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Omnivore

Is finance parasitic?

Robert C. Hockett and Saule T. Omarova (Cornell): Public Actors in Private Markets: Toward a Developmental Finance State. Joseph Heath (Toronto): Mistakes Were Made: The Role of Catallactic Bias in the Financial Crisis. Would the financial crisis have happened if women ran Wall Street? Banking Left: Danny Vinik on how the center moved after the financial crisis. Ross P. Buckley (UNSW): The Changing Nature of Banking and Why it Matters. What is the right size and purpose of the U.S. financial


Paper Trail

Jenny Erpenbeck and her translator Susan Bernofsky have won the £10,000 Independent Foreign Fiction Prize for The End of Days, which looks at the twentieth century through one woman’s several possible fates. Erpenbeck is the first living German writer to receive the prize (W.G. Sebald got it posthumously for Austerlitz, as did Gert Hofmann for

Syllabi

The Innocent/Corrupt

Adam ThirlwellA narrator is a much stranger toy at the novelist's disposal than is usually thought. It's not just something as depressingly ordinary as a character—more a vast system of smuggling. And there's one

Daily Review

The Sympathizer

From the grand ’Nam narratives of ’70s cinema to the works of creative-writing-syllabus mainstays like Tim O’Brien and Robert Olen Butler, representations of Vietnam and the war we staged there are some of our most indelible and critically renowned cultural products.

Interviews

Dale Peck

Dale Peck is not known for understatement. His reviews, collected under the title Hatchet Jobs, earned him a reputation as one of the most scathing critics of his generation's revered literary voices. Peck's 1993 debut novel, Martin and John, was released as Fucking Martin in the UK.

Essay

Dennis Cooper's Haunted HTML Novel

Paige K. Bradley

You could call Dennis Cooper's new HTML novel, Zac’s Haunted House, many things: net art, a glorified Tumblr, a visual novel, a mood board, or a dark night of the Internet's soul. It has just a few words—the chapter titles and a few subtitles embedded in some of the gifs—but it still very clearly belongs to Cooper’s own haunted oeuvre, capable of evoking powerful and gnarled emotions.

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