• review • February 10, 2014

    Figure skating is perhaps the least understood sport. The average layperson refers to every movement a skater completes as a “triple Axel” and forgets about the sport for four years at a time. Yet skating is, for some, an all-encompassing passion. A global sport, skating provides a lens through which one can explore some of the past century’s major historical phenomena (the AIDS crisis, the Cold War) and cultural trends (the cult of the sports commentator). The literature around figure skating is like the sport itself—entertaining, utterly human, flush with both absurdity and beauty. Here are the vital nonfiction skating

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  • review • January 24, 2014

    The greatest fear I harbor about having kids is that I will, as Philip Larkin puts it in “This Be the Verse,” fuck them up. I will fuck them up in some imperceptible way at first and there will be big consequences for it later. I fear that something will be “off” with my Hypothetical Child and I will be unaware or incapable of understanding it immediately, and that when I do finally become aware, I will somehow make matters worse by choosing the wrong treatment or not recognizing the gravity of whatever my child is going through. Perhaps, I

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  • review • January 20, 2014

    If on a winter’s night a traveler, in a taxi headed south from Bombay’s airport with a heavy suitcase full of hard drives, handmade electronics, and newly bought used books, were to consider his or her recent trip from New York to a village in Europe, to suburban London to Cork to Cairo (via Amman), the exhausting thing about it wouldn’t be the sheer physical distance covered in economy seats, or the days of caffeine and work and nights of drinking and conversations but something in the background—the incredible range of contexts one, or if lucky two or three of

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  • review • January 13, 2014

    In Flannery O’Connor’s recently published prayer journal, which she wrote in her early twenties, her ambitions as a fiction writer often get entangled with her aspirations to summon God into the work itself. “Start with the soul and perhaps the temporal gifts I want to exercise will have their chance. . . . God must be in all my work.” (See our review.) What makes her fiction great is not her intention to write directly about “Christian principles”; such an aim could have easily steered her to produce sermonizing fables or sentimental inspirational tales. Rather, her deeply original, dark, and

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  • review • December 26, 2013

    As the crossroads of Europe, Hungary has borne all the turbulent drama the continent could offer. Over the last century, Hungarians have gone from being proud citizens of the Austro-Hungarian Empire to seeing most of their lands lost to neighboring countries after World War I to witnessing the rise of Hungarian fascists in league with the Nazis, who were replaced by the victorious Russians after World War II. Years of unrest eventually sparked the Hungarian Revolution of 1956, a popular uprising infamously crushed by Red Army tanks and followed by decades of life under police-state control. The collapse of the

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  • review • December 19, 2013

    Bookforum contributor Christian Lorentzen picks his favorite novels of the year, from Coetzee’s “deep joke” to Pynchon’s portrayal of the “deep Web.” The Childhood of Jesus by J.M. Coetzee In its own terms “a deep joke” of a novel about refugees, a middle-aged man and a precocious parentless boy, arriving in a quasi-socialist land, where freighters are unloaded by hand, everybody speaks Spanish, and nobody is much interested in sex. It’s a philosophical affair, and Coetzee is probably the only living Nobel laureate whose characters would spend pages contemplating “the pooness of poo.” Taipei by Tao Lin A year, more

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  • review • October 8, 2013

    Most books about the alphabet are geared toward kids; they’re for pre- and early readers who are just beginning to learn about letters, the basic building blocks of language. But the last century has seen the publication of a number of alphabet-related books that appeal to adults too. Some of these books were written with an adult audience in mind, while others transcend their intended youthful audience through their innovative form and content. All of the books on this list contain adult pleasures; they use the alphabetic sequence as a means to reflect on topics as varied as globalization, mortality,

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  • review • October 1, 2013

    Throughout the history of literature, writers have catalogued the myriad ways a man can love a woman. One complex and emotionally fraught part of this genre is dedicated to the mother-son relationship. Once the spell of childhood is broken, first loves, first passions, and other trials and tribulations chip away at what was once a special bond between a boy and his mother. Male writers have often attended to the fragile nature of the relationships with their mothers in memoir or semi-autobiographical fiction. The five works included here attempt to reconcile the child-son with the adult-son, hoping to preserve both.

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  • review • September 10, 2013

    When multiple narrative layers are incorporated into a work of fiction, they can have a disorienting effect. Whether they take the form of a shift in perspective, the introduction of interviews, or something else, they can deeply affect the way we perceive a novel, and undermine—or do away with entirely—our trust in the story’s narrator. These concerns surface in the works below. How Should A Person Be by Sheila Heti
 To answer its titular question, this “novel from life” turns to email conversations and transcribed chats between Heti and her friends. As Heti explains to her close friend Margaux, “I

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  • review • July 24, 2013

    The novel, like all art, reaches for immortality, but the unfinished novel is bound up with mortality and the limits of time. In my view, that makes it even more beautiful than a finished novel. We’re left to imagine the completion that is forever suspended. How was the writer ever going to tie up such a complicated plot? What was he or she going to do with all those characters and their noisy, difficult yearnings? And what was it all supposed to mean? As we circle these questions, the author becomes paradoxically more and more present to us in the

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  • review • July 15, 2013

    Though it’s often overlooked as one of the great West Coast cities, Vancouver, BC synthesizes many of the most appealing qualities of its American counterparts. The Canadian outpost combines San Francisco’s walkability, Portland’s livability, Seattle’s seaside surroundings, and Los Angeles’ slickness, all in a carefully designed urban setting. The city’s current state is the result of development that has taken place over the past several decades. Yet Vancouver’s skyscrapers, gleaming condominium towers and urban center can make it difficult for the uninitiated visitor to see everything else that the city has to offer: These four books look deeper to reveal

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  • review • April 4, 2013

    The 1950s through the 80s saw Japan go from post-war disrepair to world-frightening powerhouse, adapting and even improving all manner of Western inventions from cars and consumer electronics to jeans and rock music. While America and Britain observed these developments from afar, a number of expatriate writers registered more thoughtful assessments of the rapidly changing situation on the ground. These Westerners, many of whom first came to Japan during the Second World War, brought outside perspectives to this endlessly fascinating era of unprecedented—and unsurpassed—Japanese development and engagement with the world. The Inland Sea by Donald Richie Richie came to Tokyo

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  • review • March 25, 2013

    Today we have academics and professional critics as well as novelists and poets who moonlight as critics. But prior to the establishment of literary study as an academic field in the twentieth century, nearly all criticism in English was written by creative writers, often poets. Their criticism is characterized by autobiographical arguments that make little use of outside opinion, and are stylized enough to be called poetic. Their criticism is literature. Of course, poet-critics are still with us (see: James Fenton, Charles Simic), but no longer are they as highly regarded as they were from roughly the mid-sixteenth to the

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  • review • March 12, 2013

    Dearest readers,

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  • review • February 4, 2013

    Even before her suicide became cultural legend, Sylvia Plath created her life’s narrative through the lens of myth. Plath saw herself in Shakespeare’s Ariel and Robert Grave’s white goddess, the doomed German lorelei and the resurrected Lazarus—figures liberated by their fantastic generative powers yet bound, too, to tragedy and death. “I think I would like to call myself ‘the girl who wanted to be god,’” the teenage Plath wrote in one letter, only to doubt her own capacity to play that part lines later: “I am I—I am powerful—but to what extent?” It’s these paradoxes that Plath sought to master

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  • review • December 4, 2012

    Environments can be mind-altering. In books like Heart of Darkness, landscape is portrayed as an alien, oppressive force, and evil is rendered in physical terms. “The earth seemed unearthly,” says Marlow of the Congo. Then there are the novels that keep you indoors. In them, noise is winnowed away and narrative is confined to the space between four walls. Home-bound characters are no longer be prey to the forces that trouble the outside world, but isolation invites other dangers. Pressure builds. The smallest actions and remarks take on unnatural meaning. Inhabitants become estranged from reality, twisted by intimacy, or even—if

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  • review • November 13, 2012

    Strangely enough, until now, Patricia Highsmith’s 1952 The Price of Salt has never had a proper film treatment. Announced at this year’s Cannes festival, the long-waited-for adaptation, directed by John Crowley and starring Cate Blanchett and Mia Wasikowska, will start filming in February 2013. Published under the name Claire Morgan, Highsmith’s second novel is a slow, swoony tale of women in love and on the run in midcentury America: Opaque, orphaned convent girl Therese meets the older, glamorous Carol, a perfect Hitchcock blonde, while working the toy counter during Christmas rush at a New York department store. (Highsmith first saw

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  • review • October 31, 2012

    As Hurricane Sandy prowled her way up the East Coast earlier this week, fear of her arrival bore an unmistakable whiff of anticipation. Restocking pantries and hauling out the generator took the form of dramatic ritual, and there was a sense that we were all bound together in the communion of impending catastrophe. On a global level, the prospect of annihilation has a curious way of inspiring us to pare down our priorities and possessions to only the most important. It makes us wonder, what would matter most if the human race were threatened with extinction? Below are four works

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  • review • October 9, 2012

    A manuscript has a life of its own. One never knows where it will end up. Once a physical copy exists, its future is uncertain: it could be destroyed, lost, or find itself in unintended hands. The following novels are set around found manuscripts, and use their material uncertainty as a narrative frame. In doing so, these books not only tell their stories at a remove, but also question the ways in which we know what we think we know. War War by László Krasznahorkai A suicidal Hungarian archivist named György Korin stumbles upon a manuscript unlike anything he has

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  • review • September 6, 2012

    I am the editor of the Lowbrow Reader, a comedy zine from New York, as well as its book, The Lowbrow Reader Reader, which was recently published by Drag City. Only by using Cracked magazine as a benchmark would one mistake the Lowbrow Reader for a literary journal. Within our pages, the words “Rodney” and “Dangerfield” are considered hallowed. Yet we have always sought out laughs across platforms; over the years, as we move further away from the glories of adolescence, this has increasingly extended to literature. Below, in no particular order, are my favorite comedic American novels. Excluded are

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