The New York Times Magazine has a feature on Gayl Jones, the pioneering Black writer whose new novel, Palmares, is her first in more than twenty years. Imani Perry writes of the prose, “While Jones is musical, her blue note always hits harder than any grace note. That is her effort to free the voice.”

Tonight at 6:30pm EDT, the Paris Review and the Brooklyn Public Library present Return to Rainy Mountain, a film that follows N. Scott Momaday on a road trip based on the ancestral myths and legends presented in his book The Way to Rainy Mountain. The movie will be presented by filmmaker Jill

Amitava Kumar, whose novel A Time Outside This Time will be published in October, ponders Spike Lee, tennis, Nabokov, and much more, including the “arresting” quality he sought when he started writing fiction: “Plots are for dead people, but voice—oh, voice is how you know you’re alive.”

Zando, the independent press that “connects inspiring authors to the audiences they deserve,” is continuing to build its team, hiring Chloe Texier-Rose (formerly of Farrar, Straus and Giroux) to head its publicity department. In a statement released by Zando, Texier-Rose says: “As a book publicist, my goal is

Daphne A. Brooks has won the Museum of African American History’s Stone Book Award for Liner Notes for the Revolution, her study of Black feminist sound and the archive. For more on Brooks’s work, read Rawiya Kameir’s review in the summer issue of Bookforum.

The longlist for the National Book Award for Nonfiction was announced yesterday. Among the nominees are Hanif Abdurraqib for A Little Devil in America, Grace M. Cho for Tastes Like War, and Clint Smith for How the Word Is Passed. Today, the nominees in the fiction category were announced, including Katie Kitamura for Intimacies, Lauren

The National Book Awards longlist for poetry was announced today, following the list for young people’s literature and books in translation, which were announced yesterday. The nominated poets include Martín Espada, Desiree C. Bailey, Forrest Gander, and Jackie Wang, among others. The nonfiction longlist is expected later this afternoon.

At the Yale Review, new fiction from Brandon Taylor.

For Lit Hub, Jen DeGregorio looks into the story behind a lock of Emily Dickinson’s hair, which is selling for $450,000. Is the sample real? Was it stolen? The answers involve the poet James Merril, who is

The Booker Prize shortlist has been announced. It includes novels by Patricia Lockwood, Richard Powers, Maggie Shipstead, Anuk Arudpragasam, Damon Galgut, and Nadifa Mohamed.

The Nation has hired Mohammed el-Kurd as a Palestine correspondent to cover the Israeli occupation and the Palestinain resistance. In a statement, the magazine wrote, “For too long Palestinian voices have been silenced, kept out of the US conversation simply for trying to share the Palestinian experience. We will not be intimidated into maintaining that silence.”

Erin Overbey, the New Yorker’s archive editor, has compiled

The New York Times has announced three new hires for the Books section: Molly Young and Alexandra Jacobs are joining as staff critics and Jennifer Wilson is becoming a contributing essayist to the Book Review.

For Columbia Journalism Review, Clio Chang writes about the political evolution of Teen Vogue, which is regrouping after the resignation of editor in chief Alexi McCammond. The magazine hired a new editor this May, and Chang observes that “the mood today . . . teeters between positivity and nihilism; Teen Vogue staffers are fully aware of the strange tension in producing justice-oriented

Tomorrow, A Public Space will publish Tolstoy Together: 85 Days of War and Peace, in which Yiyun Li, the author of Dear Friend, from My Life I Write to You in Your Life, recounts her rereading of Tolstoy with an online book club during the pandemic. “I’ve found that the more uncertain life is,” Li writes, “the more solidity and structure War and Peace provides.” The book includes contributions from Garth Greenwell, Elliott Holt, Carl Phillips, Tom Drury, Sara Majka, Alexandra Schwartz, and hundreds of fellow readers from around the world.

The Dorothy Publishing Project, which publishes two

Ashley M. Jones has been named Alabama’s poet laureate. Jones is the state’s first Black poet laureate and the youngest writer to hold the title. She recently talked with NPR about her new book of poems, Reparations Now!: “What I mean when I say reparations is that I want what we are owed, which means for me as a Black person, I want to be able to walk into a room with my hair however it is fixed, with my skin as dark or as light as it is, and not feel immediately targeted.”

Tonight, Powerhouse arena in Brooklyn hosts Marlowe Granados and Rachel Tashjian to talk about Granados’s new novel

At the New York Times, Alexandra Alter talks with Colson Whitehead about his latest novel, Harlem Shuffle, and his flexibility as a writer. “His heterogeneous style comes not so much from an effort to show his range but from a short attention span,” Alter writes. As Whitehead puts it, this “prevents me from getting bored—that’s the main thing . . . . Like, why can’t I just do a zombie novel? No reason, just do it. So, with this, can I do a heist novel? Yeah, sure. Why not?” For more on Harlem Shuffle, read Omari Weekes’s review in our new issue.

Contemporaries at Post45 will publish a cluster

Hours after publishing an interview with Judith Butler yesterday, The Guardian removed whole paragraphs of the interview, apparently “folding” under pressure from transphobic readers. In the removed section, Butler answered a question about the alliance between far-right groups and certain factions of feminism in part by denouncing trans-exclusionary radical feminists as fascists. As Emanuel Maiberg reports for Motherboard, “it is exceedingly rare for long passages to be cut from articles with such a cryptic update note, and is even rarer for a question-and-answer to be deleted from a high

The new issue of Bookforum is out today! Our fall-fiction package includes reviews of novels by Colson Whitehead, Joy Williams, Miriam Toews, Jonathan Franzen, Tao Lin, and Percival Everett, plus an interview with Asali Solomon. Also in the magazine: James Hannaham’s diary on Fernando Pessoa and flying; Charlotte Shane’s consideration of Maggie Nelson, freedom, and care; Daphne Merkin’s reassessment of the hated and celebrated D. H. Lawrence; and more.

In The Baffler, Dana Kopel writes about working to unionize staff of the New Museum, and the museum unionization movement taking hold across

For the New Republic, Alex Shephard considers the possibility that Substack will repopularize serialized fiction, and finds it “highly unlikely.” Novelist Salman Rushdie is the latest high-profile writer to join the platform, but as Shephard notes, the author of Midnight’s Children seems more intent on using it as a blog—another supposedly outdated but resilient technology. The speculation about how books will change with the times is well-worn: “For years, people have been predicting that the internet would radically upend the future of literature and yet, stubbornly, literature has refused