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see all contributions from Art & Language Art Winslow

  • print • June/July/Aug 2007

    Asylum Seeker

    A new biography charts Anna Kavan’s bouts with psychosis and drugs • Geoff Nicholson

    ... necessitate and justify their particular self-medication? I don’t think I’m oversimplifying when I say that Reed believes that all art comes out of suffering and that since Kavan suffered greatly, her art...

  • print • June/July/Aug 2007

    Picture of a Gone World

    Delillo evokes the sensation of catastrophic change • Michael Wood

    ... he thinks the way DeLillo writes at his best. Falling Man is about shock, about avoidance strategies, about life in the ruins of an old world. It is also about art at the end of its capacity to...

  • print • June/July/Aug 2007

    Fabulous Fabulist

    Lincoln Kirstein fabricated the New York City Ballet, and much more • Clive Fisher

    ... whose citadels he could enter but never penetrate. For Kirstein, however, ambivalence would not become the stuff of art. He attempted fiction—the published novels failing to satisfy an impulse still...

  • print • June/July/Aug 2007

    Soul Inspector

    Georges Simenon pushed his characters to emotional extremes, exposing the criminal within, a shadowy core he believed we all share. • Luc Sante

    ... were included but did not predominate. In the late ’20s, though, the art of lawlessness began a major upward trend all over the world. One of the first modern crime movies, Josef von Sternberg...

  • print • Apr/May 2007

    Party of None

    Mallarmé’s motley text underscores language's self-created reality • Wayne Koestenbaum

    ... word is the same in French and English—represents an apogee of this self-pointing. The comma isn’t Mallarmé’s only ally in the art of interruption. The dash works well, too. "Just so does an essay...

  • print • Apr/May 2007

    Closely Watched Refrains

    A fresh translation restores Zbigniew Herbert’s vibrancy • Mark Rudman

    ... a longing for world culture. He would skip town whenever he could get clearance, and he made enough trips to Italy and Holland to write the essays on art that constitute the captivating...

  • print • Apr/May 2007

    Northern Enclosure

    Michael Chabon’s novel posits a Jewish homeland in Alaska • Benjamin Anastas

    ... "My worst nightmare was a boring nightmare," Art Bechstein tells us in Michael Chabon's first novel, The Mysteries of Pittsburgh, published to rapturous acclaim in the distant year of 1988...

  • print • Apr/May 2007

    A Political Education: Coming of Age in Paris and New York

    André Schiffrin’s A Political Education: Coming of Age in Paris and New York Christine Schwartz Hartley

    ... Schiffrin out of the job in which he had published the likes of Studs Terkel, Noam Chomsky, Eric Hobsbawm, Michel Foucault, Günter Grass, and Art Spiegelman. Above all, these are the poignant memoirs of...

  • print • Apr/May 2007

    The Memory Palace of Isabella Stewart Gardner

    Patricia Vigderman’s The Memory Palace of Isabella Stewart Gardner Barbara Bloom

    ... willfulness is not really a good friend to art. ...

  • print • Apr/May 2007

    In the Genes

    Joan Richardson's A Natural History of Pragmatism: The Fact of Feeling From Jonathan Edwards to Gertrude Stein Paul Grimstad

    ... injects new life into the fine art of close reading. And instead of dredging up worn-out debates about whether pragmatism amounts to a plainspoken antidote to more theoretical discourses in the...

  • print • Apr/May 2007

    Page Against the Machine

    Justin Spring interviews Nicols Fox • Justin Spring

    ... three miles away, and most recently as a "virtual bookshop" on the Web. As author of Against the Machine: The Hidden Luddite Tradition in Literature, Art, and Individual Lives (Island Press, 2002...

  • print • Apr/May 2007

    James's Gang

    Clive James’s memorializes 107 cultural and political personages • Richard Locke

    ... this: James Agee "was one of my heroes as a critic. [His] colloquial verve gave me support for writing about serious art in a conversational manner, and about unserious art as if it counted." As of...