Paul Schimmel’s Destroy the Picture: Painting the Void, 1949–1962
THAT THE RACE CAR is at the center of Salvatore Scarpitta’s art is hardly surprising, since in life he was perpetually in motion: He was born in New York but grew up in LA, lived abroad for twenty-two years, and traveled a circuit that included the international art world and rural racetracks. His is not the best known of the twenty-six names that make up the roster of artists featured in “Destroy the Picture: Painting the Void, 1949-1962,” Paul Schimmel’s important final exhibition as chief curator at the Museum of Contemporary Art in LA, but Scarpitta’s work is among its revelatory highlights.
