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SUMMER 2025
Archive
FEATURES
The Center Will Hold
JOHN JEREMIAH SULLIVAN ON GEOFF DYER’S NEW ARTISTIC TERRITORY
States of Grace
BRANDON TAYLOR ON OCEAN VUONG’S NOVEL OF PRECARITY AND ABUNDANCE
Wall in the Family
JANIQUE VIGIER ON MARLEN HAUSHOFER’S PARABLES OF ISOLATION
FICTION
SOPHIE KEMP: Catherine Lacey’s
The Möbius Book
ELVIA WILK: Leif Randt’s
Allegro Pastel
JESSI JEZEWSKA STEVENS: Michael Clune’s
Pan
SASHA FRERE-JONES: Sebastian Castillo’s
Fresh, Green Life
INTERVIEW
ANGELO HERNANDEZ SIAS talks with Susan Choi
NONFICTION
HANNAH GOLD: John Gregory Dunne’s
Vegas: A Memoir of a Dark Season
MARY TURFAH: Gardiner Harris’s
No More Tears: The Dark Secrets of Johnson & Johnson
DAVID O
’
NEILL: Michelle Kuo’s
Jack Whitten: The Messenger
AUDREY WOLLEN: Roger Shattuck’s
The Forbidden Experiment: The Story of the Wild Boy of Aveyron
ELIAS ALTMAN: Jamie Hood’s
Trauma Plot: A Life
JOSIE MITCHELL: Jamaica Kincaid’s
Putting Myself Together: Writing 1974–
TARPLEY HITT: Bridget Read’s
Little Bosses Everywhere: How the Pyramid Scheme Shaped America
ERIC BANKS: Ian Penman’s
Erik Satie Three Piece Suite
RYAN RUBY: Marco Filoni’s
The Life and Thought of Alexandre Kojève
HIJI NAM: Keith McNally’s
I Regret Almost Everything