Still from White Noise. Photo: Netflix. A trailer for Noah Bambauch’s film adaptation of Don DelIllo’s 1985 novel White Noise is out now. The Netflix movie will star Adam Driver, Greta Gerwig, and Don Cheadle and will open at the Venice International Film Festival on August 31.   At the Paris Review Daily, Haley Mlotek curses her least favorite month: “In August I cannot think, so I cannot work. This is not not-working in a restful or decadent way. This is not-working as certain doom.”  For Vox, Constance Grady argues that Penguin Random House and Simon Schuster used incompetence as

Lynne Tillman. Photo: Craig Mod. In Frieze, Jennifer Kabat reviews two new memoirs: Lynne Tillman’s Mothercare and Édouard Louis’s A Woman’s Battles and Transformations. Kabat writes, “Both writers have fraught relationships with their mothers, neither of whom had a choice about being a parent, nor were they particularly good at it. The collateral damage is outlined in both narratives.”   The New York Times profiles writer and publicist Kaitlin Phillips. In the piece, she shares her PR philosophy: “So much of press is like, they teach you safe press. I’m incredibly into, like, edging.” For Bookforum, Phillips has written about

Christopher Hitchens. Photo: © Christian Witkin In the latest episode of the Harper’s Magazine podcast, Christian Lorentzen discusses the evolution of critic Christopher Hitchens’s work with host Violet Lucca and guests Luke Savage and Maureen Tkacik. In the August issue of Harper’s, Lorentzen reviewed a new collection of Hitchens’s London Review of Books pieces.  Members of the New York Times Union have conducted a report on racial disparities in performance review scores, which affect the size of bonuses employees receive. The study, whose dataset starts from 2018, shows that “being Hispanic reduced the odds of receiving a high score

Elvia Wilk. Photo: Nina Subin The Atlantic has published Daniel Smith’s “A Recently Divorced Man Dreams Uneasily in His New Apartment,” the first of five very-short stories “displaying the virtue of lightness” that the magazine will share this month.  For the New Yorker, novelist and Dorothy editor Danielle Dutton writes about Ann Quin’s 1972 novel, Tripticks. The book, which Dutton describes as the author’s homage to her birth-control pills, is Quin’s “most pointedly satirical work,” taking up the techniques and mascismo of the Beats. “Yet, just as the novel is a parodic takedown of nineteen-sixties American culture that both

Claire-Louise Bennett. Photo: © Mark Walsh For Harper’s Magazine, Claire-Louise Bennett—author of Checkout 19 and Pond—meditates on artist Louise Bourgeois: “The subject of pain is the business I am in,” she once said. It is customarily supposed that pain is a great catalyst for creativity, since pain produces an overflow of emotion that must surely galvanize artistic expression. But pain is more than and less than emotional excess. It is a grueling existential experience and is therefore one of the most difficult human situations to express.”    At the Paris Review Daily, staff recommend Rosmarie Waldrop’s Curves to the Apple,

Poets & Writers has a profile of Namwali Serpell ahead of the publication of her new novel, The Furrows. The book is a winding tale of grief and uncertainty centered on a missing child, which Serpell began writing in 2008. In 2020, she was in the process of a big revision when the pandemic and the murder of George Floyd by police occured. As she explains, “Those two events didn’t change the content of what I was writing, but they changed the urgency of what I was trying to get at in two senses: confronting death and confronting the racial

Tess Gunty. Photo: Lauren Alexandra Photography PEN America is hosting a reading in solidarity with Salman Rushdie on Friday morning at the New York Public Library. Reginald Dwayne Betts, Hari Kunzru, Gay Talese, Colum McCann and more will read from Rushdie’s body of work. The New Yorker’s Katy Waldman reflects on how top executives testifying in the Penguin Random House antitrust trial have presented their industry: “Despite their aura of idealistic adventure, publishing executives have shown themselves to be fiercely risk-averse. In a capricious market, they’ve leaned on hundred-year-old inventory instead of nourishing the books that might become tomorrow’s

Elaine Castillo. Photo © Elaine Castillo.  The New York Times reports on the testimony of Penguin Random House CEO Madeline McIntosh, who took the stand yesterday in the trial that will determine whether the publisher will be allowed to acquire Simon Schuster.  At the New Yorker, read an excerpt from staff writer Hua Hsu’s new memoir Stay True, which will be published next month. In the excerpt, Hsu recalls faxing his father, who was working in Taiwan as Hsu was attending high school in California. Hsu writes that, at times, “We were like two strangers trading small talk at

Amitava Kumar In the Indian Express, novelist and essayist Amitava Kumar writes an open letter to Hadi Matar, the man who has been arrested for stabbing Salman Rushdie: “Listen, you are young and I understand you will only be sitting in a room doing nothing for many, many years. I hope you will find time to read this letter. The world learned last week that you are 24. The man you tried to kill is 75. I don’t know about you but when I was 24, I was reading that man’s writings with great devotion. You might even say

Salman Rushdie. Photo: Syrie Moskowitz Author Salman Rushdie was attacked this morning in western New York, where he was about to give a lecture, the Associated Press reports. Rushdie’s 1988 novel The Satanic Verses is banned in Iran, and the country’s late leader issued a fatwa calling for his death in 1989. AP’s Joshua Goodman writes that “​​Iran’s government has long since distanced itself from Khomeini’s decree, but anti-Rushdie sentiment lingered. In 2012, a semi-official Iranian religious foundation raised the bounty for Rushdie from $2.8 million to $3.3 million.” Online at n+1, Jenny Brown, the author of Birth Strike,

Matthew Salesses The Paris Review Daily is bringing back their “Culture Diary” column. Today, the site posted a dispatch from Los Angeles by Maya Binyam. Of Elif Batuman’s new novel, Binyam writes, “Almost every review I’ve read of Either/Or mentions Selin’s naive and enthusiastic embrace of great works of literature, which she reads as instruction manuals for how to construct a life; none mentions her stated difficulty in appreciating hip-hop, which she summarizes as an altogether alienating genre of music defined by a man ‘saying “Uh, uh” in the background.’” For The Guardian, Janina Ramirez lists ten books about

Isaac Fitzgerald. Photo: Remi Morawski At the Paris Review, read Annalena Benini’s interview with the Italian poet Patrizia Cavalli, who died in June. They discuss Cavalli’s friendship with Elsa Morante, her affinity for domestic objects, and Cavalli’s first poems, which she wrote after seeing Kim Novak in the 1955 film Picnic: “I fell in love, went home, fasted for a week in protest because I’d never be able to know Kim Novak—and after the fast I wrote two poems. I found them recently while going through some old notebooks. One is titled ‘If Kim Novak were to die.’”  Katy

Sheila Heti (photo: Margaux Williamson) Hulu has optioned Sheila Heti’s forthcoming novel, Alphabetical Diaries. For the novel, Heti took a decade’s worth of diaries, placed each sentence in alphabetical order (based on the first word of the sentence), and then cut until a narrative took shape. The book will be released by Farrar, Straus and Giroux in 2023. Hulu hopes to turn the novel into a TV series.  The New York Times profiles poet Carmen Giménez, who starts her role as the publisher and executive director of Graywolf Press today. Giménez remembers looking at poetry chapbooks and zines at

Joy Williams. Photo: Anne Dalton At the New Yorker, Joy Williams looks at the photographs of Curran Hatleberg, which were taken mostly in northern Florida: “The atmosphere is weary, post-consumerish. No one seems to possess anything. The men and boys are often shirtless, the cars cannibalized. There is beer, and there are bees bearding the faces of men; there is a peeling painted sign offering honey, but there is no honey.” Post45 Contemporaries has collected a series of appreciations for historian and activist Mike Davis’s work, with contributions by Madeline Lane-McKinley, Ryan Cecil Jobson, Eric Avila, and Megan Tusler.

Lynne Tillman, New York City, 2013. Writer and editor John H. Maher has been live tweeting the antitrust trial that will determine whether Penguin Random House will be allowed to acquire Simon Schuster. Today was day four of a trial that two days ago featured Stephen King testifying for the government’s case. The Los Angeles Times rounds up what you need to know about the proposed merger.   In her New York Times “By the Book” interview, Lynne Tillman discusses Jane Bowles’s Two Serious Ladies (1943), noting “it was her only novel, and for that she’s not taught. Her stories

Mohsin Hamid. Photo: © Jillian Edelstein Pulitzer Prize–winning author Heather Ann Thompson is in the midst of a lawsuit to keep New York prisons from banning her book on the 1971 Attica prison revolt. The state attorney general’s office has proposed dismissing the suit, as prison officials have decided to lift the ban under the condition that two pages of Blood in the Water, which display a map of the prison, will be excised before reaching incarcerated readers. Thompson has noted that censorship at Attica by correctional officers was one of the factors that sparked the 1971 uprising.   Stephen

Michelle Tea. Photo: Gretchen Sayers At Lit Hub, an excerpt from Michelle Tea’s Knocking Myself Up: A Memoir of My (In)Fertility, which was just published by Dey Street Books. Tea writes, “Although my friends’ anti-baby fears gave me the opportunity to try out my pro-baby arguments, the truth was, the dare to depart in this wild new direction existed inside my body alongside self-doubt, the economic scarcity issues that were my birthright, and basic terror of the unknown.”  At The Baffler, Rhian Sasseen considers the late Japanese sci-fi writer Izumi Suzuki, whose stories appear for the first time in

Nuar Alsadir. Photo: Deborah Copaken Kogan Thomas Nelson Books, an imprint of HarperCollins Christian publishing, is releasing a new memoir by US Senator Tim Scott, America, a Redemption Story, on August 9. The copyright page states that the South Carolina Republican is preparing a presidential bid for the 2024 election. The publisher is now saying that Scott did not sign off on this declaration, and that printing it was a mistake. “The description on the copyright page was our error and is not accurate. It was not done at the direction or approval of the Senator or his team.

Gilbert Cruz. Photo: Tony Cenicola/The New York Times Gilbert Cruz, the Culture editor of the New York Times, will be the paper’s next Books editor, succeeding Pamela Paul. In a press release, the Times announced that Cruz will work to “reimagine The New York Times Book Review, the nation’s last stand-alone newspaper book-review section, for the digital age.”  Art in America’s second annual Summer Reading issue is out now, with Jackson Arn on artist biographies, Hannah Stamler on children’s books by artists, Lucy Ives on indie presses and self-publishing projects, and more.  Lincoln Michel has started a Twitter thread

Hannah Zeavin The Robert B. Silvers Foundation has announced the recipients of its 2022 grants. The winners include Hannah Zeavin, Christian Lorentzen, Damion Searls, Stephen F. Kearse, and Urmila Seshagiri, among others. For the Verso Books blog, Francesca Peacock writes about the politics of Italian writer Natalia Ginzburg: “Given Ginzburg’s life-long saturation in left-wing politics, why is it now so easy to read her fiction entirely divorced from this context? Part of the reason lies with Ginzburg herself: in her writing, she was unfailingly self-deprecating about her own political knowledge.” For more on Ginzburg, see Emily LaBarge’s 2017 review