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see all contributions from Art & Language Art Winslow

  • print • Summer 2023

    Come as You Are

    Annie Ernaux’s book of sex, writing, and selfhood • Jamie Hood

    ... previously. As in that affair, the borders between Ernaux’s experience and her documentation of it collapse. In her diaries she at first insists that “I wanted to make this passion a work of art,” before...

  • print • Summer 2023

    Quiet Quitting

    Franz Kafka’s work-life imbalance • Charlie Tyson

    ... FRANZ KAFKA’S LAST STORY was a fable about art and labor. “Josephine the Singer, or the Mouse Folk” is a tale told by a mouse who, with marked erudition and fair-mindedness, reflects on an...

  • print • Summer 2023

    Guilty Pleasures

    Nick McDonell casts a cool eye on his wealthy milieu • Jesse Barron

    ... IN HIS 1980 ESSAY ON THE AMERICAN SCENE, “Within the Context of No Context,” George W. S. Trow supplies an anecdote from Harvard in the early 1960s. During an art history class on the Dutch...

  • print • Summer 2023

    All the President’s Women

    Robert Plunket’s comic novel of a renegade historian • Ed Park

    ... of its comic mileage out of set pieces that let Plunket merrily skewer bad art, from a feminist theater collective’s interactive play (All My Sisters Slept in Dirt: A Choral Poem) to a LACMA gala...

  • print • Summer 2023

    Pier Pressure

    Prudence Peiffer’s history of a midcentury artistic haven • Jennifer Krasinski

    ... York City art world. Here on “the Slip”—a commercial dock designed for transience and exchange—they lived in cheap and drafty lofts, nurturing intuitions and ideas into radical practices, producing...

  • print • Summer 2023

    Where Egos Dare

    The secret history of a psychoanalytic cult • Hannah Zeavin

    ... the top. For the early Sullivanians, that role fell to Clement Greenberg, the most prominent art critic in midcentury America. “Chumship” or an “intimacy of peers” was as central to this revolution...

  • print • Summer 2023

    Spit Happens

    The elusive art of Harry Smith • Sasha Frere-Jones

    ... “Berkeley Renaissance” of 1948, the artist Jordan Belson, said that Smith “had nothing but insults and sarcasm for most art and most artists.” (This quote comes from the fantastic American Magus, a...

  • print • Summer 2023

    Atlas Slugged

    Michael Thomsen on the real winners of the Ultimate Fighting Championship • Matthew Shen Goodman

    ... States,” as they attempted to identify what form of martial art was most effective at incapacitating an opponent. Inspired by a Chuck Norris flick, they chose the cage—no electricity—to determine...

  • print • Summer 2023

    Inner Visions

    Anna Cassel’s prescient paintings • Johanna Fateman

    ... Only recently, af Klint’s work (or what was thought to be hers) upset the art-historical timeline, placing her ahead of solitary male artists like Wassily Kandinsky and Kazimir Malevich as the...

  • print • Summer 2023

    Shocks to the System

    Don DeLillo’s novels of the Cold War and its aftermath • Christian Lorentzen

    ... was coined by the scholar, critic, and novelist Tom LeClair in his 1987 study In the Loop: Don DeLillo and the Systems Novel and expanded upon in his 1989 book The Art of Excess: Mastery in...

  • print • Summer 2023

    Bookforum Is Back!

    Help us continue our mission by subscribing and spreading the word • The Editors

    ... deeply engaged with books and contemporary culture. Since 1994, Bookforum has staked out its own territory, inviting authors to take on—with critical acuity and personality—fiction, art, literary...

  • print • Summer 2023

    To Affinity and Beyond

    Brian Dillon’s anti-critical criticism • Ryan Ruby

    ... Wilde’s aesthetic philosophy” from so thoroughly ironic a text, but Gilbert does advance a coherent theory that not only is art a “self-conscious, deliberate” criticism, “criticism is itself an art...