• review • June 1, 2009

    Welsh poets may still sense a bardic responsibility to speak for their communities. The relatively new post of national poet, currently held by Gillian Clarke, arises naturally from that tradition. Happily for the incumbent, it brings none of the royalist freight attached to the English “laureate” brand, but there are other pressing expectations. Academi, which sponsors the post, lists on its website the required skills, including “an ability to communicate, to write well and often, and to have a regular route into the magic that makes verse work”. This is an un-nerving job description – not least, that surely mischievous

    Read more
  • review • May 29, 2009

    At its worst, the travel memoir can be formulaic to the extreme. A typical narrative begins with the author’s nagging sense of mediocrity and boredom, which then feeds into a desire for adventure and change, and often culminates in some form of the New Agey idiom “wherever you go, there you are.” Rachel Cusk’s latest book follows this formula to a point before turning it roundly on its head. The Last Supper is not only an account of the author’s journey to Italy, it is also a meditation on art and autonomy. Fearful of falling into a dull, dreary routine,

    Read more
  • review • May 26, 2009

    Although recent novels have presented sophisticated tales of the 1960s and ’70s political underground—including Dana Spiotta’s Eat the Document, Christopher Sorrentino’s Trance, and Hari Kunzru’s My Revolutions—latter-day radicalism continues to be fetishized, from the recurrent use in fashion and art of a beret-clad, gun-wielding Patty Hearst to Shepard Fairey’s ubiquitous Che Guevara–inspired poster of Barack Obama. But any romantic notion of this revolutionary period is dismantled in Mark Rudd’s memoir, Underground, a sober account of his time as a member of Students for a Democratic Society and its faction the Weathermen and of his seven years as a fugitive from

    Read more
  • review • May 24, 2009

    Charlotte Roche’s controversial novel, Wetlands, is an uneven yet adventurous catalogue of filth, a feminist critique of what cultural theorist Lauren Berlant calls “hygienic governmentality.” In the case of Wetlands, this means a politics housed in the anarchic, messy body of German teenager Helen Memel. Narrating from her hospital bed after hemorrhoid surgery, eighteen-year-old Helen sees herself as a sanitary terrorist, rallying against the deceitfully liberational promises of tampon ads and shaving commercials and of a fascist regime of douching and wiping from front to back.

    Read more
  • review • May 7, 2009

    When he died 99 years ago this week, Mark Twain was this country’s most beloved writer, yet his status as both an author and protean example of the now-familiar pop cultural celebrity seems to grow with each passing decade.

    Read more
  • print • Sept/Oct/Nov 2006

    One day in June 1974, a novice Israeli politician named Ariel Sharon drove into the northern West Bank. In a field of thistles south of the Palestinian city of Nablus, the short, bulky ex-general joined a hundred young activists from a radical right-wing protest movement who were busily setting up a new settlement. The activists’ aim was to ensure that Israel retained permanent rule of the entire West Bank, in defiance of the policy of Prime Minister Yitzhak Rabin, who’d taken office just two days before. Sharon, known for his obsession with maps and topography, had personally chosen the spot

    Read more
  • print • Sept/Oct/Nov 2006

    Read more
  • print • Sept/Oct/Nov 2006

    Read more
  • print • Sept/Oct/Nov 2006

    Read more
  • print • Sept/Oct/Nov 2006

    Read more
  • print • Sept/Oct/Nov 2006

    Read more
  • print • Sept/Oct/Nov 2006

    Read more
  • print • Sept/Oct/Nov 2006

    Read more
  • print • Sept/Oct/Nov 2006

    Read more
  • print • Sept/Oct/Nov 2006

    Read more
  • print • Sept/Oct/Nov 2006

    Read more
  • print • Sept/Oct/Nov 2006

    Read more