AT FIRST, TINKERBELL WAS ONLY A LAMP, a small mirror, and someone crouching in the dark. He tilted his wrist to make her fly, shimmering light. A bell was her voice and applause was her medicine. In 1904, she promised children that belief was enough, ritual worked, and friends could come back from the dead. “Never” was a land, a country. If you were an eight-year-old boy in that London theater, clapping for Tink, odds are you were deep or dead in the trenches ten years later. Loss dug itself into towns, steady and chasmal, leaving old men, women, and children behind. New types of family spooled

FOR NEGATIVE LESSONS, the “don’ts” when it comes to writing reviews, there’s always the internet. But for direction and inspiration, cold water on a face flushed from a looming deadline, it’s better to have hard copies of whatever you think defines greatness: you can open one to a random page, like shaking a Magic 8 Ball, and ask it what to do. Jenny Diski’s new, posthumous collection, Why Didn’t You Just Do What You Were Told?, might give an answer—ultimately, obliquely—to its own title’s question. Of course it can’t answer mine. But I’m sure I’ll periodically give it a try anyway, because,

RICKIE LEE JONES’S BLOND HEAD IS ATILT as she lights a French cigarette, crowned with an off-center red beret. It’s that image of the artful-dodger “duchess of coolsville” (as Time dubbed her) on the cover of her eponymous 1979 debut that became iconic to a public who still recalls her mainly for that year’s jazzy top-10 single “Chuck E’s in Love.” It was a sell, but one close to the reality of this former teen street kid and, more recently, poverty-line Venice Beach bohemian. Jones rejected the 1970s “glamour-puss” gloss that was being urged on her and brought her own wardrobe and sensibility

THE CONCEPT OF THE MASK, of concealing, is made explicit in the title of Persona, Ingmar Bergman’s superlative film of 1966. Yet ever since its release, many critics and viewers have sought to uncover the “meaning” of this enigmatic work, which centers on the relationship between two women: Elisabet Vogler (Liv Ullmann), an actress who stops speaking, and Alma (Bibi Andersson), a nurse tasked with overseeing Elisabet’s convalescence. Bergman cautioned against the urge to demystify, remarking to a Swedish TV journalist in 1966, “Each person should experience it the way they feel.” Ullmann, in

Jean Dubuffet (1901–1985) was a French painter, printmaker, and sculptor who began seriously making art at age forty-one. But he never really outgrew his divine callowness, the spirit of a teenager beseeching the sheeple to wake TF up: “Look at what lies at your feet! A crack in the ground, sparkling gravel, a tuft of grass, some crushed debris offer equally worthy subjects for your applause and admiration.” In JEAN DUBUFFET: BRUTAL BEAUTY (Prestel, $50), the catalogue for an exhibition at the Barbican Art Gallery in London, we observe the many ways he battled the notions of comportment and

Letter to the Local Police

Dear Sirs:

I have been enjoying the law and order of our

community throughout the past three months since

my wife and I, our two cats, and miscellaneous

photographs of the six grandchildren belonging to

our previous neighbors (with whom we were very

close) arrived in Saratoga Springs which is clearly

prospering under your custody

Indeed, until yesterday afternoon and despite my

vigilant casting about, I have been unable to discover

a single instance of reasons for public-spirited concern,

much less complaint

You may easily appreciate, then, how it is that

I write

Two writers pay tribute to the poet and songwriter Giancarlo DiTrapano, who passed away on March 30. DiTrapano was the mastermind behind the literary magazine New York Tyrant and the press Tyrant Books. A writer’s editor, Gian loved his work in ways that now seem sui generis. He was brave, ferociously supportive, and developed deep connections with his authors. He is missed.

IF HE THOUGHT YOU COULD WRITE, THEN HE LOVED YOU, TOO

By Nico Walker

He was in a hotel room, in New York City, like stars do it. I won’t pretend he wasn’t consoled by this. He admired decadence. If anyone wants to