Shaquille O’Neal described the author of Ecce Homo as “ahead of his time” and “digital” and began referring to himself as “the black, basketball-playing Nietzsche.” Kobe Bryant, who viewed Jackson’s gesture as a personal affront, judged the book he received—Paul Beatty’s first novel, The White Boy Shuffle (1996)to be “bogus.”

    Well, yes. Insofar as The White Boy Shuffle is fiction, it might be described as such. And in Bryant’s defense, it’s the kind of novel

    Read more
  • print • June/July/Aug 2008

    Power of Babble

    "I think you are going to like Moshe,” reads the second sentence of Adam Thirlwell’s funny, inventive first novel, Politics (2003). “His girlfriend’s name was Nana. I think you will like her too.” And on the next page, “I like this couple.” Isn’t he overdoing the authorial intervention? Not a bit—this is a double bluff, and it manifestly works. “This may seem a little pushy to you,” the style says, “but I’m sure you’ll enjoy the book in spite of my pushiness—well, because of my pushiness, because my pushiness is so playful.” I say the double bluff works because you can’t argue with such tangible

    Read more
  • print • June/July/Aug 2008

    SHRINK RAP

    Like the internal combustion engine and the Internet, the psychiatrist is one of those revolutionary inventions that no one embraces as an unalloyed gain for humanity. Psychiatry renders fatuous any attempt to imagine its absence from our world; even so, might not we be better off without it? Such a reflection is hardly the stuff of idle speculation for Charlie Weir, the therapist-protagonist of Patrick McGrath’s Trauma, who at one point voices the psychiatric “heresy” that “it is often by means of simple courage and a good woman that psychological problems are overcome, and without any help

    Read more
  • print • June/July/Aug 2008

    TOURISTS TRAPPED

    Love comes in for a thrashing in Joan Silber’s sixth book, The Size of the World, a collection of loosely connected stories. Women struggle under the curse of commitment: pining for an unrequited love, taking up with bad boys, compromising reluctantly, being paid for companionship. Most of the men are restless, emotionally dwarfed souls, skittish about settling down and forced by economic circumstance or post-traumatic lethargy to whittle down their notions of independence. When Silber does create a good guy, he gets jilted or dies.

    These first-person narratives cover whole adult lives in

    Read more
  • print • June/July/Aug 2008

    FOOD NETWORKS

    Like Ralph Ellison’s Invisible Man, whose nameless protagonist proclaims, “I yam what I yam,” and Amy Tan’s choreography of labored meals in pointed contrast to American fast food, Lara Vapnyar’s new story collection, Broccoli and Other Tales of Food and Love, employs food—the buying, cooking, storing, eating, and ordering of it—to examine fractured identities.

    In this slim volume, Vapnyar returns to the story form—her debut collection, There Are Jews in My House (2003), was followed by the novel Memoirs of a Muse (2006)—exploring food as metaphor for the immigrant experience. In these brief,

    Read more
  • print • June/July/Aug 2008

    A Chronicle of the Madness of Small Worlds

    In Mac Wellman’s universe, a radish can be used as an eye, a young girl can fall in love with a toucan, and some folks still use faxes. Best known for his experimental plays, Wellman has also published four volumes of poetry and three novels—works describing self-contained worlds that question our cultural preoccupations and assumptions. His latest book continues this practice: A Chronicle of the Madness of Small Worlds is a collection of short stories—or, as the author would have it, an interconnected series of planetoids—that, while comically inventive, rings with the sound of our contemporary

    Read more
  • print • June/July/Aug 2008

    Harry, Revised

    The protagonist of Harry, Revised, Mark Sarvas’s debut novel, is a Bel Air radiologist whose trappings (he drives a Jaguar and lives in a $2.8 million house) are in marked contrast to his bumbling, insecure nature. Paunchy and middle-aged, Harry Rent is a perennial avoider of confrontation—“he’s always found it easier to deny, to disavow, and to disengage”—which is the reason his eight-year marriage to the pretty, poised, and moneyed Anna Weldt has deteriorated into a state of benumbed complacency. When Anna dies during cosmetic surgery (she was having a her breasts augmented, in part to

    Read more
  • print • June/July/Aug 2008

    SPIEL OF FORTUNE

    It’s easy to forget that American poetry was not always as friendly to the middle class as it is today. In the first half of the last century, a generation of poets who grew up reading Flaubert accepted “Épater le bourgeois as the Second Commandment of their art, just after Pound’s “Make it new.” The postwar economic boom changed everything, of course. Flaubert’s motto continued to animate some, but poets like Robert Pinsky, Robert Hass, and James McMichael proved that the life of the middle class could truly be a subject (and not merely a target) of real art.

    Campbell McGrath’s Seven Notebooks

    Read more