• print • Spring 2025

    THE R. CRUMB STORY IS an amateur Freudian’s delight—I’m speaking of Freud the mischievous aesthetic theorist/detective, who thought that creativity and perversity share the same origins. Artists are people who’ve figured out how to transform their forbidden urges and fantasies into culture, lauded as heroes because the rest of us are pissed off about having […]

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  • print • Spring 2025
    Henri Matisse, Femme au chapeau (Woman with a Hat), 1905, oil on canvas, 31 3/4 × 23 1/2". "Image: Collection San Francisco Museum of Modern Art, bequest of Elise S. Haas."

    GUY DEBORD PUBLISHED The Society of the Spectacle in 1967 while shepherding the original Situationist International in Paris, a collective shimmy that tumbled into the protests of May 1968. This era has become a frozen plot point in the Wiki of the left while its theoretical leader remains, somehow, under-consulted. British art historian T. J. […]

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  • print • Spring 2025

    TO DATE, I HAVE SEEN EVERY SEASON of Netflix’s Love Is Blind, a dating series in which attractive, sometimes deeply unhinged people spend ten days speaking to other attractive, sometimes deeply unhinged people through a wall, in the hopes that their inability to see each other will allow them to develop “real” feelings. These “real” […]

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  • print • Spring 2025

    The artist Paul Thek sits with his face half cast in shadow, a look of curious expectation in his eyes. It is one of Peter Hujar’s relatively rare upright portraits: in many of the photographs in Portraits in Life and Death, his 1976 book recently reissued by Liveright, the subjects are reclining, sometimes tucked in […]

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  • print • Spring 2025

    “IT DOESN’T TAKE ME LONG TO REALIZE that no one wants to read this pathemata,” writes Maggie Nelson in her new book, Pathemata. Nelson is not speaking of the book itself, but rather about a document that provides much of its source material: a record she has made of her jaw pain, for the benefit […]

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  • print • Spring 2025

    IN HER RECENT BOOK WAVE OF BLOOD, Ariana Reines states the obvious: “It’s a big mistake to kill someone, one person, one person.” I pause on the word “mistake” there. An odd word: pared down, it means “to badly seize,” to reach out and wrap your fingers around a reality that is incorrect. It describes […]

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  • print • Spring 2025

    “I HAVE A THEORY THAT IT’S EASIER FOR INDIGENOUS PEOPLE to the north of the Canada–US border to imagine a world organized beyond the settler state,” writes the professor Kim TallBear (Dakota) in a recent post on her Substack, Unsettle, because the vast territory and small population to the border’s north make anti-Indigenous racism hyper-visible. […]

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  • print • Spring 2025

    IN THE EARLY 2010S, photographer Diana Markosian traveled to Armenia to meet her father after a separation of more than fifteen years. They hadn’t seen one another since Diana’s mother, Svetlana, took her and her brother from Russia to California when she was seven. “I am Diana, your daughter,” she said. He replied, “Why did […]

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  • review • February 12, 2025

    The Winter 2025 issue of Bookforum is out now! This edition features Audrey Wollen on Joy Williams’s stories of angels, demons, and the fate of humanity; Hermione Hoby on narratives of marriage and its dissolution; Jessi Jezewska Stevens on Ágota Kristóf’s confounding fictions of exile. On the cover is artist and poet Joe Brainard’s 1968 […]

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  • print • Winter 2025

    YEARS AGO, not long after ending a marriage, I was having coffee with two women, new acquaintances, when we discovered that we were all divorced. “Yay!” one cried. “Hot Divorcées Club!” Something shrank and recoiled in me. Why must we be hot? Couldn’t we just be divorced? Plus, what in divorce, a thing about as […]

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  • print • Winter 2025

    IN AN INTERVIEW conducted in 1966, shortly after the opening of a retrospective of his work at the Tate Gallery, Marcel Duchamp makes a strange pronouncement. By that time Duchamp had become an American citizen and was living in New York. His interlocutor, Pierre Cabanne, asks him what he does when he visits Paris. “I […]

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  • print • Winter 2025

    THE WRITER OF TWO COLLECTIONS of poetry, one collection of essays and stories, one massy novel (the recently reissued Miss MacIntosh, My Darling), and one unfinished biography of the turn-of-the-century socialist politician Eugene V. Debs, Marguerite Young (1908–1995) was born near New Harmony, Indiana, the site of two failed utopian communes that would become life-long […]

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  • print • Winter 2025

    ONE OF MY CLOSEST friends in high school was what we called hapa in typical Los Angeles casually racist slang. We had semi-pejorative epithets for every ethnic group and deployed them affectionately and indiscriminately across demographics, our scrappy anthropology. In my friend’s case, she was half-Japanese and half-Yugoslav. Her Yugoslav father had a storied journey […]

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  • print • Winter 2025

    AS A COMPILATION of the late David Graeber’s work, The Ultimate Hidden Truth of the World . . . has several tasks, each of which it executes more fully than one might expect from a posthumous odds and sods collection. Capturing what this rogue anthropologist thought and how he thought is not that easy, as […]

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  • print • Winter 2025

    LITTLE WALTER’S “Blues with a Feeling” is a majestic song whose title is kind of redundant. Blues is a feeling, whether filtered through Hank Williams’s full-moon howling or channeled through Jimi Hendrix’s rumbustious guitar. The emotional impact arrives far in advance of any intellectual engagement. The same process applies to the music of progressive jazz […]

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  • print • Winter 2025

    ANYONE LOOKING for a summa on twenty-first-century architecture culture in New York—how shifting ideas in the design profession have transformed the landscape of the city (mostly for the better) over the past two-plus decades—could do worse than to read a few passages from Brooke Hodge’s introduction to Architecture. Research. Office. The book, grouped into sequential […]

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  • print • Winter 2025

    ALEC SOTH, ONE OF THE MOST REVERED PHOTOGRAPHERS of the past twenty years, is also one of the most approachable. His homey, rambling, and relaxing YouTube videos are recorded in his personal library in Minnesota. The artist shows old pictures, flips through photo books, does AMAs (“ask me anything”), and tells stories about how his […]

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  • print • Winter 2025

    ELAINE MAY DIDN’T SET OUT to become a director. What she really wanted to do was write. Her first film, A New Leaf, came about partly because it was 1968 and Paramount knew it would look good to hire a woman director. And partly because May wouldn’t sell her script without being guaranteed director approval—the […]

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  • print • Winter 2025

    EVEN A CURSORY GLANCE at the life of Joe Brainard reveals him to have been something of a genius of friendship. Since the artist and writer died of AIDS-induced pneumonia in 1994 at the age of fifty-three, his legacy has been steadfastly tended to by a band of his contemporaries, who jump at the chance […]

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  • print • Fall 2024

    YOU OPEN BOX 34, take the typescript from its folder. You can see right away that the song is pretty much finished. He’s got the first four verses locked in, save one lingering question about Ma. Should she be forty but say she’s twenty-four, or eighty claiming sixty-four? Or what if she’s twenty but wants […]

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