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Omnivore

When does the Ferguson story end?

From Political Theology, “no justice, no peace”: Vincent Lloyd on the tragedy of Ferguson. From The Christian Post, “the soul of the white church has yet to be ashamed”: Austin Channing on how the white church still doesn't get the danger of being black. From ENS, what should the Episcopal Church be doing about Ferguson? From Tikkun, Craig Wiesner on how Jesus died with his hands up, too. Jay Michaelson on why Jews should care about Ferguson. Ellie Hall goes inside the world of white Ferguson on


Paper Trail

  Afghanistan expelled New York Times journalist Matthew Rosenberg, and then issued a statement calling Rosenberg’s recent article about an electoral crisis in the country “more of an espionage act than a journalistic work, one that was meant to create panic and disruption in people’s minds, and provide the basis for other spying purposes.” As the

Syllabi

Weird Sex

Vanessa RovetoThere's good sex and there's bad sex. And then there's weird sex—a Freudian purgatory that somehow neither stimulates the libido nor inhibits it. In art and life, we're inclined to seek out pleasure

Daily Review

News from Home

I was in Los Angeles setting ancient Confucian odes to music when a Ferguson, Missouri, police officer shot and killed an unarmed black teen named Michael Brown. I earn a living editing a major African American newspaper in Saint Louis, which means that I have to be on guard, at all times, for breaking news

Interviews

Yelena Akhtiorskaya

Most extraordinary about Yelena Akhtiorskaya's first novel, Panic in a Suitcase, is the language, which can dive in and out of the consciousness of multiple characters in the space of a sentence. Akhtiorskaya writes about Russian immigrants who fail to fully embrace their new country. Often, they dream about returning, or at least about taking a vacation.

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BEA 14: Jesmyn Ward

Miscellaneous

Whatever Happened to St. Petersburg?

Greg Afinogenov

Catriona Kelly’s Petersburg: Shadows of the Past takes the city’s marginal and offbeat local culture not as a fall from grace but as an opportunity. Despite its foreboding subtitle, the book ventures into this least heroic period of the city’s life—from 1945 to the present—with the briskness of a government inspector.

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