
Whiting On the Wall
It is part of Robert Ryman’s legend that he is a self-taught artist. He moved to New York in 1952, at age twenty-two, to pursue a career in jazz. A year later, he took a job at the Museum of Modern Art as a security guard. Paintings had begun to interest him “not so much because of what was painted but how they were done. I thought maybe it would be an interesting thing for me to look into—how the paint worked and what I could do with it.” So he bought some art supplies and began to experiment. At no point, then or later, did he try to depict anything—a face, a figure, a natural object like a