• print • Sept/Oct/Nov 2021
    *Balukhali Rohingya refugee camp, Cox's Bazar, Bangladesh, July 2019.* U.N. Women/Allison Joyce/Flickr

    “THERE ARE POLICY CHOICES to be made about who should be an immigrant, and that includes removing folks who don’t qualify under the law,” said Cecilia Muñoz, a member of President Joe Biden’s transition team, and previously the face of President Barack Obama’s harsh immigration-enforcement policies, in a recent interview. She added, “That’s, I think, just the reality of being a nation.”

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  • review • March 23, 2021

    The past few years have seen the resurgence of the working class as a topic of interest, with pundits passing judgements and Ivy League–educated politicians posturing for proletarian clout, though all too often without any input from the workers themselves.

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  • print • Mar/Apr/May 2021
    *Peter Fend, _CRIME_, 2020*, UV print on cardboard, 16 x 20".

    GET BIG FAST was an early Amazon motto. The slogan sounds like a fratty refrain tossed around at the gym. Jeff Bezos had it printed on T-shirts. More than twenty-five years after leaving his position as a Wall Street hedge-fund executive to found Amazon, Bezos’s size anxiety is long gone. (At least as it pertains to his company; the CEO’s Washington, DC, house has eleven bedrooms and twenty-five bathrooms, a bedroom-to-bathroom ratio that raises both architectural and scatological questions.) Bezos is now worth $180 billion. Amazon, were it a country, would have a larger GDP than Australia.

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  • print • Mar/Apr/May 2021
    *Kyunghwan Kwon, _Occidental Explosion (Yellow)_, 2014*, acrylic on canvas, 63 7/8 x 44 1/8".

    I REGRET TO INFORM THE READER that Andreas Malm’s new book, How to Blow Up a Pipeline, does not in fact contain instructions on how to blow up a pipeline. The title is aspirational: how to get enough people to realize that (a) drastic measures are now required to prevent or ameliorate the worst effects of global warming, (b) the usual protests and appeals to institutional authority are getting nowhere, and therefore (c) direct action against the instruments and agents of climate disaster is justified.

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  • excerpt • February 4, 2021
    Robin D. G. Kelley. Photo: Madelene Cronjé

    Racial capitalism has been the subject of a robust body of scholarship and has become virtually a field unto itself since the re-publication of Black Marxism. In fact, the term has become so commonplace in Left circles that when the neo-Marxist philosopher Michael Walzer confessed his ignorance of “racial capitalism” in the pages of Dissent, social media lit up, shaming and schooling the professor for being a political and theoretical luddite. Walzer’s response, however, is typical of a number of leading Marxist thinkers who have dismissed as insufficiently anti-capitalist the decade-long uprising against state sanctioned racialized violence, mass criminalization, political

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  • print • Dec/Jan/Feb 2021

    WHEN I WAS EIGHT OR NINE, my father bought an encyclopedia. To him, maybe because there had been one in his childhood home—a prized possession his parents had bothered to box up and ship when they immigrated in the 1970s—owning an encyclopedia was some sort of milestone, a marker of adulthood. I had trouble grasping the potential utility. Why do you need that, I asked, when you can use Wikipedia? This resulted in a game: we would come up with an arbitrary topic or question (What are the names of Jupiter’s moons? What was Kublai Khan’s love life like?), and

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  • print • Dec/Jan/Feb 2021
    *Jesse Mockrin, _Caught fire and fury_, 2019*, oil on linen, overall 71 x 99".

    SEVEN YEARS AGO, Aaron Coleman, who is currently twenty and a candidate for the Kansas state legislature, attempted to extort nude photos from a thirteen-year-old. When she refused, he circulated another nude photo of her in retaliation. Around the same time, he started bullying another girl, and persisted until she attempted suicide. Last December, months before he came to national attention, he hit and threatened a third woman, then his girlfriend, choking and slapping her in a hot tub after she joked about breaking up with him. After two of the women made their stories public, Coleman found defenders in

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  • print • Dec/Jan/Feb 2021
    *Adam Neumann, 2016.* STUART ISETT/Fortune Brainstorm TECH/Flickr

    IN HIS AUTHORIZED BIOGRAPHY, Steve Jobs explains how he chose the name Apple. In 1975, Jobs was working weekends pruning Gravenstein apple trees at an orchard near Salem, Oregon. A Swiss millionaire owned the land, but he had entrusted the cider operations to his nephew, a Hare Krishna hippie who had recently served two years in Virginia for possessing 24,000 tablets of LSD. Jobs liked the hippie, the orchard, and the fruit. He liked the way the word “apple” sounded—fun and unintimidating. “Apple took the edge off the word ‘computer,’” Jobs told his biographer, Walter Isaacson: it balanced something industrial

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  • print • Dec/Jan/Feb 2021
    *Smoke particles from West Coast wildfires alter the sky's colors, Oregon, September 8, 2020.*

    WHEN THE PANDEMIC FIRST HIT, “social distancing” was exactly what I wanted: I was exhausted and in a deep brain fog and all I could imagine was lying in bed for weeks reading trashy novels and watching bad TV. But with death all around, I felt the need to find something to do, so back to journalism with me, talking to essential workers and the laid-off and the homeless moving into vacant homes. As the crisis worsened, I found myself bargaining: I won’t miss touch if I can just look someone I love in the eyes; I don’t need restaurants

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  • excerpt • November 25, 2020
    Leanne Betasamosake Simpson. Photo: Nadya Kwandibens / Red Works Photography

    There is an assumption that socialism and communism are white and that Indigenous peoples don’t have this kind of thinking. To me, the opposite is true. Watching hunters and ricers harvest and live is the epitome of not just anticapitalism but societies where consent, empathy, caring, sharing, and individual self-determination are centered.

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  • print • Apr/May 2011

    A natural response to depravity or evil is to eject it from the human circle, to make of the perpetrator something inhuman. This response is understandable—we do it to protect ourselves from too painful an exposure to the unthinkable—but it doesn’t lead to any greater understanding of the issue or person at hand. Demonizing Hitler, for instance, doesn’t take away from the fact that he had two eyes, a nose, and a mouth like the rest of us. When it comes to malfeasance involving children, we are even more bent on distancing ourselves—from the mother who murders her offspring or

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  • print • Apr/May 2011

    Chris Adrian’s prose is so alive with sweet and quirky phrasing, so comfortable with the sexual and the theological, and so optimistic in the face of putative certainties that readers may find cause for gratitude even in a novel that is foolish in conception and inept in structure. Such grateful moments are certainly rarer in The Great Night, Adrian’s latest, than in Gob’s Grief (2001) and The Children’s Hospital (2006), and they become rarer as the novel progresses. The Great Night is hampered by technical decisions rather than Adrian’s sentence-by-sentence conduct; there are flaws of narrative construction as well as

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  • print • Dec/Jan/Feb 2021
    *W. E. B. Du Bois, _Negro Teachers in Georgia Public Schools_, ca. 1900*, ink and watercolor on board, 28 x 22". Library of Congress

    YOU MAY NOT HAVE BEEN thinking about American history on September 17, not in the longitudinal sense. Maybe you were taking a limited view of the historical arc, something like, “What the fuck?” That morning, as he often does, Trump connected the immediate and the long-view senses of history by announcing the “1776 Commission,” a body conjured from thin air and allegedly dedicated to the case of “patriotic education.” The proximate insult that Trump and his speechwriters were responding to was the New York Times’s 1619 Project, a collection of essays and study resources with a longer view that won

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  • print • Dec/Jan/Feb 2021
    *Raymond Pettibon, _No Title (Mind and blooyd...)_, 2019,* ink and graphite on paper, 23 5/8 x 23 1/8".

    I REMEMBER BETTER THAN MOST where I was when I knew Donald Trump would win. Not just that he would win but that “the office” would not subdue him, that he was coming because he was the crest of a wave, a force made unstoppable by its mostly unseen mass. It was October 9, 2016, I was forty-four, and I was having a heart attack. On the TV above my hospital bed, at his second debate with Hillary Clinton, Trump loomed over Clinton’s shoulder. My nurse, a Trump supporter, gave me a drip of nitroglycerin. It was a slow-moving heart

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  • print • Dec/Jan/Feb 2021
    *Peter Saul, _Abstract Expressionist Portrait of Donald Trump_, 2018*, acrylic on canvas, 78 × 841⁄4".

    THE MARKETING COPY describing True Crimes and Misdemeanors as “a real-life legal thriller” sets up unfair expectations for a book rehashing recent news. The outcome is already known: Trump is still president, despite two investigations examining shady dealings with Russia and Ukraine. Early in his presidency, with liberal media at a fever pitch comparing him to twentieth century European dictators such as Mussolini and Hitler, it seemed that liberals really believed the headwinds of collective outrage would topple Trump before the end of his first term. As of this writing, two weeks before the national election, Trump has survived not

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  • print • Sept/Oct/Nov 2020
    *Nancy and Ronald Reagan with Senator Strom Thurmond on the Presidential campaign trail, South Carolina, 1980.*

    THEY’RE BOTH ON THE BOOK’S COVER, in the backseat of a limo, winner and loser of the 1980 presidential sweepstakes, riding, one presumes, to the inauguration of the one on the (so to speak) right. The outgoing president, giving the side-eye to his successor, stoically bears what one might view as an enigmatic half-smile. When things were going better for him four years earlier, his full-bore eighty-watt grin was his calling card, his ticket to glory. He’ll smile like that again someday, but it’ll never be the same. The incoming president? Nothing can harsh this guy’s mellow on this bright-and-frosty

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  • print • Sept/Oct/Nov 2020

    “UTOPIA HAS SUDDENLY changed camp,” write Pablo Servigne and Raphaël Stevens in How Everything Can Collapse: A Manual for Our Times, just out in an English translation by Andrew Brown. “Today, the utopian is whoever believes that everything can just keep going as before.” In 2015, when the book was first published in France, such a statement might have sounded alarmist. In 2020, Collapse feels positively prophetic. Things have not kept going as before, and it seems increasingly doubtful that they ever will again.

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  • print • Sept/Oct/Nov 2020

    THE STANDARD DEBATES around violent and nonviolent protest are well worn, if not worn out. Those of us who defend the deployment of tactics deemed “violent”—the broken bank window, the punched neo-Nazi, the burning cop car—are told that the moral high ground lies in nonviolence alone. In response, we speak of historic successes. We bemoan the whitewashing of civil rights militancy and decry the state’s monopoly on force. We’ve been known to quote Assata Shakur: “Nobody in the world, nobody in history, has ever gotten their freedom by appealing to the moral sense of the people who were oppressing them.”

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  • print • Sept/Oct/Nov 2020
    Legacy Russell. Photo: Mina Alyeshmerni

    THE 1990s WERE A TIME of great techno-cultural promise. But despite the radical potential of the early internet, the decade gave rise to the increasing consolidation of power in the hands of men. Artists and theorists updated feminism to account for the social changes wrought by the internet and the systematic erasure of women in tech. In the Global North, this amorphous movement came to be known as cyberfeminism, and ran the gamut from the raucous, and often filthily funny, “Girls Gone Wired” ethos of Australian collective VNS Matrix to dry-mouthed academic treatises that were rather more joyless. Cyberfeminism’s theoretical

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  • print • Sept/Oct/Nov 2020
    *Looking Glass Beauty Salon, Lower Ninth Ward, New Orleans, May 2006.*

    EVERY SPRING FOR MILLENNIA, snow in the Rockies and Appalachians has melted, carrying silt to the Mississippi River. From Minneapolis to Natchez, the river has bulged with the mountains’ sediment and whatever soil it pulled from the banks. Near its mouth, the Mississippi widens. Its height drops and its pace slows, allowing millions of metric tons of sediment to settle. Over time, the continent’s profit has expanded the state of Louisiana.

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