• print • Winter 2026

    FATHER DANIEL BERRIGAN TURNED FORTY-NINE WHILE HIDING FROM THE FBI IN THE SPRING OF 1970, though pictures from that time suggest the playfulness of a younger man. In shots taken by civil rights movement photographer Bob Fitch, Berrigan mugs at the camera from under a rat’s-nest wig and sombrero, a lampoon of disguise. Beanie-clad, he […]

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  • print • Winter 2026

    SUFFERING MAKES FOR A GOOD STORY. A certain reader likes when it feels far away. The task of the storyteller is to make it seem so. Consider a fan favorite: the drawn-out mental breakdown. At the beginning, there are all the ways I could have been you, and as I string you along my unraveling, […]

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  • print • Winter 2026

    WE’RE IN THE HOLYOKE MALL, and I need to go to the bathroom. Although the divorce is not so recent, some activities with my father still stretch him beyond his inclinations or means, usually both, which he devises to suit my older brother and me to make up for “it.” Shopping at the video-game store […]

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  • print • Winter 2026

    JULIA IOFFE’S Motherland is a book about Russian women written for American women. The book, which identifies itself as a feminist history of modern Russia, condemns American feminism for its toothlessness, its inability to see beyond the safety that has shielded America’s women from the ordinary horrors of Russian life. Ioffe was born and raised […]

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  • print • Summer 2025

    WHAT DO BABIES SMELL LIKE? The correct answer is Johnson & Johnson. The company put a lot of money into creating its signature scent—which consists of more than two hundred ingredients and is among the most recognized fragrances in the world—because of the well-established hold of smell on memory and memory on behavior. In more […]

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  • print • Spring 2025

    WHEN SARAH SCHULMAN WALKED INTO MY APARTMENT, a month or so after Artforum magazine fired me in October 2023 for publishing an open letter in support of Palestinian liberation, her first words were, “How can I help?” I think this is the most ethical sentence in the English language. She said it like she meant […]

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  • print • Spring 2025

    HISTORICAL FIGURES re-emerge into public attention according to a quasi-astrological logic. Before she fell into relative obscurity, Andrée Blouin was a luminary of the African decolonization movement of the 1950s and ’60s—beautiful, glamorous, and gifted with an acute understanding of power. She was in the right places at the right times: she first became politically […]

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  • print • Spring 2025

    There is by now a vibrant and contentious literature on the relationship between political change and mental illness. Does despair breed compliance, or can you fight back harder the less you have to lose? Could a shared cause of psychological suffering become a cause, rallying and even sustaining the sufferers? Must a mind unhinge itself […]

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  • print • Spring 2025

    AN OVERPOWERED REBEL casts his eyes up in terror at the warrior ripping him away from his grieving mother. Survivors on a corpse-covered raft at sea, dispatched by a vicious colonial government and abandoned by their superiors, stretch desperate hands toward the horizon, where a rescue may or may not be approaching. A peasant rebellion […]

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  • print • Spring 2025
    Henri Matisse, Femme au chapeau (Woman with a Hat), 1905, oil on canvas, 31 3/4 × 23 1/2". "Image: Collection San Francisco Museum of Modern Art, bequest of Elise S. Haas."

    GUY DEBORD PUBLISHED The Society of the Spectacle in 1967 while shepherding the original Situationist International in Paris, a collective shimmy that tumbled into the protests of May 1968. This era has become a frozen plot point in the Wiki of the left while its theoretical leader remains, somehow, under-consulted. British art historian T. J. […]

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  • print • Winter 2025

    AS NEWS BROKE that a ceasefire agreement—tenuous, immediately delayed by Israel—had been signed, celebrations filled Gaza’s streets. People allowed themselves to take in this victory: the naked force of the entire West had failed, for over a year, to break their will. When news of the ceasefire reached me, via phone notification, I started crying. […]

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  • print • Fall 2024

    ISN’T MODERN SOCIETY A FUCKING DRAG? Don’t you want to smash it? Don’t you want to create your own life instead of slogging to a job you hate, watching the rich live more vibrantly on tiny screens? There are people in history who did precisely that. They usually ended up shot in the streets, but […]

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  • print • Fall 2024

    SIX MONTHS AGO, I was sitting in the San Jose kitchen of a woman I was trying to like. We were new friends, and I had been invited to dinner. As she flitted around me cooking, her young son would occasionally appear at my elbow and then disappear into the living room in a peal […]

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  • print • Fall 2024

    RICHARD BECK WAS FOURTEEN WHEN THE PLANES HIT, the impact sites in Manhattan, Arlington, and Shanksville forming a triangle surrounding the Philadelphia suburb in which he grew up. In early October 2001, on a school choir trip to Manhattan, he saw two young women in the alto section tearfully embrace at the announcement of the […]

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  • print • Fall 2024

    JAMIE HOOD: Hello! CHARLOTTE SHANE: Hi! You look gorgeous—make sure to put that in. HOOD: Oh, I will. An Honest Woman (Simon & Schuster, $26) is a sort of origin story, about the boys you grew up with and the cultural milieu of your youth, as well as an erotic Bildungsroman that eventually traces your […]

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  • print • Fall 2024

    FOR A YEAR, ISRAEL HAS TARGETED doctors, mosques, mothers, fathers, churches, journalists, hospitals, toddlers, cats, horses, apartment complexes, and universities in Gaza. It has aired the torture of Palestinians on national television. Many have articulated this point: we are witnessing the first live streamed genocide. I come across a photo of a man bursted under […]

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  • print • Summer 2024

    “IF YOU WANT A HAPPY ENDING,” Orson Welles once quipped, “that depends, of course, on where you stop your story.” But sometimes, it’s not that the story stops so much as that the audience stops paying attention. This might be one way to think of #MeToo, which, in the years since it has faded from […]

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  • print • Summer 2024

    AS WITH JUST ABOUT EVERY deep, wide, and candid account of American life, race all but saturates When the Clock Broke, John Ganz’s trenchant look-back-in-incredulity at American political culture in the early 1990s. Then, as now, race is the elephant in the national living room that many white voters wish they could look away from […]

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  • print • Spring 2024

    AARON BUSHNELL WAS a twenty-five-year-old active Air Force member, employed as a cybersecurity expert. After growing up in a conservative religious sect on Cape Cod, he joined the US military a few years after Donald Trump was elected. Soon after George Floyd was murdered, Bushnell had a political awakening, became critical of the military, and started participating in mutual-aid projects. An autodidact who eventually identified as an anarchist, Bushnell moved from San Antonio to Ohio, where he prepared to transition out of the military. You likely know how his story ended: on Sunday, February 25, 2024, he died by self-immolation outside

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  • print • Spring 2024
    *Sen. Bernie Sanders and Rep. Alexandria Ocasio-Cortez, Council Bluffs, Iowa, November 8th, 2019.* Image: Wikicommons/Matt Johnson.

    WANT TO FEEL OLD? Some Americans born during the 2008 financial crisis will be getting their driver’s licenses this year. These youngest Zoomers have never known an America where serious people think that the free market can work without significant government intervention, and they’ve likely known the names Elizabeth Warren, Bernie Sanders, and Alexandria Ocasio-Cortez for as long as they’ve been politically aware. They have never believed capitalism would deliver for them, never experienced the disillusionment of seeing it fail for the first time, and never known the thrill of seeing it challenged by upstart politicians or the disappointment of seeing

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