• print • Dec/Jan 2007

    Read more
  • print • Dec/Jan 2007

    Read more
  • print • Dec/Jan 2007

    Read more
  • print • Dec/Jan 2007

    Read more
  • print • Dec/Jan 2007

    Read more
  • print • Dec/Jan 2007

    Read more
  • print • Dec/Jan 2007

    Read more
  • print • Dec/Jan 2007

    Read more
  • print • Dec/Jan 2007

    Read more
  • print • Feb/Mar 2007

    William T. Vollmann has traveled to unforgiving and turbulent places in search of insights into the human condition, conducted exhaustive research, and written epic works that commingle genres, deepen our perception of history, intensify our sense of empathy, and complicate our moral equations. Feverishly prodigious and protean, Vollmann is fascinated by symbiosis and the pairings of opposites, and he himself projects a complexly bifurcated sensibility. He is saintly in his devotion to people who are marginalized and maligned and is martyrlike in his zeal to write to the point of physical debility and spiritual exhaustion. Yet there are intimations of

    Read more
  • print • Feb/Mar 2007

    Read more
  • print • Feb/Mar 2007

    Read more
  • print • Feb/Mar 2007

    Read more
  • print • Feb/Mar 2007

    Read more
  • print • Feb/Mar 2007
    Tom Phillips, Dante in His Study, 1978, acrylic on canvas.

    As the millennium drew to its dismal close, George Steiner was asked to choose the best book of the past thousand years. He named the Commedia, saying: “Dante’s totality of poetic form and philosophic thought, of ‘local universality’ and language, remains unrivaled. At a time when the notion of culture and of European culture, in particular, is in doubt, Dante is the sovereign underwriter.”

    Read more
  • print • Feb/Mar 2007

    Read more