• review • August 15, 2016

    The news that the United States had killed 150 unnamed individuals in a country halfway around the world with which it is not at war generated barely a ripple of attention, much less any protest, here at home. Remote killing outside of war zones, it seems, has become business as usual. This is a remarkable development, all the more noteworthy in that it has emerged under Barack Obama, who came to office as an antiwar president, so much so that he may be the only person to win the Nobel Peace Prize based on wishful thinking.

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  • review • August 12, 2016

    I spent years of my adulthood poring over the documents related to my father’s death by car crash—news articles and photographs, police reports, his death certificate and autopsy. I have files of this stuff, and much more, in boxes above my wife’s closet. I’ve met the man who killed my father, once in 2008, at his back fence in Marion County, Florida, where, barring the eighteen months he spent in prison, he’d lived his whole life, and again in 2013, after chasing him into the woods by his house. All this settled nothing. I know the aimlessness of grief. So

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  • review • August 11, 2016

    Patrick Modiano’s work casts a wary look at personal and collective histories of the French mid-twentieth century. Rather than nostalgia, this looking-back is imbued with a “sense of emptiness that comes with the knowledge of what has been destroyed, razed to the ground.” Each of Modiano’s novels is, in the words of Adam Thirlwell, “a new restatement of a single unsolvable crime.” Whether that crime manifests as the sin of a whole nation (Nazi collaboration in The Occupation Trilogy) or the sin of one person (murder or betrayal), it inflicts a moral injury more than a material one: it is

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  • review • August 8, 2016

    “Regrettably I don’t think my first language can be written down at all,” explains the unnamed narrator of Claire-Louise Bennett’s debut novel Pond, which leaves us in the idle hands of a woman who has abandoned academe and retreated, alone, to a stone cottage in the Irish countryside. Here, she has given herself over to a ripe compulsion to grammatize her experience of the world. “I’m not sure it can be made external you see. I think it has to stay where it is; simmering in the elastic gloom betwixt my flickering organs.” For the time being, she writes in

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  • review • August 4, 2016

    Francis Galton was an idealist. He was a scientist, a gentleman, and a reformer. He dreamed, according to Evan Kindley, of “a world remade by asking the right questions.” In 1870, he looked to realize that dream, submitting a seven-page set of questions to 180 of his colleagues in the British Royal Society in which he asked after their education, their temperament, ancestry, religion—even the rim size of their hats. In the years that followed, he would become the “founding father of questionnaire research,” writing several books based on his surveys of his friends and of strangers, and establishing “the

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  • review • August 3, 2016

    It is fitting that White Nights in Split Town City, the strange and striking debut novel by Annie DeWitt, opens with “When” by Sharon Olds, a poem that pairs atomic dread with the familial. A young mother hears a “noise like somebody’s pressure cooker / down the block, going off.” Holding her small daughter, she steps outside onto the lawn and sees a bright ball in the sky—they watch it “rise and glow and blossom and rise.” Surprisingly, the poem ends not with an image of apocalyptic terror, but one of grace: the child reaching up, arms open to the

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  • review • August 1, 2016

    During the drained-out years of the 1960s and ’70s, when there was no public outlet for a frank conversation, Homo sovieticus would gather with friends in a Moscow kitchen, identical in shape and size to those in concrete apartment blocks all over the USSR. The radio would be turned to full volume, drowning out loose talk that might otherwise escape through pre-fabricated walls. The décor would display only muffled colors—the mediocre browns and grays of the Soviet everyday. On a shelf: a three-litre jar of birch juice, pickled cucumbers and a gray salami procured for a special occasion. The clothing

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  • review • July 29, 2016

    Each era remakes exhaustion in its own image, reflecting its medical, technological and cultural developments, as well as its fears. Dangerous precisely because it keeps us from action, it has for centuries done double duty as a sign of weakness and a badge of honor.

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  • excerpt • July 28, 2016

    Among the mysteries of the strange animals that appear in A Ted Hughes Bestiary—a compilation edited by poet Alice Oswald of his writing about animals real and invented—is how often these creatures strike me as anything but strange. Taking one of his great plunges into the waterways—those “legendary” depths “deep as England”—he encounters an otter with a “round head like a tomcat,” or a pike with its “sag belly and the grin it was born with,” or a trout “Lifting its head in a shawl of water,” or a swaggering mackerel making “the rich summer seas//A million times richer//With the

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  • review • July 28, 2016

    Instead of calling 911, black America now pulls out its smartphones, in order to document the actions of the death squads that dialing 911 can summon. The camera has made all the difference.

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  • review • July 25, 2016

    President Obama has made at least fourteen public statements in response to mass shootings during his tenure. By now, the pattern of public response is tragically familiar.

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  • review • July 22, 2016

    Last January, the chairman of the Republican National Committee tweeted: ‘It’s clear we’ve got the most well-qualified and diverse field of candidates from any party in history.’ Why, the world wonders, did they end up with Donald Trump as their nominee?

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  • excerpt • July 21, 2016

    The novel Supremacist documents a vision quest undertaken by the narrator, whose name is David Shapiro, and who seems to bear some resemblance to the author, whose name is also David Shapiro. Here’s where complications arise: For example, “David Shapiro” is itself a pseudonym. The fictional David Shapiro, meaning the narrator, is a twenty-six-year-old actuary student who lives in Brooklyn. The meta-fictional David Shapiro, meaning the author, is apparently a Manhattan-based “corporate lawyer specializing in private-equity transactions,” according to a recent New Yorker profile. Further fogging the figural mirror is the fact that the author undertook the expedition detailed in

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  • review • July 20, 2016

    When I announced I’d be traveling to Cleveland to cover the convention, it soon became a matter of obsessive fascination for my friends and family on Facebook: “Bring a bulletproof vest,” one person after another half-jokingly advised

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  • review • July 18, 2016

    The remarkable thing about Friday’s coup attempt is not that it failed but that, after years of Erdoğan’s relentless purging of his opposition, there was a faction inside the Turkish military strong enough to mount one at all.

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  • review • July 15, 2016

    For the third time in a year and a half, France is grieving a major terrorist attack. This time, the means was a truck; the place was Nice; but the grief, the horror, the fear are the same as before.

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  • excerpt • July 13, 2016

    In a recent issue of Film Comment, critic Kent Jones recalled the film culture that predominated in 1970s and ’80s New York, his memories weary and tinged with rancor. More cinephobic than cinephilic, this film culture, Jones argued, had more to do with the heady pronouncements of theory than it did with any authentic engagement with, or enthusiasm for, actual films. “Certain names and phrases and references were invoked so regularly that one had the impression of Benedictine monks chanting morning prayers—‘the notion of…Barthes wrote…imaginary Signifier…Heath…mirror phase…Brechtian.’”

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  • review • July 7, 2016

    Jelani Cobb offers a stunning analysis of the facts and mysteries surrounding the death of Alton Sterling, an African American man who was shot by police. “The most vexing question is why the claim ‘He’s got a gun!’ would culminate in the decision to use deadly force.”

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  • review • July 5, 2016

    The breathtaking excellence of Proxies, poet Brian Blanchfield’s first collection of personal essays, is an urgent reminder of how shortsighted it would be to take identity politics as the sole measure of value in queer writing. Blanchfield—who is white, male, and gay—does not treat these contours of his life as extraordinary in themselves. He attends instead to the subtlest registers of misfit between a queer self and its world—and with such sensitivity, he provides a startlingly detailed map to a territory we only thought we knew well. Again and again, he finds unexpected grace in grim circumstances: growing up gay

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  • excerpt • June 13, 2016

    Setting out in his Fiat 1100 from the Ligurian coast in June of 1959, Pier Paolo Pasolini spent the next couple months wending his way around Italy’s seemingly endless shoreline, arriving—at summer’s end—in the northeastern seaport of Trieste, not far from the Slovenian border. Commissioned by the magazine Successo, Pasolini’s spirited travelogue appeared in successive issues, illustrated with shots by the photographer Paolo di Paolo of chaises longues and beachside cafés, the holiday jet-set and throngs of teenagers clad in swimwear. Expertly translated by Stephen Sartarelli (whose renderings of Pasolini’s poetry came out from University of Chicago Press in 2014),

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